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Materials & Techniques wove paper

Width [cm] 26

Subject Terms men

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "One hair nor particle of dust..." (Plate 14)

Print made by William Blake, 1757–1827

"One hair nor particle of dust..." (Plate 14)

1804 to 1820

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "Why wilt thou give to her a Body..." (Plate 12)

Print made by William Blake, 1757–1827

"Why wilt thou give to her a Body..." (Plate 12)

1804 to 1820

William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Print made by William Blake, 1757–1827

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

1804 to 1820

William Blake "And the Two that escaped..." (Plate 30)

Print made by William Blake, 1757–1827

"And the Two that escaped..." (Plate 30)

1804 to 1820

William Blake "Turning his back to the Divine Vision..." (Plate 33)

Print made by William Blake, 1757–1827

"Turning his back to the Divine Vision..." (Plate 33)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)

Print made by William Blake, 1757–1827

"By Satan's Watch-fiends tho' they search..." (Plate 39)

1804 to 1820

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Print made by William Blake, 1757–1827

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

1804 to 1820

William Blake "Of the Mundane Shell which froze..." (Plate 64)

Print made by William Blake, 1757–1827

"Of the Mundane Shell which froze..." (Plate 64)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)

Print made by William Blake, 1757–1827

"Then the Divine Vision like a silent Sun..." (Plate 29)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Print made by William Blake, 1757–1827

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

1804 to 1820

William Blake "Was living: panting like a frighted wolf..." (Plate 7)

Print made by William Blake, 1757–1827

"Was living: panting like a frighted wolf..." (Plate 7)

1804 to 1820

William Blake "Awake! Awake Jerusalem..." (Plate 97)

Print made by William Blake, 1757–1827

"Awake! Awake Jerusalem..." (Plate 97)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake Jerusalem, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Jerusalem, Frontispiece (Plate 1)

1804 to 1820

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake "Then the Divine hand found the Two Limits..." (Plate 35)

Print made by William Blake, 1757–1827

"Then the Divine hand found the Two Limits..." (Plate 35)

1804 to 1820

William Blake "Reuben return'd to his place, in vain..." (Plate 36)

Print made by William Blake, 1757–1827

"Reuben return'd to his place, in vain..." (Plate 36)

1804 to 1820

William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

1804 to 1820

William Blake "Los shudder'd at beholding Albion..." (Plate 40)

Print made by William Blake, 1757–1827

"Los shudder'd at beholding Albion..." (Plate 40)

1804 to 1820

William Blake "Thus Albion sat, studious of others..." (Plate 42)

Print made by William Blake, 1757–1827

"Thus Albion sat, studious of others..." (Plate 42)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "Bath, mild Physician of Eternity..." (Plate 46)

Print made by William Blake, 1757–1827

"Bath, mild Physician of Eternity..." (Plate 46)

1804 to 1820

William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

1804 to 1820

William Blake "Repose on me till the morning of the Grave..." (Plate 62)

Print made by William Blake, 1757–1827

"Repose on me till the morning of the Grave..." (Plate 62)

1804 to 1820

William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Print made by William Blake, 1757–1827

"By those who drink their blood & the blood of their Covenant..." (Plate 67)

1804 to 1820

William Blake "Condens'd his Emanations..." (Plate 9)

Print made by William Blake, 1757–1827

"Condens'd his Emanations..." (Plate 9)

1804 to 1820

William Blake "It is easier to forgive an enemy..." (Plate 91)

Print made by William Blake, 1757–1827

"It is easier to forgive an enemy..." (Plate 91)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

Print made by William Blake, 1757–1827

"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

1804 to 1820

William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Print made by William Blake, 1757–1827

Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

1804 to 1820

William Blake "Highgates heights & Hampsteads..." (Plate 84)

Print made by William Blake, 1757–1827

"Highgates heights & Hampsteads..." (Plate 84)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "Such are Cathedrons golden Halls..." (Plate 73)

Print made by William Blake, 1757–1827

"Such are Cathedrons golden Halls..." (Plate 73)

1804 to 1820

William Blake "And Rahab Babylon the Great..." (Plate 75)

Print made by William Blake, 1757–1827

"And Rahab Babylon the Great..." (Plate 75)

1804 to 1820

William Blake Chapter 4 Frontispiece (Plate 76)

Print made by William Blake, 1757–1827

Chapter 4 Frontispiece (Plate 76)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "Her voice pierc'd Albions clay cold ear..." (Plate 95)

Print made by William Blake, 1757–1827

"Her voice pierc'd Albions clay cold ear..." (Plate 95)

1804 to 1820

John Massey Wright Falstaff Disguised as Herne

John Massey Wright, 1777–1866

Falstaff Disguised as Herne

undated

George Fennell Robson Macbeth and Banquo on the Heath

George Fennell Robson, 1788–1833

Macbeth and Banquo on the Heath

ca. 1830

William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Sir David Wilkie Grace Before Meat

