Materials & Techniques: etching (printing process) and line engraving / Period: 19th century / Genre: architectural subject and landscape / Associated Places: United Kingdom

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Materials & Techniques etching (printing process)

Materials & Techniques line engraving

Period 19th century

Genre architectural subject

Genre landscape

Associated Places United Kingdom

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814-1826

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by W. R. Smith, active 1819–1851

Rosslyn Castle

ca. 1822

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1818-1823

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by George Cooke, 1781–1834

Tooting Church

1827

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

Print made by William John Cooke, 1797–1865

Worcester

undated

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1821

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Beaumaris, Isle of Anglesea

1836

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by George Cooke, 1781–1834

Critchton Castle

1819

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1822

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1822

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by William Angus, 1752–1821

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by unknown artist

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

ca. 1840

Henry Griffiths, 1835–1849

Inverlochy Castle, Invernesshire

1836

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

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