View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
3
Print made by James Basire the younger, 1769–1822
Inside View of the East End of Merton College Chapel
1802
4
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
5
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
6
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
7
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
8
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
9
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
10
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
11
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
12
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
13
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
14
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
15
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
16
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
17
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
18
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
19
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
20
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
21
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
22
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
23
John Glover, 1767–1849
The Thames at Isleworth
ca. 1807
24
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
25
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
26
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
27
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
28
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
29
Print made by S. Porter, active 1802
Durham Cathedral
1802
30
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
31
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
32
Isaac Weld, 1774–1856
Killarney (Ireland)
ca. 1807
33
Robert Hills, 1769–1844
Studies of Haymakers
ca. 1807
34
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
35
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
36
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
37
Isaac Weld, 1774–1856
Dunloh Castle, Killarney, Ireland
ca. 1807
38
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
39
Robert Smirke, 1752–1845
Untitled: Prince Amgrad & Prince Affad
1802
40
Print made by Raphael Lamar West, 1769–1850
Study of a Tree
1802, published 1807
41
Print made by Richard Corbould, 1757–1831
Old Trees with Old Man, a Girl and a Dog
1802, published 1806
42
Print made by Richard Cooper the Younger, 1740–1814
Landscape with Group of Trees
1802, published 1806
43
Amos Green, 1735–1807
Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
1802
44
Amos Green, 1735–1807
Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
1802
45
Cornelius Varley, 1781–1873
Carnarvon
1802
46
Amos Green, 1735–1807
Views in England, Scotland and Wales: Watenlath, August 30, 1802
1802
47
Amos Green, 1735–1807
Views in England, Scotland and Wales: Landscape with Stream
1802
48
Amos Green, 1735–1807
Views in England, Scotland and Wale: View near Bolton Abbey
1802
49
Samuel Rawle, 1771–1860
A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)
1802
50
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
51
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
52
James de Carle Sowerby, 1787–1871
Three Toucans
undated
53
James de Carle Sowerby, 1787–1871
Heads of Two Proboscis Monkeys
undated
54
Patrick Nasmyth, 1787–1831
Battersea Fields, Painted for Charles Matthews, Esq
undated
55
James de Carle Sowerby, 1787–1871
A Parrot
undated
56
James de Carle Sowerby, 1787–1871
A Parrot
undated
57
James de Carle Sowerby, 1787–1871
A Cockatoo
undated
58
James de Carle Sowerby, 1787–1871
A Parrot
undated
59
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
60
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
61
James de Carle Sowerby, 1787–1871
A Parrot
undated
62
James de Carle Sowerby, 1787–1871
A Crane
undated
63
James de Carle Sowerby, 1787–1871
Zebra
undated
64
Sir Robert Smirke the younger, 1781–1867
Ancient Aqueduct Ruins
1802-1804
65
Sir Robert Smirke the younger, 1781–1867
Part of the Molding at the Temple of Minerva
1802-1804
66
Sir Robert Smirke the younger, 1781–1867
A Halt for the Evening of Our Guards and Attendants Between Messenia and Arcadia
1802-1804
67
Sir Robert Smirke the younger, 1781–1867
Part of the Molding at Temple of Minerva
1802-1804
68
Sir Robert Smirke the younger, 1781–1867
Sketch of a Hilly Landscape
1802-1804
69
Sir Robert Smirke the younger, 1781–1867
Ancient Gateway in Ruins
1802-1804
70
Sir Robert Smirke the younger, 1781–1867
Mount Helicon
1802-1804
71
Sir Robert Smirke the younger, 1781–1867
Landscape of Hills and Rock Formations
1802-1804
72
Sir Robert Smirke the younger, 1781–1867
Sketch of an Athenian's House
1802-1804
73
Sir Robert Smirke the younger, 1781–1867
The Ruins of Delos
1802-1804
74
Sir Robert Smirke the younger, 1781–1867
Fragment of a Doric Cornice Among the Ruins of Eleusis
1802-1804
75
Sir Robert Smirke the younger, 1781–1867
Mount Parnassus
1802-1804
76
Sir Robert Smirke the younger, 1781–1867
Temple of Aphaea
1802-1804
77
Sir Robert Smirke the younger, 1781–1867
Sketch of a Ruined Temple, With a Figure Standing by the Remains of a Standing Pillar
1802-1804
78
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Concordia
1802-1804
79
Sir Robert Smirke the younger, 1781–1867
Girgenti
1802-1804
80
Sir Robert Smirke the younger, 1781–1867
Girgenti, in Sicily, to the South
1802-1804
81
Sir Robert Smirke the younger, 1781–1867
The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
82
Sir Robert Smirke the younger, 1781–1867
View of the Site of Ancient. Agrigentum, From Agrigento
1802-1804
83
Sir Robert Smirke the younger, 1781–1867
The Convent of St. Nicholas
1802-1804
84
Sir Robert Smirke the younger, 1781–1867
A Study of an Ancient Building in Ruin
1802-1804
85
Sir Robert Smirke the younger, 1781–1867
Doric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum
1802-1804
86
Sir Robert Smirke the younger, 1781–1867
Sketch of the Temple of Asclepius at Agrigento, Sicily
1802-1804
87
Sir Robert Smirke the younger, 1781–1867
Doric Order Septastyle Temple
between 1802 and 1804
88
Sir Robert Smirke the younger, 1781–1867
Treasury of Atreus
1802-1804
89
Sir Robert Smirke the younger, 1781–1867
Second Temple of Hera, in the Foreground, First Temple of Hera in the Background, at Paestum
1802-1804
90
Sir Robert Smirke the younger, 1781–1867
Temple of Juno
1802-1804
91
Sir Robert Smirke the younger, 1781–1867
Second Temple of Hera
1802-1804
92
Sir Robert Smirke the younger, 1781–1867
Gateway in the Ruins of the Ancient Walls of Arpino
1802-1804
93
Sir Robert Smirke the younger, 1781–1867
Gateway in the Ruins of the Ancient Walls of Arpino