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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsPeriod 18th century
Remove constraint Period: 18th centuryImage Available Available
Remove constraint Image Available: AvailableSubject Terms men
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1
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
2
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
3
- Alas!; Plate 9
- 1793
4
- My Son! My Son!; Plate 10
- 1793
5
- Aged Ignorance; Plate 13
- 1793
6
- Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
- ca. 1797
7
- Water; Plate 4
- 1793
8
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
9
- Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
- 1794
10
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
11
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
12
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
13
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
14
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
15
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
16
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
17
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
18
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
20
- Songs of Innocence and of Experience
- 1789-1794
21
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
22
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
23
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
24
- Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
- 1789
25
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
27
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
28
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
29
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
30
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
31
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
33
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
34
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
35
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
36
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
37
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
38
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
39
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
40
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
41
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
42
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
43
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
44
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
45
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
46
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
47
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
48
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
49
- Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
- 1794
50
- Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
- 1789
51
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
52
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
53
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
54
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
55
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
56
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
57
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
58
- Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
- ca. 1797
59
- Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
- ca. 1797
60
- The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
- 1794
61
- The Shepherd, from Songs of Innocence
- ca. 1795
62
- Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall
- undated
63
- Labourers
- 1790
64
- An Artist Sketching in Windsor Park
- 1789
65
- Conversation on a Country Road
- 1799
66
- Soldiers and Country Women
- undated
67
- Italianate Landscape with Travellers no. 2
- ca. 1760
68
- Temple of Venus and Rome from the Colosseum
- 1781
69
- Preparing to lay eel traps
- undated
70
- Landscape with Sportsman and Guns
- 1779
71
- North East View of Mr. Hare's New House
- 1783
72
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
73
- Pile Driving on the Banks of the Thames
- undated
74
- Lismore Castle, Ireland
- 1783
75
- East Side of Mr. Hare's New House
- 1783
76
- Country Scene: Figures by a Cottage Door and Cattle in a Stream
- 1795
77
- Bath: The North Parade
- 1773
78
- The Horse Guard's Parade, Whitehall
- undated
79
- The Bishop's Palace, Bromley (A Country House)
- undated
80
- The Guitar Player
- undated
81
- Making a Cast at a Fault
- 1794
82
- Deucalion and Pyrrha after the Flood
- 1784
83
- An Encampment in St. James Park
- ca. 1780
84
- Landscape with Two Men on a Hill and a Castle in the Distance
- between 1762 and 1783
85
- Two Men in a Landscape and a Castle on a Hill
- 1769
86
- Two Men Looking Into Landscape with Castle, River and Mountain Scene
- between 1762 and 1783
87
- Landscape with Two Men and a Castle Ruin on the Riverbank
- 1783
88
- View of Windermere
- between 1762 and 1783
89
- Landscape with Two Men
- between 1762 and 1783
90
- River Landscape with Castles
- between 1762 and 1783
91
- The Chapel of the Greyfriars Monastery, Winchester
- between 1790 and 1795
92
- A Prospect of Vapourland
- 1759
93
- A View of Several Palaces at Naples at Sun Rise
- undated
94
- Romantic Landscape - Peasants at the Foot of a Castle on a Crag
- undated
95
- River with Fishermen
- 1792
96
- Unloading Pit Props at Coalbrookdale
- after 1790
97
- Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
- undated
98
- Design for the Parterre at Hampton Court
- early 18th century
99
- Classical Landscape with Travellers, a Dog and House on the left
- 1741
100
- Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
- undated