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1. Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night

Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
Creator:
John Constable, 1776–1837
Date:
1829
Materials & Techniques:
Oil on canvas
Dimensions:
48 × 64 3/4 inches (121.9 × 164.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view at YUAG

2. Tummel Bridge, Perthshire

Tummel Bridge, Perthshire
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1802 and 1803
Materials & Techniques:
Oil on panel
Dimensions:
11 3/8 x 18 3/8 inches (28.9 x 46.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Figures with a Donkey and Dog Crossing a Weir

Figures with a Donkey and Dog Crossing a Weir
Creator:
James Lambert of Lewes, 1725–1788
Date:
1767
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/4 x 24 inches (46.4 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. The Liverpool and National Steeplechase at Aintree, 1843

The Liverpool and National Steeplechase at Aintree, 1843
Creator:
William Tasker, 1808–1852
Date:
ca. 1843
Materials & Techniques:
Oil on canvas
Dimensions:
34 3/8 x 71 1/2 inches (87.3 x 181.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. A View Supposedly Near Arundel, Sussex, with Figures in a Lane

A View Supposedly Near Arundel, Sussex, with Figures in a Lane
Creator:
George Smith, 1714–1776
Date:
mid-18th century
Materials & Techniques:
Oil on canvas
Dimensions:
15 7/8 x 19 3/4 inches (40.3 x 50.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Heron Hawking below Stirling Castle

Heron Hawking below Stirling Castle
Creator:
Jan Wyck, ca. 1645–1700
Date:
ca. 1690
Materials & Techniques:
Oil on canvas
Dimensions:
24 1/2 × 24 1/8 inches (62.2 × 61.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire

Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire
Creator:
Arthur Devis, 1712–1787
Date:
between 1745 and 1747
Materials & Techniques:
Oil on canvas
Dimensions:
38 1/2 x 48 1/2 inches (97.8 x 123.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. Orleans House, Twickenham

Orleans House, Twickenham
Creator:
Joseph Nickolls, active 1713–ca. 1755
Date:
ca. 1750
Materials & Techniques:
Oil on canvas
Dimensions:
17 1/4 x 32 inches (43.8 x 81.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

9. Muly Moloch

Muly Moloch
Creator:
Benjamin Marshall, 1768–1835
Date:
1803
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 50 inches (101.6 x 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

10. The Bathing Place at Ramsgate

The Bathing Place at Ramsgate
Creator:
Benjamin West, 1738–1820
Date:
ca. 1788
Materials & Techniques:
Oil on canvas
Dimensions:
14 x 17 1/2 inches (35.6 x 44.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

11. Drainage Mills in the Fens, Croyland, Lincolnshire

Drainage Mills in the Fens, Croyland, Lincolnshire
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1835
Materials & Techniques:
Oil on canvas
Dimensions:
21 3/4 x 36 1/8 inches (55.2 x 91.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

12. London from Greenwich Hill

London from Greenwich Hill
Creator:
Henry Dawson, 1811–1878
Date:
1869 to 1870
Materials & Techniques:
Oil on canvas
Dimensions:
72 x 107 1/2 inches (182.9 x 273.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

13. Loch Awe, Argyllshire

Loch Awe, Argyllshire
Creator:
Alexander Nasmyth, 1758–1840
Date:
ca. 1785
Materials & Techniques:
Oil on canvas
Dimensions:
20 x 24 inches (50.8 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

14. Gillingham on the Medway

Gillingham on the Medway
Creator:
William James Muller, 1812–1845
Date:
1842
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/2 × 26 1/4 inches (34.3 × 66.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

15. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Creator:
Paul Sandby, 1731–1809
Date:
1767
Materials & Techniques:
Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Bath: The North Parade

Bath: The North Parade
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 13/16 × 14 13/16 inches (27.5 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. An Encampment in St. James Park

An Encampment in St. James Park
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1780
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. A View of Core's Library, Dawlish, Devon

A View of Core's Library, Dawlish, Devon
Creator:
John White Abbott, 1763–1851
Date:
1837
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:
Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. High Street at Bushey, Hertfordshire

High Street at Bushey, Hertfordshire
Creator:
Henry Monro, 1791–1814
Date:
1812
Materials & Techniques:
Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:
Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Roundway Park, Wiltshire: Exterior View

Roundway Park, Wiltshire: Exterior View
Creator:
unknown artist
Date:
ca. 1840
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 18 9/16 x 28 1/2 inches (47.1 x 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Eastbourne from Lord G.: Cavendish's Seat in the Park

