Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
2
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta
1866
3
Edward Lear, 1812–1888
Toske
1867
4
Edward Lear, 1812–1888
Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
1867
5
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
1866
6
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
7
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
1866
8
Edward Lear, 1812–1888
Oasis Village
1854
9
Attributed to William Marlow, 1740–1813
Civita Castellana
undated
10
Peter Monamy, 1681–1749
Landing of William of Orange at Tor Bay
1688
11
unknown artist
Norton Hall, Cheshire: Ground Plan with Designs for a Canal
between 1760 and 1776
12
T. E. Jeffers, active 1836
Barnes Common, June 1836
1836
13
John Chessell Buckler, 1793–1894
Costessy Hall, Norfolk
1831
14
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
15
Sir James Thornhill, 1675–1734
Design for a Wall Panel
undated
16
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
17
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
18
unknown artist
Dr. Mum
undated
19
Paul Sandby, 1731–1809
The Gypsy Fortune-Teller
ca. 1758
20
Edward Francis Burney, 1760–1848
John Gilpin in the Uxbridge Passage Boat
1820s
21
Edward Francis Burney, 1760–1848
Paddington Canal: The Junction at Wormwood Scrubbs, with a Passenger Hailing the Uxbridge Passage Boat
undated
22
Moses Griffith, 1747–1819
View of Erthig, Denbigshire, Wales
undated
23
Samuel Howitt, 1756–1822
Four Galloping Horses
undated
24
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
25
pupil of John Malchair, 1730–1812
Road Between Hills
undated
26
Thomas Manby, 1633(?)–1695
Ponte Lucano, Near Tivoli
between 1660 and 1690
27
Paul Sandby, 1731–1809
The Bayswater Turnpike
undated
28
Benjamin Robert Haydon, 1786–1846
Study of a Group of Figures and a Study of a Man's Head
undated
29
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
30
Sir Joshua Reynolds, 1723–1792
Standing Man
undated
31
Sir Joshua Reynolds, 1723–1792
Woman and Infant
undated
32
Joseph Cartwright, c.1789–1829
Single Brig; Sketches of Separate Stern and Rubber
undated
33
Joseph Cartwright, c.1789–1829
Revolutionaire July 20, 1821
1821
34
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
35
William Henry Hunt, 1790–1864
A Farmyard
ca. 1815
36
Nicholas Pocock, 1740–1821
Bristol
ca. 1780
37
Charles Bentley, 1806–1854
Coast Scene with Shipping
undated
38
Benjamin West, 1738–1820
Page Boy Asleep
undated
39
William Burgess, 1749–1812
Interior of a Stable, with Tow Horses Feeding
undated
40
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for Paneling of a Pew
ca. 1790
41
unknown artist
God Creating the Universe
ca. 1800
42
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
43
James Bruce, 1730–1794
Wolf
1764
44
Sir Joshua Reynolds, 1723–1792
Seated Figure Reading
undated
45
Augustin Heckel, 1690–1770
The Bridge, Walton on Thames
ca. 1750
46
E. M. Henderson, active 1815–1830
Yarmouth Bridge, Aug. 1829
1829
47
W. S. Penson, 19th century
View on the London and Birmingham Railway at Chalk Farm Showing the Train Carrying Livestock
undated
48
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
49
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
50
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
51
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
52
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
53
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
54
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
55
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
56
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
57
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
58
W. S. Penson, 19th century
View on the London and Birmingham Railway, Primrose Hill, Chalk Farm, Showing the Travelling Post Office
undated
59
unknown artist
Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
undated
60
unknown artist
Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
undated
61
unknown artist
Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
undated
62
unknown artist
Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
undated
63
unknown artist
Le Port de L'Orient: Dessine du Point B. Marque fur la Carte
undated
64
unknown artist
Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
undated
65
unknown artist
Le Pont de Brest/ Definne du Point H. Marque fur la Plan: Dock Scene with Laborers employed on Various Aspects of Ship Construction
undated
66
unknown artist
Le Port de Rochefort: Vu Du Point A Marque sur le Plan
undated
67
unknown artist
Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
undated
68
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
69
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
70
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
71
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
72
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
73
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
74
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
75
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
76
James Seymour, 1702–1752
Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743
1743
77
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
78
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
79
Samuel Howitt, 1756–1822
Full Cry
undated
80
Samuel Howitt, 1756–1822
The Death
undated
81
Samuel Howitt, 1756–1822
Going to Cover
undated
82
Samuel Howitt, 1756–1822
Going Home
undated
83
James Seymour, 1702–1752
Coursing - After the Kill
undated
84
Possibly Henry Thomas Alken, 1785–1851
H. Grant on Horseback
undated
85
Robert Dighton, 1752–1814
Snipe Shooting
ca. 1790
86
Henry Thomas Alken, 1785–1851
Foxhunting: Full Cry
undated
87
Henry Thomas Alken, 1785–1851
Foxhunting: The Leap
undated
88
Henry Thomas Alken, 1785–1851
Foxhunting: The Refreshment
undated
89
George Jones, 1786–1869
Magdalen Tower and Bridge, Oxford
undated
90
Mrs. P. D. H. Page, 20th century
Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]
undated
91
Samuel Howitt, 1756–1822
The Check
undated
92
Charles Hancock, 1802–1877
Two Shetland Ponies With a Groom
1834
93
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
94
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The Death
undated
95
Henry Thomas Alken, 1785–1851
Foxhunting: Drawing a Cover
undated
96
Samuel Howitt, 1756–1822
Dead Teal
undated
97
Robert Dighton, 1752–1814
Pheasant Shooting
before 1801
98
James Miller, active 1773–1814
View of Isleworth Church
undated
99
Willey Reveley, 1760–1799
Views in the Levant: A Ruined Byzantine Church
ca. 1785
100
Willey Reveley, 1760–1799
Views in the Levant: Landscape With Sea, Town and Hills