Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
11
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
12
Sir David Wilkie, 1785–1841
Johnny and His Pony
1836
13
James Ward, 1769–1859
A Boy and Girl Conversing
undated
14
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
15
Paul Sandby, 1731–1809
London Cries: Small Coal or Brushes
ca. 1759
16
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
17
Paul Sandby, 1731–1809
London Cries: A Man with a Bottle
ca. 1759
18
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
19
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
20
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
21
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
22
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
23
Sir James Thornhill, 1675–1734
A Scene at Windsor
undated
24
Paul Sandby, 1731–1809
Woman and Child Holding a Doll
between 1758 and 1760
25
William Pars, 1742–1782
A View at Lucerne
1775
26
William Daniell, 1769–1837
Harwich, Essex
ca. 1820
27
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Second - The First Party
undated
28
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Third - The Night House
undated
29
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Fourth - The Betting Booth
undated
30
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Sixth - The Usurer
undated
31
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Eighth - The Duel
undated
32
attributed to Samuel Jackson, 1794–1869
The Moonlit Lake
undated
33
Isaac Shaw, active 1830
Railway Office, Liverpool
ca. 1830
34
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Sewing Clothes for the Doll
1825
35
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
36
Florence Claxton, active 1855–1889
Art Critics
undated
37
Sir George Clausen, 1852–1944
Study for "Propping the Rick; a Stormy Day"
ca. 1911
38
unknown artist
Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
ca. 1740
39
William Mulready, 1786–1863
Figures in a Doorway
undated
40
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
41
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
42
Isaac Weld, 1774–1856
An Execution, Rome
1819
43
Isaac Shaw, active 1830
Opening of the Liverpool and Manchester Railway
ca. 1830
44
Isaac Shaw, active 1830
View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding
ca. 1830
45
Attributed to Francis Hayman, 1707/8–1776
Figures in Boats
undated
46
Gangaram Chintaman Tambat, active 1790s
Utensils
ca. 1790
47
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Fifth - The Gambling House
undated
48
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Seventh - The Mess Room
undated
49
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
50
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
51
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
52
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
53
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
54
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
55
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
56
John Thomas Smith, 1766–1833
The Smock Exposed
1817
57
John Thomas Smith, 1766–1833
The Reconcilation
1817
58
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
59
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
60
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
61
John Varley, 1778–1842
The Fisherman
undated
62
Benjamin West, 1738–1820
Page Boy Asleep
undated
63
Charles H. Schwanfelder, 1774–1837
Horsemen in a Landscape
undated
64
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
65
Sir Richard Colt Hoare, 1758–1838
View on the Liris near Isola
1790
66
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
67
Sir Richard Colt Hoare, 1758–1838
View on the River Liris near Isola
1790
68
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
69
Sir Richard Colt Hoare, 1758–1838
View near Sora on the Liris
1790
70
Sir Richard Colt Hoare, 1758–1838
The Capuchin Convent at Gensano
1786 to 1819
71
Sir Richard Colt Hoare, 1758–1838
At Larici near Albano in Italy
1786 to 1819
72
Sir Richard Colt Hoare, 1758–1838
View of Vicovaro, obin, Vicus Varii
1786 to 1819
73
Sir Richard Colt Hoare, 1758–1838
Neptune's Grotto at Tivoli
1786 to 1819
74
Sir Richard Colt Hoare, 1758–1838
View at Valmontone. November 1790
1790
75
Sir Richard Colt Hoare, 1758–1838
Ferry over the river Vulturnus, Sept.r 1790
1790
76
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
77
Sir Richard Colt Hoare, 1758–1838
View in Abruzzo, May 1791
1791
78
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
79
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
1791
80
Sir Richard Colt Hoare, 1758–1838
Ferry over the Vulturnus, Sept.r 1790
1790
81
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
82
Sir Richard Colt Hoare, 1758–1838
The Pont du Gard in Languedoc
1786 to 1819
83
Sir Richard Colt Hoare, 1758–1838
At Marino, near Rome
1786 to 1819
84
Sir Richard Colt Hoare, 1758–1838
Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790
1790
85
Sir Richard Colt Hoare, 1758–1838
A Mill at Marino, near Rome
1786 to 1819
86
Sir Richard Colt Hoare, 1758–1838
A Convent at Albano overlooking the Campagna
1786 to 1819
87
Sir Richard Colt Hoare, 1758–1838
A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum
1786 to 1819
88
Sir Richard Colt Hoare, 1758–1838
An Ancient Sepulchre near Albano, vulgarly ascribed to the Horatii
1786 to 1819
89
unknown artist
The Long Minuet as Danced at Bath
after 1787
90
Paul Sandby, 1731–1809
The Misses Sandby of Norwich
undated
91
Sir Richard Colt Hoare, 1758–1838
Convent at Valmontone. November 1790
1790
92
Benjamin West, 1738–1820
Characters in the Streets of London
1799
93
William Mulready, 1786–1863
The Fight Interrupted
undated
94
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
95
Paul Sandby, 1731–1809
Washerwomen
between 1790 and 1805
96
Thomas Stothard, 1755–1834
Twenty Young Girls in a Group Walking to the Left
undated
97
Paul Sandby, 1731–1809
A Good-bye
undated
98
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the First - The Inheritance
undated
99
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Ninth - The Sick Room