Eastbourne from Lord G.: Cavendish's Seat in the Park
Creator:
John Nixon, ca. 1760–1818
Date:
1787
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/16 × 7 1/2 inches (13.5 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. St. Martin's Church

St. Martin's Church
Creator:
Print made by unknown artist
Date:
between 1731 and 1754
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Ancienne Porte a Stirling

Ancienne Porte a Stirling
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 x 13 5/16 inches (26.8 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Newstead Abbey

Newstead Abbey
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Buckingham House, St. James' Park

Buckingham House, St. James' Park
Creator:
Print made by John Burnet, 1784–1868
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Creator:
Print made by William Angus, 1752–1821
Date:
1793
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.
Creator:
Print made by William Angus, 1752–1821
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 7 7/16 inches (13.7 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Clare Hall

Clare Hall
Creator:
Print made by John Bluck, active 1791–1831
Date:
1814
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 14 1/16 inches (29.2 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Rochester, Kent: from the North

Rochester, Kent: from the North
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Glasgow Cathedral

Glasgow Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
between 1794 and 1795
Materials & Techniques:
Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Tithe Barn at Abbotsbury with the Abbey on the hill...

The Tithe Barn at Abbotsbury with the Abbey on the hill...
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Abbey Mill, Knaresborough

The Abbey Mill, Knaresborough
Creator:
Thomas Girtin, 1775–1802
Date:
1801
Materials & Techniques:
Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Sandsend, Yorkshire

Sandsend, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Boston Church and Grand Sluice, Lincolnshire

Boston Church and Grand Sluice, Lincolnshire
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 3/4 inches (13.7 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Penzance, Cornwall

Penzance, Cornwall
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1833
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:
Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Witley Court in Worcestershire, the Seat of Lord Foley

Witley Court in Worcestershire, the Seat of Lord Foley
Creator:
Print made by William Angus, 1752–1821
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 9/16 inches (22.3 × 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Lincoln from the River Witham

Lincoln from the River Witham
Creator:
Print made by S. T. Davies, active ca. 1835
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 × 8 7/8 inches (13.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Newmarket - Pulling Up

Newmarket - Pulling Up
Creator:
Lionel Edwards, 1878–1966
Date:
1933
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 10 1/16 × 13 15/16 inches (25.6 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Games at Vauxhall: Playing at Cricket

Games at Vauxhall: Playing at Cricket
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
ca. 1743
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 x 14 13/16 inches (26.7 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Edinbourgh vu de la Chapelle S. Antoine

Edinbourgh vu de la Chapelle S. Antoine
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/16 x 13 3/16 inches (26.5 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Lac de Killin

Lac de Killin
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Thornbury Castle, Gloucestershire

Thornbury Castle, Gloucestershire
Creator:
Louis Haghe, 1806–1885
Date:
between 1823 and 1835
Materials & Techniques:
Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 10 9/16 x 13 11/16 inches (26.8 x 34.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
Creator:
Louis Haghe, 1806–1885
Date:
ca. 1840
Materials & Techniques:
Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 19 3/16 inches (36.9 x 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The South Sea House

The South Sea House
Creator:
Print made by unknown artist
Date:
between 1720 and 1728
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Creator:
Print made by unknown artist
Date:
between 1720 and 1750
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Ceiling in the Banqueting House at Whitehall

The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Creator:
Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. View of Leiston Abbey

View of Leiston Abbey
Creator:
Print made by William Byrne, 1743–1805
Date:
1781
Materials & Techniques:
Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:
Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Craig y Ladron - The Thieves Precipice

Craig y Ladron - The Thieves Precipice
Creator:
John Warwick Smith, 1749–1831
Date:
1797
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 9 1/8 inches (14 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Ruins of Criccieth Castle and Part of the Town on the Bay on Cardigan. East View, Caernarfonshire

Ruins of Criccieth Castle and Part of the Town on the Bay on Cardigan. East View, Caernarfonshire
Creator:
John Warwick Smith, 1749–1831
Date:
1790
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 5/8 inches (13.7 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Ships of the Line off Dover

Ships of the Line off Dover
Creator:
Samuel Atkins, active 1787–1808
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/8 × 6 5/8 inches (11.7 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Northern Boundary of St. Bride's Bay

The Northern Boundary of St. Bride's Bay
Creator:
John Warwick Smith, 1749–1831
Date:
1792
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 8 1/2 inches (13 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection