Materials & Techniques: graphite / Period: 18th century / Work Type: drawing / Subject Terms: architectural subject and church

1. South Porch and Tower of an Unidentified Church

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1790 and 1795
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 5 inches (20.6 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Monument of Thomas Fiennes

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor within triple-ruled pen and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 × 18 1/4 inches (64.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Traveling Potter Outside a Cottage

Creator:: Francis Wheatley, 1747–1801
Date:: 1798
Materials & Techniques:: Watercolor over graphite with gouache on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 x 19 1/8 inches (38.7 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Herstmonceux Castle, East Sussex: View

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Ruins of Leiston Abbey

Creator:: Thomas Hearne, 1744–1817
Date:: 1781
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Thames Ditton, Surrey: Design for Gothic Church

Creator:: Sir Robert Taylor, 1714–1788
Date:: ca. 1776
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 15 7/8 inches (30.2 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Westminster Abbey and Bridge from Somerset Garden

Creator:: Samuel Scott, 1701/2–1772
Date:: 1759
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 10 1/4 inches (20 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Plans of Ancient Roman Church: 4. Terme di Tito

Creator:: Giovanni Stern, 1734–1794
Date:: undated
Materials & Techniques:: Gray and brown wash with pen and black ink, over graphite on medium, moderatedly textured, cream laid paper
Dimensions:: Sheet: 23 1/2 x 35 1/4 inches (59.7 x 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Design for a Church. Elevation of West Front

Creator:: attributed to Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, crean laid paper
Dimensions:: Sheet: 17 1/2 x 13 1/8 inches (44.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

Creator:: Thomas Hearne, 1744–1817
Date:: 1778
Materials & Techniques:: Gray wash, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 13 5/8 x 10 3/8 inches (34.6 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Almshouses in St. Cuthbert's Churchyard, Wells

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Watercolor and gray and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 11 inches (22.5 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Abbey Church at St. Albans

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1781
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Temple of Venus and Rome from the Colosseum

Creator:: William Pars, 1742–1782
Date:: 1781
Materials & Techniques:: Watercolor with pen and brown and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 16 3/8 inches (30.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Badminton Church and Part of the Duke of Beaufort's House

Creator:: Luke Sullivan, 1705–1771
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 8 inches (13 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Church of S. Domenico on the river Fibrenus

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/8 x 21 1/8 inches (38.4 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Church of S. Domenico near Sora built upon the ruins of Cicero's Villa

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Great Marlow Church, Buckinghamshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 8 1/2 inches (13 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Writtle Church, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Chapel Church, Surrey

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor, gouache and scraping over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/4 x 16 inches (31.1 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Rumburgh Priory Church, Suffolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Salisbury Cathedral

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash, yellow wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Burial at Carisbrooke, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Pen and black ink, brown ink, blue wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 17 1/2 inches (13.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Amsbury Abbey, Wiltshsire, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Old Church Portland

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Wimborne Minster, Dorset, Englad

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Christ Church, Blackfriars, London

Creator:: Thomas Girtin, 1775–1802
Date:: between 1792 and 1794
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 13 3/16 inches (24.4 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. View through the South East Window of the Crypt beneath St Stephen's, Westminster

Creator:: George Johann Scharf, 1788–1860
Date:: 1852
Materials & Techniques:: Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 10 7/8 inches (33 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Entrance Doorway in the Tower, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Projected Design for Fonthill Abbey, Wiltshire

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Watercolor and graphite on slightly textured, cream wove paper
Dimensions:: Frame: 28 1/2 x 43 1/2 x 2 inches (72.4 x 110.5 x 5.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Details of the Screen of Entrance Porch, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1775
Materials & Techniques:: Watercolor and black ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 x 29 inches (51.4 x 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Views in the Levant: A Ruined Byzantine Church

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 13 5/16 inches (23.5 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 15 inches (54 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 7/16 x 14 15/16 inches (54.5 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Capuchins of Our Lady of Médoux

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. [One of] Five Designs for a Church

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Graphite and pen and brown and red ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 21 × 13 1/8 inches (53.3 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. [One of] Five Designs for a Church