Sir David Wilkie, 1785–1841

Grace Before Meat

1839

Sir George Howland Beaumont seventh Baronet The Picnic

attributed to Sir George Howland Beaumont seventh Baronet, 1753–1827

The Picnic

undated

Peter DeWint Building a Stack (Study for Carrying Hay)

attributed to Peter DeWint, 1784–1849

Building a Stack (Study for Carrying Hay)

undated

John Frederick Lewis Study for the Proclamation of Don Carlos

John Frederick Lewis, 1804–1876

Study for the Proclamation of Don Carlos

between 1834 and 1838

William Henry Harriott Fish Market, Hastings

William Henry Harriott, active 1811, died 1839

Fish Market, Hastings

1824

Samuel Prout An East Indiaman Moored, Small Boats Alongside, Other Boats Further Off

Samuel Prout, 1783–1852

An East Indiaman Moored, Small Boats Alongside, Other Boats Further Off

undated

William John Chamberlayne Joshua Delivering Gibeon

William John Chamberlayne, 1821–1910

Joshua Delivering Gibeon

undated

Thomas Girtin The Guildhall, Exeter

Thomas Girtin, 1775–1802

The Guildhall, Exeter

ca. 1797

Sir David Wilkie On the Pier, Calais

Attributed to Sir David Wilkie, 1785–1841

On the Pier, Calais

ca. 1810

unknown artist Alcibiades and Timon

unknown artist

Alcibiades and Timon

undated

John Nixon Study for, In Mr. Barnard's Boat, Kingston

John Nixon, ca. 1760–1818

Study for, In Mr. Barnard's Boat, Kingston

undated

Robert Smirke Study of a Woman, being Taken Away by a Winged Being

Robert Smirke, 1752–1845

Study of a Woman, being Taken Away by a Winged Being

undated

Edward Radclyffe Calais Pier

Print made by Edward Radclyffe, 1809–1863

Calais Pier

after 1832

Edward Radclyffe Lancaster Sands

Print made by Edward Radclyffe, 1809–1863

Lancaster Sands

undated

James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Henry Dawe River Meuse

Print made by Henry Dawe, 1790–1848

River Meuse

undated

Andreas Geiger Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

Andreas Geiger, 1765–1856

Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

undated

James Heath "Hubert, let me not be bound!"

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

John Augustus Atkinson Fools; or Jesters

Print made by John Augustus Atkinson, 1775–1831

Fools; or Jesters

1813

Luigi Schiavonetti The Death of the Good Old Man

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808, published 1813

John Bluck West India Docks

Print made by John Bluck, active 1791–1831

West India Docks

1810

John Bluck Saint Stephen's, Walbrook

Print made by John Bluck, active 1791–1831

Saint Stephen's, Walbrook

1809

Luigi Schiavonetti Death of the Strong Wicked Man

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808, published 1813

Guillaume Sulpice Chevalier Intemperance

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

George Arnald Meuse and Sambre, from the Gate of the Sambre

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

George Arnald Left Bank, Meuse

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

George Arnald Bouvignes and Dinant

Print made by George Arnald, 1763–1841

Bouvignes and Dinant

1822

Thomas Rowlandson How to Vault in the Saddle

Thomas Rowlandson, 1756–1827

How to Vault in the Saddle

1813

Benjamin Robert Haydon Study of the Crucifixion

Benjamin Robert Haydon, 1786–1846

Study of the Crucifixion

undated

Charles Grignion A View from Richmond Hill Up the River

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Thomas Rowlandson The Angling Party

Thomas Rowlandson, 1756–1827

The Angling Party

undated

Thomas Rowlandson A Review of the Northapmton Militia at Brackley

Thomas Rowlandson, 1756–1827

A Review of the Northapmton Militia at Brackley

undated

Edward Duncan Wild Duck Shooting

Edward Duncan, 1803–1882

Wild Duck Shooting

1825

Edward Duncan Pheasant Shooting

Edward Duncan, 1803–1882

Pheasant Shooting

1825

Thomas Rowlandson The Military Adventures of Johnny Newcome

Thomas Rowlandson, 1756–1827

The Military Adventures of Johnny Newcome

undated

John Crome A Boatload

John Crome, 1768–1821

A Boatload

undated

Henry Thomas Alken A Gentleman Riding With a Groom, and Coversing

Henry Thomas Alken, 1785–1851

A Gentleman Riding With a Groom, and Coversing

undated

George Cruikshank Frontispiece: The Progress of a Midshipman

Print made by George Cruikshank, 1792–1878

Frontispiece: The Progress of a Midshipman

1820

George Alken Foxhunting: Full Cry

George Alken, 1794–active 1837

Foxhunting: Full Cry

between 1827 and 1837

Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One

Henry Thomas Alken, 1785–1851

"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One

undated

Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass

Henry Thomas Alken, 1785–1851

"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass

undated

Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand

Henry Thomas Alken, 1785–1851

"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand

undated

Thomas Rowlandson Netting a Salmon Pool

Thomas Rowlandson, 1756–1827

Netting a Salmon Pool

undated

Charles Claude Pyne The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

Charles Claude Pyne, 1802–1878

The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

1872

Thomas Rowlandson Picking Mulberries

Thomas Rowlandson, 1756–1827

Picking Mulberries

undated

Thomas Rowlandson View of the Church and Village of St. Cue, Cornwall

Thomas Rowlandson, 1756–1827

View of the Church and Village of St. Cue, Cornwall

ca. 1812