Materials & Techniques: line engraving / Height [cm]: 35 - YCBA Collections Search Search Results

Print made by William Hogarth, 1697–1764

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Camden Edwards, 1777–1855

Nicholas Revett

1827

Print made by James T. Willmore, 1800–1863

Mercury and Argus

between 1859 and 1861

Print made by William Holl, 1807–1871

Portrait of J.M.W. Turner

between 1859 and 1861

Print made by George T Doo, 1800–1886

Sir Charles Eastlake, R. A

1873

Edward Rooker, 1724–1774

The Summit of Cader Idris Mountain

1775

Charles Grignion, 1717–1810

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

Print made by James Basire the younger, 1769–1822

Inside View of the East End of Merton College Chapel

1802

Print made by James Basire the younger, 1769–1822

South View of Christ Church, etc. from the Meadows

1799

Print made by James Basire the younger, 1769–1822

A View of the Chapel and Hall of Oriel College

1807

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1817

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1834

Print made by James Basire the younger, 1769–1822

View of the Cathedral of Christ Church and Part of Corpus Christi College

1811

Print made by unknown artist

Templi Ignoti, Sed ex eius Fragmentis

between 1546 and 1562

George Vertue, 1684–1756

Sir John Suckling

1744

Jacobus Houbraken, 1698–1780

Lieutenant General Thomas Talmash

undated

Simon Gribelin, 1662–1733

Sir James Butler, 2nd Duke of Ormonde

1713

Print made by Paulus Pontius, 1603–1658

Cæsar Alexander Scaglia

ca. 1635

Print made by Robert van Voerst, 1597–1636

Kenelmus Digbi

ca. 1635

Print made by Peeter Clouwet, 1629–1670

D. Anna Wake

ca. 1635

John Boydell, 1720–1804

A View Taken near Mr. Smith's House at Battersea, Looking up the Thames

1752

Sutton Nicholls, active 1725

Southampton or Bloomsbury Square

1754

William Skelton, 1763–1848

The Right Honourable Spencer Perceval

1813

George Vertue, 1684–1756

Johannes Potter, Archiepiscopus Cantuariensis

1741

unknown artist

Sir Walter Raleigh

undated

George Siegmund Facius, 1750–1804

John Smith, D.D.F.S.A

1797

George Vertue, 1684–1756

Sir Philip Sidney

1741

Print made by Schelte A. Bolswert, 1586–1659

Iustus Lipsius

ca. 1635

Francois Vivares, 1709–1780

The Lodge and Garden from the Great Lake

1772

Print made by unknown artist

Templi Ignoti, Sed ex eius Fragmentis

1546-1590

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

Robert Mitchell Meadows, Died before 1812

Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

1794

George C. Finden, 1811–1885

A Mythological Battle

1853

Peltro W. Tomkins, 1760–1840

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

1792

Print made by John Browne, 1741–1801

The Sportsman

1775

Print made by Samuel Cousins, 1801–1887

Miss Croker

1828

Print made by Paulus Pontius, 1603–1658

Gerardus Segers

ca. 1635

Print made by John Keyse Sherwin, c.1751–1790

The Fortune Teller

1784

Print made by Edward Goodall, 1795–1870

The Landing of Columbus

1834

Print made by James Mason, 1710–1783

A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

1778

Print made by Charles Turner, 1774–1857

Okehampton Castle, on the River Okement

1825

Print made by Samuel Cousins, 1801–1887

Elizabeth, Countess Grosvenor

1883

Print made by Samuel Cousins, 1801–1887

Miss Macdonald

1831

Print made by Thomas Vivares, c.1735–c.1790

A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr

1778

Print made by Ernest Stephen Lumsden, 1883–1948

Line Engraving/Dry Point/Soft Ground

ca. 1925

Print made by George Vertue, 1684–1756

Francis Earl of Bedford

1737

Print made by George Vertue, 1684–1756

Francis Earl of Bedford

1737

Print made by George Vertue, 1684–1756

Francis Earl of Bedford

1737

Print made by George Vertue, 1684–1756

William Cavendish, Duke of Newcastle

1739

Print made by Jacobus Houbraken, 1698–1780

Thomas Wentworth, 1st Earl of Stratford

1740

Print made by George Vertue, 1684–1756

William Cavendish of Newcastle

1739

John Keyse Sherwin, c.1751–1790

James Macpherson

1775

Print made by George Vertue, 1684–1756

William Cavendish, 1st Duke of Newcastle upon Tyne

1739

Print made by Georg Dionysius Ehret, 1708–1770

The Male Popaw Tree, Papaya, Plate 14

1750

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Materials & Techniques line engraving

Height [cm] 35

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Materials & Techniques line engraving

Height [cm] 35

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