Materials & Techniques: brown wash and graphite / On-site Access: Accessible by appointment in the Study Room

Francis Danby, 1793–1861

A Classical City

undated

Francis Danby, 1793–1861

A Lake in Norway

ca. 1825

attributed to Samuel Palmer, 1805–1881

Landscape Sketch

undated

Samuel Palmer, 1805–1881

An Ancient Barn at Shoreham

undated

attributed to Samuel Palmer, 1805–1881

Study of a Pilgrim

undated

attributed to Samuel Palmer, 1805–1881

Boxhill

1868

Samuel Palmer, 1805–1881

Study of Old Buildings

undated

Samuel Palmer, 1805–1881

Rome from San Spirito

undated

attributed to Samuel Palmer, 1805–1881

Study of Waves

undated

attributed to John Constable, 1776–1837

Study for Cottage in Cornfield, East Bergholt

ca. 1833

William Hogarth, 1697–1764

Benjamin Read

ca. 1757

Edward Lear, 1812–1888

A Country House

ca. 1834

Edward Lear, 1812–1888

Manor (Knowsley Lane?)

undated

Edward Lear, 1812–1888

Memphis

1867

Edward Lear, 1812–1888

Reggio, 26 July 1847

1847

Edward Lear, 1812–1888

S. Pietro Degli Agostiniani. Leonessa

1844

Edward Lear, 1812–1888

Turin, Italy

after 1872

Edward Lear, 1812–1888

The Pontine Marshes above Terracina

ca. 1880

Edward Lear, 1812–1888

Albania

between 1848 and 1849

Edward Lear, 1812–1888

Bavella, Corsica

ca. 1868

George Romney, 1734–1802

David before Saul

undated

George Romney, 1734–1802

Lord Salisbury, Standing by a Pillar

undated

George Romney, 1734–1802

Prison Scene

undated

George Romney, 1734–1802

Howard Visiting a Prison

undated

George Romney, 1734–1802

Mythological Group of Women and Children

undated

George Romney, 1734–1802

Sketches of a Prostrate Woman

undated

George Romney, 1734–1802

Two Lovers (Man Awakening from a Dream)

undated

George Romney, 1734–1802

Two Children Embracing

undated

George Romney, 1734–1802

Mother and Son

undated

George Romney, 1734–1802

Studies of a Seated Woman

undated

George Romney, 1734–1802

Three Young Witches

undated

George Romney, 1734–1802

David Playing the Harp

undated

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

Satan Presiding over Hell

undated

George Romney, 1734–1802

Demonic Attack for the Temptation of Christ

undated

George Romney, 1734–1802

Muscious Scaevola

undated

George Romney, 1734–1802

Noah's Children Rejoicing

undated

George Romney, 1734–1802

Female Figures

undated

George Romney, 1734–1802

Slight Group of Figures

undated

George Romney, 1734–1802

Initiation of a Rustic Nymph

undated

George Romney, 1734–1802

Landscape with a Leaning Tree

undated

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

Shepherdess Cutting an Inscription on a Tree

undated

George Romney, 1734–1802

Prostrate Woman

undated

George Romney, 1734–1802

Samson Overpowered

undated

George Romney, 1734–1802

Pamela

undated

George Romney, 1734–1802

Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")

undated

William Blake, 1757–1827

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

1805 to 1808

Michel Jean Cazabon, 1813–1888

On the Cimaronero River

1857

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith, 1766–1833

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1817

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817