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Materials & Techniques watercolor
Remove constraint Materials & Techniques: watercolorCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centurySubject Terms woman
Remove constraint Subject Terms: womanClassification Drawings & Watercolors
Remove constraint Classification: Drawings & WatercolorsSearch Results
1
- A Great Tree
- ca. 1796
2
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
3
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
4
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
5
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
6
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
7
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
8
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
9
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
12
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
14
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
15
- The Cheesecake House, Hyde Park
- ca. 1795
16
- Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head
- ca. 1785
17
- Views in the Levant: Study of a Woman Wearing Turkish Costume
- ca. 1785
18
- Westminster Abbey and St. Paul's from Battersea Fields
- undated
19
- The Rustic Lover
- 1786
20
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
21
- Adelaide
- between 1785 and 1786
22
- St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
- undated
23
- The Gate at Blenheim
- 1787
24
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
25
- Woman with a Blue Smock
- undated
26
- Conway Castle
- 1789
27
- Couple in a Farmyard
- 1782
28
- Hannah Snell - From the Life (in Male Dress)
- undated
29
- Woman Bending over Basket
- undated
30
- Brighton Town and Church
- ca. 1780
31
- A Wood Stream with Angler
- undated
32
- London Cries: Last Dying Speech and Confession
- ca. 1759
33
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
34
- London Cries: A Muffin Man
- ca. 1759
35
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
36
- London Cries: A Fishmonger
- ca. 1759
37
- London Cries: "Black Heart Cherries..."
- ca. 1759
38
- London Cries: Fun upon Fun
- 1759
39
- London Cries: "Do You Want any Spoons..."
- ca. 1759
40
- Italianate Landscape with Travelers, No. 1
- ca. 1765
41
- Italianate Landscape with Travellers no. 2
- ca. 1760
42
- A Fisherwoman, Hands under Apron
- undated
43
- A Young Woman in a Blue Dress
- undated
44
- Bucks of the First Head
- ca. 1785
45
- Dunkerswell Abbey, August 20, 1783
- 1783
46
- Four O'Clock in the Country
- between 1788 and 1790
47
- The Runaway Coach
- ca. 1791
48
- The Maniac
- 1787
49
- Labourers at Rest
- between 1790 and 1795
50
- Comforts of Bath: The Music Master
- 1798
51
- Comforts of Bath: Private Practice Previous to the Ball
- 1798
52
- Portrait of an Elderly Lady
- 1796
53
- Haweswater, Westmoreland
- ca. 1795
54
- Portrait of a Lady, Facing Left
- undated
55
- Study of a Female Bust
- ca. 1769
56
- A Country Woman
- undated
57
- The Love Letter
- ca. 1790
58
- A Worn Out Debauchée
- between 1790 and 1795
59
- Cottage near Newcastle, Northumberland
- ca. 1797
60
- A Devonshire Farm
- ca. 1798
61
- Turver's Farm, Wimbish, Essex
- ca. 1799
62
- Country House
- ca. 1797
63
- Valle Crucis Abbey, near Llangollen
- between 1798 and 1801
64
- Saint Cuthbert's Holy Island
- 1797
65
- Guisborough Priory
- undated
66
- The Elopement
- 1792
67
- John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
- 1787
68
- Melville Castle, Midlothian
- ca. 1796
69
- Tempio d' Antonio e Faustina
- between 1798 and 1799
70
- The New Walk, York
- ca. 1798
71
- Bay Scene in Moonlight
- 1787
72
- Between Chiswick and Brentford
- 1774
73
- Ferdinand and Ariel
- ca. 1781
74
- Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
- 1781
75
- Design for a Medal: Seated Women Being Crowned by a Winged Genius
- undated
76
- A Young Lady Seated Wearing a White Dress
- 1788
77
- Lady Macbeth, Sleepwalking
- 1781
78
- Prospero and Miranda
- 1781
79
- Lady Percy Watching the Sleeping Hotspur
- 1781
80
- Ophelia's Death
- ca. 1781
81
- Imogen in the Cave, 'Cymbeline', Act III, Scene VI
- 1782
82
- Lear and Cordelia
- ca. 1781
83
- Views in the Levant: Study of a Woman Wearing a Purple Turban and Green Dress
- ca. 1785
84
- Views in the Levant: Study of a Woman Wearing a Pink Turban and White Dress
- ca. 1785
85
- Views in the Levant: Study of a Woman Wearing a Blue Turban and Stomacher and Pink Dress
- ca. 1785
86
- Views in the Levant: Study of a Woman Wearing a Blue Turban and Stomacher and Red Dress
- ca. 1785
87
- View Within the Northern Entrance of Gundecotta Pass (1 of 6)
- ca. 1792