Jerusalem, Plate 85, "Became a Space & an Allegory...."
1804 to 1820
143
Print made by William Blake, 1757–1827
Jerusalem, Plate 86, "I see thy Form...."
1804 to 1820
144
Print made by William Blake, 1757–1827
Jerusalem, Plate 88, "Los answerd sighing...."
1804 to 1820
145
Print made by William Blake, 1757–1827
Jerusalem, Plate 90, "The Feminine separates...."
1804 to 1820
146
Print made by William Blake, 1757–1827
Jerusalem, Plate 91, "It is easier to forgive an enemy...."
1804 to 1820
147
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
148
Print made by William Blake, 1757–1827
Jerusalem, Plate 93, "Enitharmon heard...."
1804 to 1820
149
Print made by William Blake, 1757–1827
Jerusalem, Plate 94, "Albion cold lays on his Rock...."
1804 to 1820
150
Print made by William Blake, 1757–1827
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
151
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
152
Print made by William Blake, 1757–1827
Jerusalem, Plate 98, "Then each an Arrow flaming...."
1804 to 1820
153
Print made by William Blake, 1757–1827
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
154
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
155
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
156
William Blake, 1757–1827
Caius Julius Cæsar
1821
157
William Blake, 1757–1827
Epicurus
1821
158
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
159
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
160
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
161
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
162
William Blake, 1757–1827
Theocritus
1821
163
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
164
William Blake, 1757–1827
From Antique Coins
1821
165
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
166
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
167
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
168
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
169
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
170
Print made by William Blake, 1757–1827
Publius Virgilius Maro
1821
171
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
172
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
173
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
174
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
175
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
176
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808, published 1813
177
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
178
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
179
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
180
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
181
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
182
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808, published 1813
183
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
184
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
185
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
186
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
187
Print made by George Richmond, 1809–1896
Reproduction of "William Blake in Youth and Age"
ca. 1830
188
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
189
William Blake, 1757–1827
The Life of George Romney
1809
190
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
191
William Blake, 1757–1827
The Triumphs of Temper
1803
192
William Blake, 1757–1827
Illustrations of the Book of Job
1825
193
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
194
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
195
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
196
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
197
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
198
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
199
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
200
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]