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Materials & Techniques watercolor
Remove constraint Materials & Techniques: watercolorCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsWork Type watercolor
Remove constraint Work Type: watercolorSubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- Oberon and Titania
- 1837
2
- Study of a Woman Sewing
- undated
3
- A Great Tree
- ca. 1796
4
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
5
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
6
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
7
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
8
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
9
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
10
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
12
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
14
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
15
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
16
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
17
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
18
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
19
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
20
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
21
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
22
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
24
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
25
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
27
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
28
- Mary Magdalen at the Sepulchre
- ca. 1805
29
- A Fisherwoman, Hands under Apron
- undated
30
- Street Scene at Stratford by Bow
- undated
31
- A Woman of Fashion in Walking Dress
- undated
32
- A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
- undated
33
- Landscape with Courting Couple
- 1839
34
- The Woman at the Well
- undated
35
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
36
- Prospero Summoning Ariel
- ca. 1800
37
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
38
- Peasants Resting
- 1795
39
- Sketches from Life in Paris: Woman and Man Carrying Buckets
- ca. 1835
40
- Figure Studies: Boy Standing
- undated
41
- Cottage and Foot Bridge
- 1794
42
- Scottish Peasant Women
- undated
43
- View of the Bridge over Uduanulla, near Rahamahal, Bihar
- undated
44
- Brighton Town and Church
- ca. 1780
45
- Drifting
- 1885
46
- Woman Dressing, with Maid
- undated
47
- Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
- undated
48
- Cavalier and Maid in Spanish Costume
- undated
49
- Chalfont Lodge, Buckinghamshire
- undated
50
- A Mountain Lake
- undated
51
- Woman with Cattle
- 1803
52
- The Meat Market
- undated
53
- Conway Castle
- 1789
54
- Woman Carrying Baskets
- undated
55
- A Lady Reading
- ca. 1835
56
- A Woman Seated and Holding an Image
- undated
57
- Adelaide
- between 1785 and 1786
58
- Incantation Scene
- undated
59
- Design for a Country House
- ca. 1840
60
- Aldenham Church
- ca. 1817
61
- A Regency House
- ca. 1820
62
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
63
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
64
- London Cries: A Muffin Man
- ca. 1759
65
- London Cries: A Fishmonger
- ca. 1759
66
- London Cries: Fun upon Fun
- 1759
67
- Italianate Landscape with Travellers no. 2
- ca. 1760
68
- Italianate Landscape with Travelers, No. 1
- ca. 1765
69
- Woman with a Blue Smock
- undated
70
- The Poultry Market
- undated
71
- The Thatched Cottage
- undated
72
- The Gate at Blenheim
- 1787
73
- Studies of Tradesmen and Grooms
- undated
74
- A Peasant Woman, Standing, Seen From Behind
- undated
75
- A Seated Peasant Woman
- before 1841
76
- Devoted Wife
- undated
77
- Mrs. Abington
- undated
78
- Cat Like Courtship
- undated
79
- A Wood Stream with Angler
- undated
80
- Wanstead House
- undated
81
- The Rustic Lover
- 1786
82
- Couple in a Farmyard
- 1782
83
- La Mancha
- 1828
84
- Woman and Child
- undated
85
- An Old Market Woman Grinning and Gesturing with her Left Hand
- undated
86
- Extensive wooded landscape with figures in foreground left
- Undated
87
- Enter Malvolio, Crossgartered..
- 1863
88
- Miss Charlotte Sandby
- undated
89
- A Regency Pair
- 1802
90
- A Regency Pair: Man with Walking Stick
- 1802
91
- The Cheesecake House, Hyde Park
- ca. 1795
92
- A Greek Girl Standing on a Balcony
- 1840
93
- Old Farm Buildings
- ca. 1817
94
- Portrait Study of a Girl
- ca. 1823
95
- A Young Woman Looking Down
- undated
96
- Romantic Landscape
- ca. 1830
97
- A London Street Crier
- undated
98
- Hero and Leander
- 1801
99
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
100
- Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
- undated