Materials & Techniques: graphite and wove paper / Work Type: intaglio print

1. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint retouched with graphite on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Inverary Pier, Loch Fyne, Morning

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's proof (b)(touched) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Sheep-Washing, Windsor

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching; Early (touched) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Dumbarton Rock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching printed in brown ink, with graphite; Early state (touched) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; engraver's proof (a) on thick, sightly textured, cream wove paper
Dimensions:: Sheet: 22 × 27 7/8 inches (55.9 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; engraver's proof (c), touched on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 1/4 × 39 3/4 inches (66.7 × 101 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Temple of Aphaia at Aegina: Elevations

Creator:: Edmund Turrell, active 1835–1860
Date:: undated
Materials & Techniques:: Line engraving with graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 18 inches (30.5 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Dead Eagle - Oran

Creator:: Print made by William Miller, 1796–1882
Date:: 1837
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 × 7 3/4 inches (31.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Banditti (vignette)

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving, with scraping out and graphite; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Aosta (vignette)

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1830
Materials & Techniques:: Etching and line engraving with graphite; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 8 3/8 inches (11.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Pendennis Castle and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving with graphite; touched proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/16 × 17 3/8 inches (29.1 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Portsmouth, Hampshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1825
Materials & Techniques:: Etching and line engraving; engraver's proof touched on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Romance

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1922
Materials & Techniques:: Etching with gouache and graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 14 15/16 x 11 inches (38 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

15. The Lark at Heaven's Gate Sings

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching, retouched with graphite on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 x 16 3/16 inches (27.9 x 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

16. View of Pont St. Michel, Taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching, first engraver's proof, touched in graphite by the artist on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 x 16 1/2 inches (22.7 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Plan of ground floor of Herstmonceux Castle

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving, with graphite on smooth, thin, cream wove paper
Dimensions:: Sheet: 8 5/8 × 5 1/2 inches (21.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. St. Julienne's Chapel

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving and graphite, engraver's proof (touched) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Dido and Aeneas; The Morning of the Chase

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; engraver's proof (a), touched on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; early engraver's proof, touched on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 30 1/8 inches (59.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Ancient Italy - Ovid Banished from Rome

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1842
Materials & Techniques:: Etching and line engraving, with scraping out and touched with graphite and white chalk; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Herstmonceux Castle for the history and description of the Sussex Coast

Creator:: Charles John Smith, 1803–1838
Date:: undated
Materials & Techniques:: Engraving, with graphite on smooth, medium, beige wove paper
Dimensions:: Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Hannibal passing the Alps (vignette)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving with graphite and scraping; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 6 inches (27.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1822
Materials & Techniques:: Line engraving, etching and graphite, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 11 13/16 inches (21.7 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The "Victory" Coming Up Channel

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink, with graphite, pen and black ink, gouache, and brown wash (touched proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 3/4 inches (21.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

27. Herstmonceux Castle, Sussex

Creator:: John Greig, active 1803–1853
Date:: 1815
Materials & Techniques:: Engraving, with graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 3 3/4 × 6 1/4 inches (9.5 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Herstmonceux Castle, Sussex

Creator:: William Tombleson, ca.1795–1835
Date:: undated
Materials & Techniques:: Engraving, (verso) graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 5 3/4 × 3 7/8 inches (14.6 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower

Creator:: William Henry Brooke, 1772–1860
Date:: undated
Materials & Techniques:: Engraving on smooth, medium, cream wove paper
Dimensions:: Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Herstmonceux Castle, Sussex Pl. 4

Creator:: Sparrow, active 1773–1787
Date:: undated
Materials & Techniques:: Engraving, with graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 6 5/16 × 10 inches (16 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Studies, with Gardens, Possibly for a Talman Family House

Creator:: Verso by John Talman, 1677–1726
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and red chalk; verso: line engraving on thick, textured, cream wove paper
Dimensions:: Sheet: 22 3/4 x 17 1/2 inches (57.8 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. View on the Orwell

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 16 3/4 inches (30.8 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching with graphite corrections on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 x 20 3/4 inches (21.4 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Château Hamelin

