Materials & Techniques: hand coloring / Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Collection / On-site Access: Accessible by appointment in the Study Room

William Blake, 1757–1827

The Complaint and The Consolation: or Night Thoughts

ca. 1797

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by Charles Turner, 1774–1857

Two Durham Oxen

1828

Print made by William Henry Simmons, 1811–1882

The Return (First Class)

1857

Print made by Paul Angier, active 1749

A View of Paris

Samuel Ireland, active 1760–died 1800

Lion's Inn

1800

Print made by Frederick Rosenberg, active 1816–1832

The Mail Coach in a Flood

1827

Samuel Ireland, active 1760–died 1800

Stone Buildings, Lincoln's Inn

1800

Samuel Ireland, active 1760–died 1800

Inner Temple

1800

Samuel Ireland, active 1760–died 1800

Gray's Inn

1800

Samuel Ireland, active 1760–died 1800

Clement's Inn

1800

Samuel Ireland, active 1760–died 1800

Furnival's Inn

1800

Samuel Ireland, active 1760–died 1800

Westminster Hall

1800

Samuel Ireland, active 1760–died 1800

Garden Front of Furnival's Inn

1800

Samuel Ireland, active 1760–died 1800

Lincoln's Inn Gate

1800

Samuel Ireland, active 1760–died 1800

Middle Temple Gate

1800

Samuel Ireland, active 1760–died 1800

Guildhall

1800

Samuel Ireland, active 1760–died 1800

Staple Inn

1800

Samuel Ireland, active 1760–died 1800

Barnard's Inn

1800

Samuel Ireland, active 1760–died 1800

Temple Church

1800

Samuel Ireland, active 1760–died 1800

New Inn

1800

Samuel Ireland, active 1760–died 1800

Lincoln's Inn Hall and Chapel

1800

Charles Turner, 1774–1857

James Gillray

1819

Samuel Ireland, active 1760–died 1800

Southwest View of Middle Temple

1800

Samuel Ireland, active 1760–died 1800

North Front of Temple Hall

1800

Samuel Ireland, active 1760–died 1800

Leather Fullers Hall

1800

Samuel Ireland, active 1760–died 1800

Sergeant's Inn

1800

Samuel Ireland, active 1760–died 1800

Rolls Chapel

1800

Samuel Ireland, active 1760–died 1800

Clifford's Inn

1800

Print made by Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton

1803

Print made by unknown artist

Young Mother, Baby Girl and Boy Beside a Country Fence

undated

Print made by Alfred W. Cooper, active 1850–1901

The Young Squire

undated

Print made by Alfred W. Cooper, active 1850–1901

The Deserted Nest

undated

Print made by Alfred W. Cooper, active 1850–1901

The Deserted Nest (tail piece)

undated

Print made by Alfred W. Cooper, active 1850–1901

Excelsior (tail piece)

undated

Alfred W. Cooper, active 1850–1901

The Burn (tail piece)

undated

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Print made by Louis Charles Ruotte, 1754–ca. 1806

The West India Flower Girl

undated

Print made by Agostino Brunias, 1728–1796

A Cudgelling Match between English and French Negroes in the Island of Dominica

1779

Francesco Bartolozzi, 1728–1815

Reapers

1790

Print made by Alfred W. Cooper, active 1850–1901

By the Sea

undated

Print made by Alfred W. Cooper, active 1850–1901

Frost and Snow

undated

Print made by Anthony Cardon, 1772–1813

Credulity

1796

Print made by J. Blore

Window in St. Dunstan's in the West, London

1834

Print made by Alfred W. Cooper, active 1850–1901

A Fishing Village

undated

Print made by Alfred W. Cooper, active 1850–1901

Christmas (tail piece)

undated

Print made by Alfred W. Cooper, active 1850–1901

By the Sea (tail piece)

undated

Print made by Alfred W. Cooper, active 1850–1901

A-Hunting We Will Go (tail piece)

undated

Print made by Alfred W. Cooper, active 1850–1901

Frost and Snow (tail piece)

undated

Print made by Alfred W. Cooper, active 1850–1901

The Farmer's Boy (tail piece)

undated

Frederick Christian Lewis the Elder, 1779–1856

Tivoli

1800

Print made by Alfred W. Cooper, active 1850–1901

Christmas

undated

Print made by Alfred W. Cooper, active 1850–1901

About Cats

undated

Print made by Alfred W. Cooper, active 1850–1901

The Young Squire (tail piece)

undated

Print made by Alfred W. Cooper, active 1850–1901

The Farmyard (tail piece)

undated

Print made by Alfred W. Cooper, active 1850–1901

A River (tail piece)

undated

Print made by Alfred W. Cooper, active 1850–1901

The River

undated

Print made by William O'Keefe, active 1794–1807

A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd

1796

Print made by Joseph Samuel Alpenny, 1787–1858

Two Travellers Watering Three Horses

undated

unknown artist

Marlow, Bucks

1805

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Charles Tomkins, 1757–1823

Encampment at Farnham near St. Edmund's Bury

1782

Print made by Gerard van der Gucht, 1696–1776

Tellicherry

1736

Print made by Gerard van der Gucht, 1696–1776

Fort St. George

1736

Etched by Thomas Rowlandson, 1756–1827

French Barracks

1791

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Thomas Malton the Younger, 1748–1804

Newgate

1799

Print made by unknown artist

The Obelisk in the Garden at Versailles

Print made by J. Carwitham, active 1720–1740

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..

1778

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

William Daniell, 1769–1837

A View of the East India Docks

1808

Print made by François-Séraphin Delpech, 1778–1825

Louis XV

undated

Print made by Sir Charles D'Oyly, 1781–1845

Ordbhawn or Hindoo Fakeer

ca. 1830

Print made by M. H. Long

Loch Lommond

1884

Print made by M. H. Long

Rome, Castle of St. Angelo

1884

Print made by M. H. Long

A Village Fair

1884

Print made by M. H. Long

St. Herbert's Chapel

1884

Print made by M. H. Long

Paestum

1884

Print made by M. H. Long

Galileo's Villa

1884

Print made by M. H. Long

Evening (Datur Hora Quieti)

1884

Robert Dodd, 1748–1816

Howe's Victory off Ushant

1795

Print made by Alfred W. Cooper, active 1850–1901

The Farmer's Boy

undated

Print made by William Daniell, 1769–1837

A View of the East India Docks

1808

Print formerly attributed to Thomas Girtin, 1775–1802

Cottage and Two Cows Being Milked

1805

James Gillray, 1756–1815

The Kettle Hooting the Porridge-Pot

1782

James Gillray, 1756–1815

A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)

1783

James Gillray, 1756–1815

Scene le Vrog House

1782

James Gillray, 1756–1815

Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself

1798

James Gillray, 1756–1815

Apothecaries, Taylors & c. Conquering France and Spain

1779

James Gillray, 1756–1815

National Discourse

1780

James Gillray, 1756–1815

The Nabob Rumbled or A Lord Advocates Amusement

1783

James Gillray, 1756–1815

INTEGRITY retiring from Office

1801

James Gillray, 1756–1815

Britania's Assassination..or - The Republican Amuseument

1782

James Gillray, 1756–1815

Charming-well again

1804

after Thomas Rowlandson, 1756–1827

Billingsgate Market

1808

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques hand coloring

Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques hand coloring

Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Search Results