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Graphite, pen and brown and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 x 19 7/8 inches (38.4 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Study of the North Side of Canterbury Cathedral

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 1/4 × 7 1/8 inches (10.8 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The River Stour, St. Mildred's Church and the Castle of Canterbury

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: 1757
Materials & Techniques:: Watercolor with pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 21 7/8in. (21 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. St. Paul's Church, Covent Garden, after the fire

Creator:: Edward Dayes, 1763–1804
Date:: 1795
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 5 5/8 inches (8.9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Elgin Cathedral, Moray

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor, graphite, pen, gray ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Jedburgh Abbey, Roxburghshire

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor and graphite and pen and black ink on medium, slightly textured, cream wove paper mounted to medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. View of St. Nicholas Church at Valenciennes after the Siege

Creator:: Joseph Farington, 1747–1821
Date:: 1793
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 19 × 26 13/16 inches (48.3 × 68.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Funchal, Madeira: A Square with a Church

Creator:: Samuel Davis, 1760–1819
Date:: 1779
Materials & Techniques:: Watercolor, pen, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 16 7/8 inches (32.7 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Leicester, St. Mary's Church

Creator:: Edward Edwards, 1738–1806
Date:: 1778
Materials & Techniques:: Gray wash, pen, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Ariccia

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 8 1/4 inches (11.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Northwest View of Castle Church, Hexham, Northumberland

Creator:: Attributed to Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 9 1/8 inches (16.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Views in the Levant: Interior of a Ruined Byzantine Church

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 9/16 × 11 1/2 inches (31.9 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques graphite

Period 18th century

Work Type drawing

Subject Terms architectural subject

Subject Terms church

Search Results

1. South Porch and Tower of an Unidentified Church

2. North East View of Grantham Church, Lincolnshire

3. The Monument of Thomas Fiennes

4. Traveling Potter Outside a Cottage

5. Herstmonceux Castle, East Sussex: View

6. The Ruins of Leiston Abbey

7. Thames Ditton, Surrey: Design for Gothic Church

8. Westminster Abbey and Bridge from Somerset Garden

9. Plans of Ancient Roman Church: 4. Terme di Tito

10. Design for a Church. Elevation of West Front

11. Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

12. Almshouses in St. Cuthbert's Churchyard, Wells

13. Abbey Church at St. Albans

14. Temple of Venus and Rome from the Colosseum

15. Badminton Church and Part of the Duke of Beaufort's House

16. Church of S. Domenico on the river Fibrenus

17. Church of S. Domenico near Sora built upon the ruins of Cicero's Villa

18. Great Marlow Church, Buckinghamshire

19. Writtle Church, Essex

20. Chapel Church, Surrey

21. Rumburgh Priory Church, Suffolk, England

22. Salisbury Cathedral

23. A Burial at Carisbrooke, Isle of Wight

24. Amsbury Abbey, Wiltshsire, England

25. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

26. The Old Church Portland

27. Wimborne Minster, Dorset, Englad

28. Christ Church, Blackfriars, London

29. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

30. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

31. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

32. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

33. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

34. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

35. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

36. View through the South East Window of the Crypt beneath St Stephen's, Westminster

37. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

38. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

39. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

40. Entrance Doorway in the Tower, St Stephen's Chapel

41. Projected Design for Fonthill Abbey, Wiltshire

42. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

43. Details of the Screen of Entrance Porch, St Stephen's Chapel

44. A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital

45. Views in the Levant: A Ruined Byzantine Church

46. Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639

47. Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea

48. Capuchins of Our Lady of Médoux

49. [One of] Five Designs for a Church

50. [One of] Five Designs for a Church

51. Study of the North Side of Canterbury Cathedral

52. The River Stour, St. Mildred's Church and the Castle of Canterbury

53. St. Paul's Church, Covent Garden, after the fire

54. Elgin Cathedral, Moray

55. Jedburgh Abbey, Roxburghshire

56. View of St. Nicholas Church at Valenciennes after the Siege

57. Funchal, Madeira: A Square with a Church

58. Leicester, St. Mary's Church

59. Ariccia

60. Northwest View of Castle Church, Hexham, Northumberland

61. Views in the Levant: Interior of a Ruined Byzantine Church