Search Constraints
You searched for:
Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1821
Remove constraint Date: 1821Search Results
1
- Full Cry. 1821: Riders Taking a Wooden Fence
- 1821
2
- Releasing a Bag-Fox
- 1821
3
- Exhibition Somerset House Tom and Bob
- 1821
4
- The Country Squire taking a peep at Charley's Theatre Westminster
- 1821
5
- "The National Sports of Great Britain" 1821: Badger Catching
- 1821
6
- "The National Sports of Great Britain," 1821: Owling
- 1821
7
- A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain"
- 1821
8
- A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
- 1821
9
- "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
- 1821
10
- "Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
- 1821
11
- "Landscape Scenery", No. 13: Groups of Infantry and Army Horses
- 1821
12
- "Landscape Scenery", No. 10: Scenes with Wood-Cutters
- 1821
13
- Set of six: The High Mettled Racer
- 1821
14
- Set of six: The High Mettled Racer
- 1821
15
- Set of six: The High Mettled Racer
- 1821
16
- Set of six: The High Mettled Racer
- 1821
17
- Set of six: The High Mettled Racer
- 1821
18
- Set of six: The High Mettled Racer
- 1821
19
- Addingham Mill on the Warfe
- 1821
20
- Ivy Bridge, Devonshire
- 1821
21
- Floating Dock at Rotherhithe
- undated
22
- Sillian Tyrol, July 11, 1821
- 1821
23
- Crook of the Lune, Looking towards Hornby Castle
- 1821
24
- Crook of the Lune, Looking Towards Hornby Castle
- 1821
25
- A Market Scene in Venice
- undated
26
- Hay Barge in a Calm Sea
- undated
27
- Old Men O'War
- undated
28
- Theocritus
- 1821
29
- Illustrations of Imitation of Eclogue I, Page 14
- 1821
30
- Illustrations of Imitation of Eclogue I, Page 16
- 1821
31
- Octavius Augustus Cæsar
- 1821
32
- Epicurus
- 1821
33
- Illustrations of Eclogue I, Introductory, The Giant Polypheme
- 1821
34
- From Antique Coins
- 1821
35
- Illustrations of Imitation of Eclogue I, Page 18
- 1821
36
- Illustrations of Imitation of Eclogue I, Page 17
- 1821
37
- Illustrations of Imitation of Eclogue I, Page 15
- 1821
38
- Caius Julius Cæsar
- 1821
39
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
40
- Publius Virgilius Maro
- 1821
41
- Each creature, Thenot, to his task is born
- 1821, reprinted 1977
42
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
- 1821, reprinted 1977
43
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
- 1821, reprinted 1977
44
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
- 1821, reprinted 1977
45
- Or blasting winds o'er blossom'd hedge-rows pass
- 1821, reprinted 1977
46
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
- 1821, reprinted 1977
47
- My sheep quite spent through travel and ill fare
- 1821, reprinted 1977
48
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
- 1821, reprinted 1977
49
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
- 1821, reprinted 1977
50
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
- 1821, reprinted 1977
51
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
- 1821, reprinted 1977
52
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
- 1821, reprinted 1977
53
- And now behold the sun's departing ray
- 1821, reprinted 1977
54
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
- 1821, reprinted 1977
55
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
- 1821, reprinted 1977
56
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
- 1821, reprinted 1977
57
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
- 1821, reprinted 1977
58
- The Pastorals of Virgil, London, 1821
- 1821, reprinted 1977
59
- A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
- ca. 1826
- Not on view
60
- Portia and Bassanio
- ca. 1826
61
- Les Pendus
- ca. 1826
62
- Edinbourgh vu de la Chapelle S. Antoine
- ca. 1826
63
- Interior View of the hall at Longleat; the Seat of the Marquis of Bath
- 1821
64
- South View of Longleat, Wiltshire; the Seat of the Marquis of Bath
- 1821
65
- The Celebrated Wooden Bridge across the Delaware at Trenton
- 1821
66
- Description of the Celebrated Suspended Wooden Bridge
- 1821
67
- Robert Stewart, Viscount Castlereagh
- 1821
- Not on view
68
- William Howley, Bishop of London (1766-1848)
- 1821
- Not on view
69
- Hampstead Heath looking towards Harrow
- 1821 to 1822
- Not on view
70
- Parham Mill, Gillingham
- ca. 1826
- Not on view
71
- Cloud Study, Early Morning, Looking East from Hampstead
- 1821
- Not on view
72
- Fire in London, Seen from Hampstead
- ca. 1826
- Not on view
73
- Study of Hollyhocks
- ca. 1826
- Not on view
74
- Hampstead Heath Looking Towards Harrow
- 1821
- Not on view
75
- Cloud Study
- 1821
- Not on view
76
- Cloud Study with Trees
- 1821
- Not on view
77
- Cloud Study
- 1821
- Not on view
78
- Cloud Study
- 1821
- Not on view
79
- Torbay from Brixham
- 1821
80
- Plymouth Citadel
- 1821
81
- Plymouth Sound
- 1821
82
- Parnassus
- 1821
83
- Sion House
- 1821
84
- Premier Map of London and Suburbs: Battersea
- 1821
85
- Sir Godfrey Kneller
- 1821
86
- Conjurer with Pistol and Cards
- ca. 1826
87
- Table D'Hote
- 1821
88
- View from Stokenchurch Hill, Buckinghamshire
- 1821
89
- The Botanical Garden near Port Orotava, Tenerife
- 1821
90
- View from part of Port Orotava, Tenerife from La Caldeva, near Sancho
- 1821
91
- Realejo de arriba, Tenerife
- 1821
92
- Coaching: His Majesty King George IV. Travelling - View Hyde Park
- 1821
93
- Arrival at Brandenburg House of the Watermen, ect. with an Address to the Queen on the 3rd October 1820
- 1821
94
- The Queen Returning from the House of Lords
- 1821
95
- Culver Cliff, Isle of Wight
- undated
96
- The Erechtheum, Athens, with Figures in the Foreground
- 1821
- Not on view
97
- George Vertue
- 1821
98
- Newstead Abbey, The Seat of the Late Lord Byron
- undated
99
- Boston Church, Lincolnshire
- 1821
100
- On Hastings Beach, August 1821
- 1821