Materials & Techniques: gray wash and pen / Work Type: drawing / Subject Terms: genre subject

1. A Shepherd and his Flock under the Moon and Stars

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:: Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Study for the Foundlings

Creator:: William Hogarth, 1697–1764
Date:: ca. 1739
Materials & Techniques:: Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Prison Scene

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. Shepherdess Cutting an Inscription on a Tree

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink; verso: gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 3/8 inches (32.1 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

5. A Study for the Pilkington Crest, a mower with a scythe

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Pen and brown ink, pen and black ink, gray wash, and graphite, squared for transfer on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 x 11in. (31.1 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Ponte Lucano, Near Tivoli

Creator:: Thomas Manby, 1633(?)–1695
Date:: between 1660 and 1690
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 14 1/2in. (23.5 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Venetian Fantasy

Creator:: imitator of Canaletto, 1697–1768
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 8 3/8 inches (29.2 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. A Family in Hyde Park

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash, graphite with pen and gray and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 x 18 1/4 inches (12.1 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Capriccio of a Venetian Courtyard

Creator:: Follower of Canaletto, 1697–1768
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash and graphite on thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Search after Truth

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Pen and black ink, black chalk, gray wash, and graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 14 13/16 × 21 5/16 inches (37.6 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Dancing Platform, Cremorne Gardens, with a Portrait of Whistler

Creator:: Walter Greaves, 1846–1930
Date:: undated
Materials & Techniques:: Gray wash, pen and gray ink, and graphite on thick, smooth, cream card
Dimensions:: Sheet: 20 × 24 7/8 inches (50.8 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Sailors Carousing and Frying Watches

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Pen and gray ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 16 3/8 inches (30.2 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. River Landscape with Figures

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink, gouache, and graphite on medium, slightly textured, beige wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 12 × 9 3/4 inches (30.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Sheet of Studies of Hounds, Hare, Falcon and Ducks

Creator:: Attributed to Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background

Creator:: attributed to Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 2 3/4 x 4 5/8 inches (7 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Welsh Curate

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash, pen and gray ink, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 1/4 × 9 7/8 inches (18.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. London Cries: A Lace Seller

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Gray wash, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 5 5/8 inches (19.4 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. London Cries: Flowers

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash, pen and gray ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Funeral Procession at Rome

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Watercolor, pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 14 13/16 inches (25.2 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. An Execution, Rome

Creator:: Isaac Weld, 1774–1856
Date:: 1819
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, brown wash, and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 18 3/16 inches (25.4 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Political Caricature: "The Spiritualists"

Creator:: Anthony Walker, 1726–1765
Date:: undated
Materials & Techniques:: Gray wash and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 10 1/2 inches (22.9 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A View at Lucerne

Creator:: William Pars, 1742–1782
Date:: 1775
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite with brown and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/2 × 23 1/8 inches (41.9 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The London Citizen

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Parisian Street Figures

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1786
Materials & Techniques:: Gray wash and graphite with pen and brown ink; verso: watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 7/8 inches (15.9 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A Livery Stable

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and red-brown ink, pen and gray ink, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Mount: 8 15/16 x 12 3/8 inches (22.7 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Norwich Market Place

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray-brown ink, and wash over graphite; verso: pen and gray brown ink and wash over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 6 7/8 inches (13.8 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Domestic Interior

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink and gray wash over graphite on medium, slightly textured, cream laid paper mounted on thick, rough, beige wove paper
Dimensions:: Mount: 10 1/2 × 14 inches (26.7 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

45. A Girl Giving a Key to a Cavalier

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 1/8 × 6 5/8 inches (20.6 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

46. Riders, Figures and a Dog

Creator:: Thomas Ross, active from 1753
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 3 15/16 × 6 1/2 inches (10 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

Creator:: John Vanderbank, 1694–1739
Date:: 1729
Materials & Techniques:: Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/16 inches (21 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A Stage Coach Outside of the Entrance of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Brown wash, gray wash, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 10 1/16 inches (14.9 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A Chaise and Pair, With Post-Boy

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, gray wash, graphite, and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 14 3/4 inches (18.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. New Shoes

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink over graphite on medium, smooth, wove paper
Dimensions:: Mount: 6 11/16 x 8 1/2 inches (17 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Toll-Gate

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 x 7 5/16 inches (11.7 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Horsemen Colliding

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and brown, black, and gray ink with gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. A Village Scene with Girls Spinning

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen in gray and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 18 7/8 inches (34 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome

Creator:: unknown artist
Date:: ca. 1740
Materials & Techniques:: Pen and brown ink, gray wash, brown wash, and graphite; squared for transfer on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Covent Garden Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Grub Street Poet

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and black, gray, and brown ink with gray wash over graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 7 1/16 inches (24.8 x 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Kitty Overcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor, gray wash, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 7 13/16 inches (13.8 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Two Sleeping Figures

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash with pen and gray ink and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 8 1/2 inches (16.7 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Labourers at Rest

