Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: religious and mythological subject

Francesco Bartolozzi, 1728–1815

Diana, The Huntress

1763

Henry Fuseli, 1741–1825

Dido

1781

Not on view

Print made by James T. Willmore, 1800–1863

Dido and Aeneas

between 1859 and 1861

William Woollett, 1735–1785

Dido and Aeneas

1787

Francis Cleyn, 1582–1658

Dido and Aeneas Sheltering in a Cave

undated

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by Edward Goodall, 1795–1870

Dido Building Carthage

between 1859 and 1861

Print made by James Basire the younger, 1769–1822

Distant View of Whalley Abbey

1800

John Brooks, active 1730–1756

Dr. George Berkley, Bishop of Cloyne

undated

Francesco Bartolozzi, 1728–1815

Dr. Isaac Watts

1779

Thomas Park, ca. 1760–1834

Dr. John Thomas, Lord Bishop of Rochester

1788

James McArdell, ca. 1729–1765

Dr. Thomas Sherlock, Lord Bishop of London

1757

Print made by John Horsburgh, 1791–1869

Dryden's Monument

1834

Print made by John Horsburgh, 1791–1869

Dryden's Monument

1834

Print made by John Horsburgh, 1791–1869

Dryden's Monument

1834

Print made by John Horsburgh, 1791–1869

Dryden's Monument

1834

Print made by S. Porter, active 1802

Durham Cathedral

1802

Print made by William Miller, 1796–1882

Durham Cathedral

1836

Print made by William Radclyffe, 1780–1855

Eaton College, Berkshire

1831

Print made by William Radclyffe, 1780–1855

Eaton College, Berkshire

1831

Print made by William Radclyffe, 1780–1855

Eaton College, Berkshire

1831

Francesco Bartolozzi, 1728–1815

Ecce Ancilla Domini

James Watson, 1740–1790

Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville

1770

Print made by Thomas Higham, 1796–1844

Ely Cathedral, Cambridgeshire

1833

Francesco Bartolozzi, 1728–1815

Ester Accusing Haman

1793

Francesco Bartolozzi, 1728–1815

Euphrosine

1784

Print made by William Blake, 1757–1827

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 1, Frontispiece

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 13 (Bentley 10)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 2, Title Page

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 3, "Preludium"

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 8 (Bentley 9)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

Francesco Bartolozzi, 1728–1815

Faith

1787

Print made by John Cousen, 1804–1880

Falls near the Source of the Jumna

1838

Francesco Bartolozzi, 1728–1815

Faun

1787

Attributed to John Martin, 1789–1854

Feeding the Five Thousand

undated

Robert Mabon, died 1798

Figure from Elephanta

undated

Gangaram Chintaman Tambat, active 1790s

Figure from Indus Sabha

undated

Benjamin Robert Haydon, 1786–1846

Figure Studies of a Man Rising From the Ground

undated

Benjamin Robert Haydon, 1786–1846

Figure Studies of the Virgin Mary

undated

Robert Smirke, 1752–1845

Figure Study of a Bacchanalia Celebration in a Wooded Landscape

undated

Robert Smirke, 1752–1845

Figure Study of a Bacchanalia Celebration in a Wooded Landscape

undated

Robert Smirke, 1752–1845

Figure Study of a Bacchanalia Celebration in a Wooded Landscape

undated

Francesco Bartolozzi, 1728–1815

Filius Et Genitrix Sibi Dulciter Oscula Miscent: Utrum Tu, Possit, Dulcius Esse, Pete

Published by Arnold Fawcus, 1917–1979

First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job

1972

Print made by Arnold Fawcus, 1917–1979

First Uncorrected Proof of Arnold Fawcus's Facsimile of Blake's Water-Colour Designs for the Poems of Thomas Gray

1967

Robert Smirke, 1752–1845

Five Vignettes of Scenes from Antiquity

undated

Francesco Bartolozzi, 1728–1815

Flight Into Egypt

1797

Francesco Bartolozzi, 1728–1815

Flight Into Egypt

Francesco Bartolozzi, 1728–1815

Flora and Putto with Flowers in their Hands

Francesco Bartolozzi, 1728–1815

Flora with Four Putti

1765

Print made by George Cooke, 1781–1834

Florence, from Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Francesco Bartolozzi, 1728–1815

For the Benefit of Mr. Borghi

1789

Print made by Francesco Bartolozzi, 1728–1815

For the Benefit of Mr. Guadagni

1767

Print made by Francesco Bartolozzi, 1728–1815

For the Benefit of Mr. Savoia

1789

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Valentine Green, 1739–1813

Francis Russel, Duke of Bedford, with his Brothers & Sister

1778

Print made by Edward Goodall, 1795–1870

Frontispiece (Fisher's `Pilgrim's Progress)

1838

John Fayram, op.1713–1743

Frontispiece design for John Fayram's "Eight Views after Nature"

ca. 1739

Print made by Edward Goodall, 1795–1870

Frontispiece for 'Pilgrim's Progress'

1836

Robert White, 1645–1703

Frontispiece to John Nalson's "Impartial Collection of the Great Affairs of State"

1682

Print made by Francesco Curti, 1610–1690

Frontispiece: Hercules Fighting the Hydra

ca. 1633

Francesco Bartolozzi, 1728–1815

Fruiunentum electorum, et vinum germinans virgines Zach. 9. 17

Isaac Weld, 1774–1856

Funeral Procession at Rome

1818

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Credit Line Yale Center for British Art, Paul Mellon Collection

Genre religious and mythological subject

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Genre religious and mythological subject

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