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1
- Landscape near Clifton
- 1822 to 1823
- Not on view
2
- Landscape, with Dover Castle in the Distance
- ca. 1767
- Not on view
3
- The Sense of Sight
- 1744 to 1747
- Not on view
4
- Buckenham Ferry, on the River Yare, Norfolk
- 1826
- Not on view
5
- A Scene from Don Quixote (Vol.II, Ch.XXIII)
- between 1730 and 1736
- Not on view
6
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
7
- Birth of the Heir
- ca. 1799
- Not on view
8
- A Leeward Islands Carib family outside a Hut
- ca. 1780
- Not on view
9
- Noon
- 1799
- Not on view
10
- Free West Indian Dominicans
- ca. 1770
- Not on view
11
- West Indian Man of Color, Directing Two Carib Women with a Child
- ca. 1780
- Not on view
12
- Scene in a London Street
- 1770
- Not on view
13
- Free West Indian Creoles in Elegant Dress
- ca. 1780
- Not on view
14
- Planter and his Wife, with a Servant
- ca. 1780
- Not on view
15
- A Musician
- ca. 1867
- Not on view
16
- Evening
- 1799
- Not on view
17
- Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
- ca. 1799
- Not on view
18
- “And the Prayer of Faith Shall Save the Sick”
- 1872
- Not on view
19
- Prospero, Miranda and Ariel, from "The Tempest"
- ca. 1780
- Not on view
20
- The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
- between 1798 and 1801
- Not on view
21
- Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
- 1832
- Not on view
22
- The Gravenor Family
- ca. 1754
- Not on view
23
- Wooded Landscape with a Man Talking to Two Seated Women
- ca. 1745
- Not on view
24
- A Family Being Served with Tea, possibly the Carter family
- ca. 1745
- Not on view
25
- The Bell Tower of Evesham
- ca. 1795
- Not on view
26
- Hob's Defence
- ca. 1725
- Not on view
27
- Hob Continues Dancing in Spite of his Father
- ca. 1725
- Not on view
28
- The Virtuous Comforted by Sympathy
- 1774
- Not on view
29
- The Death of Orpheus
- ca. 1770
- Not on view
30
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
31
- Lear Awakened by Cordelia
- between 1774 and 1775
32
- Ladies in Waiting
- undated
33
- Lear Awakened by Cordelia
- ca. 1774
34
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
35
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
36
- Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
- 1797
37
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
38
- Songs of Innocence and of Experience
- 1789-1794
39
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
40
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
41
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
42
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
43
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
44
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
45
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
46
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
47
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
48
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
49
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
50
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
51
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
52
- Lysander Awakening to See Helena
- 1825
53
- A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
- 1780
54
- Conversation Piece
- undated
55
- Diana and Actaeon: A Study for a Panel on a Staircase
- undated
56
- Queen Katherine's Dream
- 1807
57
- Inattention
- 1808
58
- Venus and Adonis
- 1631
59
- Macbeth and the Witches
- between 1777 and 1778
60
- The Artist Sketching Mlle. de St. Legier as a Shepherdess
- 1787
61
- Landscape with a man playing a pipe under an old tree
- undated
62
- The Spoiled Child, Scene IV
- ca. 1802
63
- Be it ever so Humble, There's no place like Home
- undated
64
- A Good-bye
- undated
65
- Almshouses in St. Cuthbert's Churchyard, Wells
- undated
66
- Two Figures with a Skull
- undated
67
- Greatheart's Battle with Grim
- undated
68
- Design for a portrait of an architect or a painter
- undated
69
- Rosebud, or the Judgement of Paris
- 1791
70
- The Secundini Monument at Ighel in the Duchy of Luxembourg
- undated
71
- Peasants in a Grotto
- undated
72
- At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
- 1804
73
- Free Natives of Dominica
- 1780
![Sir David Young Cameron Belgian Set: Damme [No. 5]](https://media.collections.yale.edu/thumbnail/ycba/74836aeb-0048-4cd2-836e-11c6d33cbb4e)
74
- Belgian Set: Damme [No. 5]
- 1907
![Sir David Young Cameron Notre Dame, Dinant [Belgian Set: No. 8]](https://media.collections.yale.edu/thumbnail/ycba/49ba2771-60ca-4132-93a1-53388679a50e)
75
- Notre Dame, Dinant [Belgian Set: No. 8]
- 1907
76
- Interior of a Dressing Room with Jack Bannister
- between 1790 and 1795
77
- The Duchess of Devonshire and the Countess of Bessborough
- 1790
78
- Time raising Truth, after Rubens’s “The Triumph of Truth”
- undated
79
- Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
- 1745
80
- A Potter Returning from Market
- ca. 1790
81
- A Man Driving a Team of Six Girls
- between 1778 and 1780
82
- A Tub Thumper
- between 1817 and 1820
83
- Knives or Scissors to Grind
- undated
84
- Kitty Overcome
- 1821
85
- A Pawnbroker with His Client
- undated
86
- The Refusal
- 1768
87
- The Family of Children
- undated
88
- The Sacrifice
- 1767
89
- Fishing near a Waterfall
- 1790
90
- Noon
- undated
91
- Peggy and Patie
- 1808
92
- Dr. Syntax Bound to a Tree by Highwaymen
- 1820
93
- Fortune-Telling
- ca. 1817
94
- Ryde Pier
- 1887
95
- The Junction of the Severn and the Wye with Chepstow in the Distance
- 1830
96
- March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
- undated
![Thomas Stothard August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)](https://media.collections.yale.edu/thumbnail/ycba/62eb7eb2-0cc1-44eb-b049-334872524376)
97
- August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
- undated
98
- Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
- 1745
99
- The Balcony
- between 1835 and 1854
100
- Britannia Allegory
- between 1743 and 1747