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor with pen and red-brown and blue ink, over graphite with pen and gray ink and wash line on border on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 7/16 x 8 1/4 inches (13.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Miseries of the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 13/16 x 8 3/4 inches (17.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Ladies at Tea

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor with pen and red-brown and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 7 x 10 5/16 inches (17.8 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Cat Like Courtship

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, pen and red-brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Election Scene

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/8 x 4 5/8 inches (7.3 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A Soldier's Knapsack: Two Studies, Side and Front View

Creator:: Michael Angelo Hayes, 1811–1880
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, white gouache, gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 13/16 inches (13.3 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Haymaking

Creator:: Heinrich W. Schweickhardt, 1746–1797
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 × 12 9/16 inches (17.8 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Pen and brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 7/8 × 6 1/8 inches (9.8 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Figures with a Wagon and Horses

Creator:: Thomas Ross, active from 1753
Date:: undated
Materials & Techniques:: Pen and black ink, red chalk, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 7/8 × 5 11/16 inches (7.3 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

Creator:: John Vanderbank, 1694–1739
Date:: 1729
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 6 inches (15.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, smooth, beige wove paper
Dimensions:: Mount: 9 7/8 × 7 13/16 inches (25.1 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Hyde Park Corner

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Tea Party

Creator:: Marcellus Laroon the Younger, 1679–1772
Date:: ca. 1770
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 17 7/8 × 13 inches (45.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Collector

Creator:: George Dance, 1741–1825
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9 1/2 inches (37.1 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Wooded Landscape with Figures, Donkeys and Cottage

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1767
Materials & Techniques:: Gray wash and pen with brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 9 5/8 inches (18.7 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Wooded Landscape with Figures outside a Cottage Door

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1775 and 1780
Materials & Techniques:: Gray wash with pen and gray ink, heightened with white on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/8 x 13 1/2 inches (23.8 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Courtyard of Mr. Bank's House, Northernhay, Exeter

Creator:: John White Abbott, 1763–1851
Date:: 1816
Materials & Techniques:: Pen and brown ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/2 inches (26.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Study of a Seated Woman

Creator:: Henry Fuseli, 1741–1825
Date:: 1791
Materials & Techniques:: Watercolor, graphite, pen and gray ink, gray wash, gouache, and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 7 7/8 inches (30.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen and black ink, brown ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 x 8 7/8 inches (36.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Drawing for a Frontispiece: "The Toast"

Creator:: Hubert-François Gravelot, 1699–1773
Date:: 1735
Materials & Techniques:: Pen and black ink, pen and brown ink, and gray wash on medium, moderately textured, beige laid paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 5 5/8 inches (21.3 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Sketch of a Lady

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite and gray wash; verso: pen and brown ink and graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

YCBA Collections Search

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Materials & Techniques gray wash

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Search Results

1. A Shepherd and his Flock under the Moon and Stars

2. Study for the Foundlings

3. Prison Scene

4. Shepherdess Cutting an Inscription on a Tree

5. A Study for the Pilkington Crest, a mower with a scythe

6. Ponte Lucano, Near Tivoli

7. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

8. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

9. The Reconcilation

10. The Smock Exposed

11. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

12. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

13. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

14. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

15. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

16. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

17. Venetian Fantasy

18. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

19. A Family in Hyde Park

20. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

21. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

22. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

23. Hogarth Drawing Sarah Malcolm

24. Hogarth Sitting to Roubiliac for His Bust

25. The Eleventh Hour

26. Capriccio of a Venetian Courtyard

27. The Search after Truth

28. Dancing Platform, Cremorne Gardens, with a Portrait of Whistler

29. Sailors Carousing and Frying Watches

30. River Landscape with Figures

31. Sheet of Studies of Hounds, Hare, Falcon and Ducks

32. Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background

33. The Welsh Curate

34. London Cries: A Lace Seller

35. London Cries: Flowers

36. Funeral Procession at Rome

37. An Execution, Rome

38. Political Caricature: "The Spiritualists"

39. A View at Lucerne

40. The London Citizen

41. Parisian Street Figures

42. A Livery Stable

43. Norwich Market Place

44. Domestic Interior

45. A Girl Giving a Key to a Cavalier

46. Riders, Figures and a Dog

47. "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

48. A Stage Coach Outside of the Entrance of an Inn

49. A Chaise and Pair, With Post-Boy

50. New Shoes

51. The Toll-Gate

52. Horsemen Colliding

53. A Village Scene with Girls Spinning

54. Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome

55. Covent Garden Market

56. A Grub Street Poet

57. Kitty Overcome

58. Two Sleeping Figures

59. Labourers at Rest

60. The Miseries of the Country

61. Ladies at Tea

62. Cat Like Courtship

63. Election Scene

64. A Soldier's Knapsack: Two Studies, Side and Front View

65. Haymaking

66. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

67. Figures with a Wagon and Horses

68. "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

69. Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'

70. Hyde Park Corner

71. The Tea Party

72. The Collector