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 × 8 15/16 inches (15.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Banqueting House, Whitehall

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline, and graphite; verso: pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 3/8 × 15 3/4 inches (31.4 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Etching on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 inches (34.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Gipsy

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, with graphite, Touched Proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 × 5 7/8 inches (27.5 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. St. Pierre's Cottage

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving, with scraping out and touched with graphite (Engraver's Proof b) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 9/16 × 12 3/16 inches (44.6 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. St. Anne's Hill, No. II

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite and scratching out; touched engraver's proof (b) on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/8 × 11 3/4 inches (18.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Exterior of Painted Chamber, North View

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Line engraving and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 × 3 1/2 inches (11.1 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1828
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. North East View of Henry VII Chapel Westminster

Creator:: Print made by unknown artist
Date:: ca. 1813
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Painted Chamber, Westminster

Creator:: Print made by John Greig, active 1803–1853
Date:: 1804
Materials & Techniques:: Line engraving marked with graphite on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Composition (Diptych), 1/1

Creator:: Print made by Oleg Kudryashov, born 1932
Date:: 1989
Materials & Techniques:: Drypoint, gouache, watercolor and graphite on Vélin d'Arches 300 gsm paper
Dimensions:: Sheet: 40 × 28 inches (101.6 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Masterman, Culbert & Tully, LLP

45. The Temple of Venus in the Port at Aegina: Elevations

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1811
Materials & Techniques:: Etching, proof with graphite notations on smooth, thin, white wove paper
Dimensions:: Sheet: 18 3/8 × 11 5/8 inches (46.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Temple of Aphaia at Aegina: Sections

Creator:: Edmund Turrell, active 1835–1860
Date:: 1860
Materials & Techniques:: Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:: Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. No. 2 from The Group

Creator:: Print made by Ibrahim El-Salahi, born 1930
Date:: 2016
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/16 × 11 1/8 inches (34.2 × 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, John F. O'Brien Fund

48. No. 5 from The Group

Creator:: Print made by Ibrahim El-Salahi, born 1930
Date:: 2016
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/16 × 11 1/8 inches (34.2 × 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, John F. O'Brien Fund

49. No. 6 from The Group

Creator:: Print made by Ibrahim El-Salahi, born 1930
Date:: 2016
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/16 × 11 1/8 inches (34.2 × 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, John F. O'Brien Fund

50. No. 3 from The Group

Creator:: Print made by Ibrahim El-Salahi, born 1930
Date:: 2016
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/16 × 11 1/8 inches (34.2 × 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, John F. O'Brien Fund

51. Crossing the Brook

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 19 × 15 1/2 inches (48.3 × 39.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Inde Francaise, Costumes, Elephant Caparaconne

Creator:: Print made by unknown artist
Date:: 1835
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 3/4 inches (18.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

53. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, retouched with graphite on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Grandstand on the Race Ground at Epsom

Creator:: Edward W. Trendall, active 1816–1848
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with graphite, and pen with brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 1/16 inches (37.8 × 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Temple of Aphaia at Aegina: Sections

Creator:: Edmund Turrell, active 1835–1860
Date:: 1828
Materials & Techniques:: Line engraving with graphite on thin, smooth, cream laid paper mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Herstmonceux Castle

Creator:: Print made by unknown artist
Date:: 1858
Materials & Techniques:: Engraving, with graphite on smooth, thin, cream wove paper
Dimensions:: Sheet: 3 3/4 × 6 3/16 inches (9.5 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Herstmonceux Castle, Sussex Pl. 2

Creator:: John Godfrey
Date:: undated
Materials & Techniques:: Engraving, with graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 6 5/16 × 10 inches (16 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Herstmonceux Castle, Sussex Pl. 3

Creator:: John Godfrey
Date:: undated
Materials & Techniques:: Engraving, with graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 6 3/8 × 10 inches (16.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Heidelberg from the Opposite bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 7/8 × 27 1/8 inches (55.6 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Herstmonceux Castle, Sussex Pl. 1

Creator:: John Godfrey
Date:: undated
Materials & Techniques:: Engraving, with graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Herstmonceux Castle Sussex Pl. III with text

