Materials & Techniques: hand coloring / On-site Access: Accessible by appointment in the Study Room / Work Type: intaglio print / Image Use: Free to Use

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by William Heath, 1795–1840

Finis

1829

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Print made by William Ward, 1766–1826

The Newbus Ox

1812

Print made by Charles Turner, 1774–1857

Two Durham Oxen

1828

Print made by William Ward, 1766–1826

Portrait of the Short Horned Bull Patriot

1810

Print made by Daniel Orme, 1766–1837

The Celebrated Victory ... on the Glorious First of June 1794

1795

Richard Earlom, 1743–1822

Colonel Mordaunt's Cock Match at Lucknow

1792

Richard Earlom, 1743–1822

Tiger Hunting in the East Indies

1802

Print made by Matthew Dubourg, active 1786–1838

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

1815

Print made by Frederick Rosenberg, active 1816–1832

The Mail Coach in a Flood

1827

Robert Dodd, 1748–1816

Howe's Victory off Ushant

1795

Print made by Francis Jukes, 1747–1812

Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind

1802

Print made by unknown artist

The Famous Lincolnshire Ox

1823

Print made by Charles Turner, 1774–1857

West Highland Heifer Kyloe

1823

Print made by John Porter, active 1838

The Chillington Oxen

1838

Print made by James Gillray, 1756–1815

Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

1791

Print made by Paul Fourdrinier, 1698–1758

A Sea Engagement between the English and Algerines

ca. 1743

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, active 1723–1750

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated

Print made by J. Carwitham, active 1720–1740

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..

1778

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Snipe Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by John Boydell, 1720–1804

Noon

1753

Print made by John Boydell, 1720–1804

Morning

1753

unknown artist

Breakfast at Breteuil

1801

Thomas Malton the Younger, 1748–1804

The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

1799

Print made by John Boydell, 1720–1804

Evening

1755

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Print made by James Bretherton, ca. 1730–1806

A Modern Spread Eagle

1782

unknown artist

Returning from a Review...Paris

1802

unknown artist

Inn Yard at Calais

1802

Robert Dodd, 1748–1816

Howe's Victory off Ushant

1795

unknown artist

Changing Horses Near Clermont

1802

Print made by John Hill, 1770–1850

The Great Cloister, Cassiobury

1816

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Richard Livesay, 1753–1826

Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798

1799

John Raphael Smith, 1752–1812

Shepherd's Meal

1803

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by unknown artist

A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

1755

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

Print made by William Daniell, 1769–1837

A View of the East India Docks

1808

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

Print made by Luigi Schiavonetti, 1765–1810

Two Bunches a Penny Primroses, Two Bunches a Penny

1793

Print made by Giovanni Vendramini, 1769–1839

Knives, Scissors, and Razors to Grind

1795

Print made by Luigi Schiavonetti, 1765–1810

Sweet China Oranges, Sweet China

1794

Print made by Niccoló Schiavonetti, 1771–1813

New Mackrel, New Mackrel

1795

Print made by Giovanni Vendramini, 1769–1839

Old Chairs to Mend

1795

James Gillray, 1756–1815

Scene le Vrog House

1782

James Gillray, 1756–1815

Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself

1798

James Gillray, 1756–1815

The Kettle Hooting the Porridge-Pot

1782

James Gillray, 1756–1815

Apothecaries, Taylors & c. Conquering France and Spain

1779

James Gillray, 1756–1815

The Nabob Rumbled or A Lord Advocates Amusement

1783

James Gillray, 1756–1815

National Discourse

1780

James Gillray, 1756–1815

INTEGRITY retiring from Office

1801

James Gillray, 1756–1815

Britania's Assassination..or - The Republican Amuseument

1782

James Gillray, 1756–1815

A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)

1783

James Gillray, 1756–1815

Charming-well again

1804

Print made by Luigi Schiavonetti, 1765–1810

Milk below Maids

1793

John Bluck, active 1791–1831

Ackerman's Library for Works of Art

1813

unknown artist

View of the Bank of England

1822

unknown artist

North Front of the Bank

1797

unknown artist

Interior View of the Bank

1811

Daniel Havell, 1785–1826

A View of the Bank of England

1816

Print made by Henry Wallis, 1805–1890

The Bank of England and Royal Exchange, Cornhill

1840

Thomas Malton, 1726–1801

Principal Front of the Bank of England

1790

unknown artist

South Front of the Bank

1798

Francesco Bartolozzi, 1728–1815

Accurate Perspective View of the Outside of the Royal Exchange in London

1788

Print made by Alfred W. Cooper, active 1850–1901

Christmas (tail piece)

undated

Print made by Anthony Cardon, 1772–1813

Credulity

1796

Print made by Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton

1803

Print made by Joseph Wood, 1720–1763 or 1764

The View from One Tree Hill in Greenwich Park

1744

Valentine Green, 1739–1813

St. Augustine's Gate, Canterbury

1779

Capt. Francis Grose, 1731–1791

Cowdray Court from the Lodging House

undated

Print made by Henry Hulsberg, active 1700s–died 1729

Dover Castle

undated

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Print made by Anthony Cardon, 1772–1813

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by Giovanni Vendramini, 1769–1839

Fresh Gathered Peas, Young Hastings

1795

Print made by Giovanni Vendramini, 1769–1839

Strawberrys, Scarlet Strawberrys

1795

Print made by Anthony Cardon, 1772–1813

A New Love Song, Only ha'Penny a Piece

1796

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by Charles J. Hullmandel, 1789–1850

View of Palace Yard on the day of the Coronation of His Majesty George IV

1821

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

Print made by William Heath, 1795–1840

Who'll Have a Crown - Now's Your Time

1830

Mark Catesby An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Print made by workshop of Mark Catesby, 1682–1749

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

1754

Mark Catesby An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

Print made by Mark Catesby, 1682–1749

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

1754

Print made by Adam Ludwig Wirsing, 1733–1797

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

1768

Print made by Luigi Schiavonetti, 1765–1810

Two Bunches of Penny Primroses, Two Bunches a Penny

1793

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

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Materials & Techniques hand coloring

On-site Access Accessible by appointment in the Study Room

Work Type intaglio print

Image Use Free to Use

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Materials & Techniques hand coloring

On-site Access Accessible by appointment in the Study Room

Work Type intaglio print

Image Use Free to Use

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