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Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSubject Terms genre subject
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1
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
2
- Mr. Hobson of Markfield and Family
- ca. 1806
3
- Study for the Foundlings
- ca. 1739
4
- Man with Horse and Cart Entering a Quarry
- ca. 1797
5
- A Wooded Track
- 1813
6
- High Street at Bushey, Hertfordshire
- 1812
7
- A Man Kneeling
- 1770
8
- Poulterer's Shop
- undated
9
- In Mr. Barnard's Boat, Kingston
- undated
10
- Ponte Lucano, Near Tivoli
- between 1660 and 1690
11
- Edinburgh Castle and Horse Fair
- ca. 1828
12
- Two Little Girls
- ca. 1810
13
- A Fashionable Audience
- undated
14
- The Ruins of the College of Lincluden, near Dumfries
- ca. 1806
15
- Classical Study of Three Figures
- undated
16
- Peasants in a Grotto
- undated
17
- A Study for the Pilkington Crest, a mower with a scythe
- undated
18
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
19
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
20
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
21
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
22
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
23
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
24
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
25
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
26
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
27
- The Eleventh Hour
- 1817
28
- The Fisherman
- undated
29
- Interior Scene with Family at Tea
- undated
30
- The Offer
- undated
31
- Horsemen in a Landscape
- undated
32
- An Eclipse in Harvest Time
- undated
33
- Venetian Fantasy
- undated
34
- Pale Melancholy
- ca. 1804
35
- London Cries: Shoe Cleaner
- ca. 1759
36
- London Cries: Small Coal or Brushes
- ca. 1759
37
- London Cries: A Lace Seller
- ca. 1759
38
- London Cries: A Man with a Basket (Man Selling Pots and Pans)
- undated
39
- London Cries: A Tinker and His Wife
- ca. 1759
40
- London Cries: Flowers
- undated
41
- London Cries: A Man Swaggering
- undated
42
- London Cries: All Fire and No Smoke
- ca. 1759
43
- London Cries: Boy with a Donkey
- ca. 1759
44
- Landscape at Ambleside
- ca. 1800
45
- Capriccio of a Venetian Courtyard
- undated
46
- A Family in Hyde Park
- undated
47
- Study for The Mother's Bribe, or The Temptation to be Washed
- undated
48
- The Spoiled Child, Scene II
- ca. 1802
49
- The Spoiled Child, Scene I
- ca. 1802
50
- The Spoiled Child, Scene V
- ca. 1802
51
- The Spoiled Child, Scene IV
- ca. 1802
52
- The Spoiled Child, Scene VI
- ca. 1802
53
- Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
- undated
54
- Wayfarers
- undated
55
- A Soldier on Horseback
- undated
56
- Dancing Platform, Cremorne Gardens, with a Portrait of Whistler
- undated
57
- Flying the Kite
- ca. 1740
58
- Battledore and Shuttlecock
- ca. 1740
59
- A Rustic Scene
- undated
60
- Windsor Castle
- undated
61
- Sailors Carousing and Frying Watches
- undated
62
- Title page for "The Guardian"
- undated
63
- River Landscape with Figures
- undated
64
- Unloading Pit Props at Coalbrookdale
- after 1790
65
- The Welsh Curate
- undated
66
- Sheet of Studies of Hounds, Hare, Falcon and Ducks
- undated
67
- The Good Samaritan
- undated
68
- The Spoiled Child, Scene III
- ca. 1802
69
- The Search after Truth
- undated
70
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
71
- The Smock Exposed
- 1817
72
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
73
- The Reconcilation
- 1817
74
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
75
- Hogarth Drawing Sarah Malcolm
- 1817
76
- Hogarth Sitting to Roubiliac for His Bust
- 1817
77
- Interior of a Coppersmith's, Shoe Lane
- undated
78
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
79
- Study of a Seated Woman
- 1787
80
- Administering the Oath at Highgate
- undated
81
- A Country Amusement - Bull Baiting
- undated
82
- The Travelling Show Man
- undated
83
- The Produce of Industry
- undated
84
- The Harmonious Family
- undated
85
- A Modern Diversion
- undated
86
- Greenwich Hospital
- undated
87
- The Contented Miller
- undated
88
- The Travelling Musicians
- undated
89
- Canvasing for Member of Parliament
- undated
90
- The Ferry
- undated
91
- Modern Exercise
- undated
92
- Relieving the Distressed Travellers
- undated
93
- Utensils
- ca. 1790
94
- A View at Lucerne
- 1775
95
- Solicitude: A Man Supporting a Fainting Woman
- undated
96
- The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
- undated
97
- Design for a Book Illustration: ? A Sacrifice before a Battle
- undated
98
- Farm Workers Flailing Corn
- undated
99
- Ben Lomond, August 17
- ca. 1805
100
- Conversation Piece
- undated