Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
15
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
16
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
18
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
19
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
20
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
21
Joseph Mallord William Turner, 1775–1851
Leeds
1816
22
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
23
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
24
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
25
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
26
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
27
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
28
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
29
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
30
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
31
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
32
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
33
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
34
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
35
unknown artist
View of Swanage Bay, Dorset
1816
36
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
37
Godfrey Thomas Vigne, 1801–1863
Greytown
undated
38
Godfrey Thomas Vigne, 1801–1863
Clifton Mount
undated
39
John Varley, 1778–1842
The Thames Near the Penitentiary, Millbank, London
1816
40
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
41
Nicholas Pocock, 1740–1821
Mole Head, Algiers
1816
42
J. Jacobs, active 1816–1864
Shakespeare House, Aldersgate Street
undated
43
John Harden, 1772–1847
From the Church Hill, Ambleside
1816
44
Sir George Hayter, 1792–1871
Stormy Sunset, Legh Park, Wiltshire
1816
45
Benjamin Robert Haydon, 1786–1846
John Keats
1816
46
William Haygarth, active 1810–1816
Mount Soratte from Civita Castellana
1816
47
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
48
Attributed to William Henry Hunt, 1790–1864
Interior of a Room
ca. 1821
49
John Monro, 1801–1880
Capel Church, Near Dorking, Surrey
undated
50
John Monro, 1801–1880
Farm Building
undated
51
Print made by Mary Dawson Turner, 1774–1850
Portrait of Benjamin Robert Haydon
1816
52
Print made by John Scott, 1774–1828
Harewood House
1816
53
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
54
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock, from Mount Edgecumbe
1816
55
Print made by William Say, 1768–1834
Cupid and Psyche
1816
56
Print made by John Young, 1755–1825
A Woman Swearing her Child to a Grave Citizen
1816
57
Print made by John Martin, 1789–1854
A Classical City
1816
58
Print made by John Scott, 1774–1828
Harewood House
1816
59
Print made by George Cooke, 1781–1834
Gledhow
1816
60
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
61
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
62
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
63
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
64
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
65
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
66
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
67
Print made by James C. Allen, active 1821–1831
The Ivy Bridge, Devonshire
1816
68
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
69
Print made by Charles Turner, 1774–1857
Field Marshal, The Duke of Wellington
1816
70
Joseph Constantine Stadler, active 1780–1812
A View of Horse Guards from Whitehall
1816
71
William Say, 1768–1834
Mrs. Litchfield
1816
72
Capt. Thomas Hastings, 1778–1854
Ships on the Thames near London Bridge, October 1816
1816
73
unknown artist
Portrait of Engelmann, in profile
1816
74
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
75
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
76
J. L. Marks, active 1787–1799
His Majesty Landing on the Pier at Howth
ca. 1821
77
J. L. Marks, active 1787–1799
Adventures in a Snoozing Cellar
ca. 1821
78
J. L. Marks, active 1787–1799
Going to the Levee
ca. 1821
79
J. L. Marks, active 1787–1799
Disagreeable Adventures of Brian Boru and Captain Grammachree in an Irish Whiskey Parlour (from: Caricature, vol. 6)
ca. 1821
80
Robert Havell, 1769–1832
Coaching [a pair]: 1. Stage Coach Setting Off
1816
81
Thomas Higham, 1796–1844
The Excise Office
1816
82
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
83
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
84
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
85
Robert William Smart, active 1820–1834
A Perspective View of the Royal Hospital for Seamen at Greenwich
1816
86
Robert Wallis, 1794–1878
Interior of the Royal Exchange
1816
87
Henry R. Cook, active 1802–1849
Interior and Exterior Views of the Olympic Theatre near Drury Lane
1816
88
Print made by William Bernard Cooke, 1778–1855
Source of the Tamar and Torridge
1816
89
Attributed to Richard Dighton, 1795–1880
A Discharged Fifer
ca. 1821
90
Charles Robert Cockerell, 1788–1863
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)