Creator:: John Godfrey
Date:: undated
Materials & Techniques:: Engraving, with graphite on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 12 7/8 × 9 1/2 inches (32.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Herstmonceux Castle Pl. I

Creator:: John Godfrey
Date:: 1779
Materials & Techniques:: Engraving, with graphite on slightly textured, medium, cream laid paper on card
Dimensions:: Sheet: 5 3/8 × 8 1/2 inches (13.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Herstmonceux Church

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving, with graphite on smooth, medium, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. St. Mary, Rotherhithe

Creator:: Hanslip Fletcher, 1874–1955
Date:: 1931
Materials & Techniques:: Etching on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 8 1/8 × 9 1/2 inches (20.6 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint, with graphite, white chalk, and scraping out; engraver's proof (c), touched proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 25 1/8 inches (47 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint, graphite and white chalk; engraver's proof (b), touched on medium, slightly textured, cream wove paper, mounted on cream card
Dimensions:: Sheet: 19 × 25 3/4 inches (48.3 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Line engraving with graphite on smooth, thick, cream wove paper
Dimensions:: Sheet: 7 1/16 × 11 3/4 inches (17.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Rocks at Colgong on the Ganges

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 1/8 inches (29.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 21 1/4 inches (39.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques graphite

Materials & Techniques wove paper

Work Type intaglio print

Search Results

1. The Herdsman's Cottage

2. The Vine

3. Inverary Pier, Loch Fyne, Morning

4. Sheep-Washing, Windsor

5. Dumbarton Rock

6. Modern Italy

7. Modern Italy

8. The Temple of Aphaia at Aegina: Elevations

9. The Dead Eagle - Oran

10. Banditti (vignette)

11. Aosta (vignette)

12. Pendennis Castle and Entrance of Falmouth Harbour

13. Portsmouth, Hampshire

14. Romance

15. The Lark at Heaven's Gate Sings

16. View of Pont St. Michel, Taken from Pont Neuf

17. Plan of ground floor of Herstmonceux Castle

18. St. Julienne's Chapel

19. Dido and Aeneas; The Morning of the Chase

20. Modern Italy

21. Ancient Italy - Ovid Banished from Rome

22. Herstmonceux Castle for the history and description of the Sussex Coast

23. Hannibal passing the Alps (vignette)

24. Richmond Hill and Bridge, Surrey

25. Merrick Abbey, Swaledale

26. The "Victory" Coming Up Channel

27. Herstmonceux Castle, Sussex

28. Herstmonceux Castle, Sussex

29. Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower

30. Herstmonceux Castle, Sussex Pl. 4

31. Studies, with Gardens, Possibly for a Talman Family House

32. View on the Orwell

33. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

34. Château Hamelin

35. Banqueting House, Whitehall

36. [One from] A Volume of Drawings and Prints

37. The Gipsy

38. St. Pierre's Cottage

39. St. Anne's Hill, No. II

40. Exterior of Painted Chamber, North View

41. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

42. North East View of Henry VII Chapel Westminster

43. The Painted Chamber, Westminster

44. Composition (Diptych), 1/1

45. The Temple of Venus in the Port at Aegina: Elevations

46. The Temple of Aphaia at Aegina: Sections

47. No. 2 from The Group

48. No. 5 from The Group

49. No. 6 from The Group

50. No. 3 from The Group

51. Crossing the Brook

52. Inde Francaise, Costumes, Elephant Caparaconne

53. The Skylark

54. Grandstand on the Race Ground at Epsom

55. The Temple of Aphaia at Aegina: Sections

56. Herstmonceux Castle

57. Herstmonceux Castle, Sussex Pl. 2

58. Herstmonceux Castle, Sussex Pl. 3

59. Heidelberg from the Opposite bank of the Neckar

60. Herstmonceux Castle, Sussex Pl. 1

61. Herstmonceux Castle Sussex Pl. III with text

62. Herstmonceux Castle Pl. I

63. Herstmonceux Church

64. St. Mary, Rotherhithe

65. Fishing Boats off Calais (The Pas de Calais)

66. Fishing Boats off Calais (The Pas de Calais)

67. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

68. Rocks at Colgong on the Ganges

69. Oxford from North Hinksey