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Materials & Techniques wove paper

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Classification Drawing & Watercolors-Architectural

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1. For the Triumph of Britannia

For the Triumph of Britannia
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Pen and gray ink; verso: pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Cobham Hall, Kent: Vestibule

Cobham Hall, Kent: Vestibule
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 17 inches (41.6 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Cobham Hall, Kent: Design for Paneling of a Pew

Cobham Hall, Kent: Design for Paneling of a Pew
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 14 1/4 inches (24.1 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor, gouache, verso; white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 11 × 12 1/4 inches (27.9 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 3/8 × 6 inches (34 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache, verso: white gouache on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 10 3/8 × 4 1/2 inches (26.4 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, pen, watercolor and gouache on thin, smooth, brown wove paper
Dimensions:
Sheet: 11 1/4 × 6 3/8 inches (28.6 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
1877
Materials & Techniques:
Black ink, graphite, watercolor and gouache, verso: white and red gouache on thin, smooth, brown wove paper
Dimensions:
Sheet: 6 1/8 × 4 5/16 inches (15.6 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor and gouache, verso: white gouache on thin, smooth, beige wove paper
Dimensions:
Sheet: 4 3/4 × 4 1/4 inches (12.1 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor on thin, smooth, brown wove paper
Dimensions:
Sheet: 6 3/4 × 2 7/8 inches (17.1 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 6 7/8 × 4 1/4 inches (17.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 4 5/8 × 2 3/8 inches (11.7 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and ink on thin, smooth, wove paper
Dimensions:
Sheet: 4 3/4 × 5 1/2 inches (12.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, watercolor and gouache on moderately thick, moderately textured, green wove paper
Dimensions:
Sheet: 14 7/8 × 7 7/8 inches (37.8 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Adrian Hope's House I: Plan of the Principal Floor

Adrian Hope's House I: Plan of the Principal Floor
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 7 1/2 × 7 1/4 inches (19.1 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Adrian Hope's House I: Plan of the Chamber Floor

Adrian Hope's House I: Plan of the Chamber Floor
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 × 5 7/8 inches (20.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Welgelegen: Vue de la Facade de Welgelegen

Welgelegen: Vue de la Facade de Welgelegen
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Watercolor on textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 1/2 × 23 1/4 inches (41.9 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 9 3/8 × 6 3/8 inches (23.8 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Design for Kelham Hall, Nottinghamshire: Entrance Elevation

Design for Kelham Hall, Nottinghamshire: Entrance Elevation
Creator:
Anthony Salvin, 1799–1881
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on slightly textured, thick, cream wove paper
Dimensions:
Sheet: 20 1/8 × 27 1/4 inches (51.1 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Kings Weston, Bristol: Basement Plan

Kings Weston, Bristol: Basement Plan
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 14 5/8 x 18 9/16 inches (37.1 x 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Kings Weston, Bristol: Garden Front Elevation

Kings Weston, Bristol: Garden Front Elevation
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 x 18 1/8 inches (37 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Kings Weston, Bristol: Side Elevation

Kings Weston, Bristol: Side Elevation
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 x 18 9/16 inches (37 x 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thin, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 × 4 1/4 inches (21.6 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/8 × 3 3/4 inches (18.7 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache, verso; white gouache on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 1/4 × 5 inches (21 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
1850
Materials & Techniques:
Black ink, graphite and watercolor on thin, smooth, beige wove paper
Dimensions:
Sheet: 17 5/8 × 25 3/4 inches (44.8 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, black ink, red ink, and graphite; verso: white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 13 3/8 × 6 1/2 inches (34 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, brown ink, and graphite on medium, smooth, brown wove paper
Dimensions:
Sheet: 13 5/8 × 6 3/8 inches (34.6 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: yellow gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 11 7/8 × 5 5/8 inches (30.2 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache, verso: yellow gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 12 1/8 × 5 1/8 inches (30.8 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: yellow gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 12 1/2 × 5 1/8 inches (31.8 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on moderately thick, smooth, brown wove paper
Dimensions:
Sheet: 10 1/2 × 5 5/8 inches (26.7 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, blue ink, and graphite on medium, smooth, brown wove paper
Dimensions:
Sheet: 11 1/2 × 6 inches (29.2 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black and blue ink, pen and graphite with watercolor and gouache, verso: yellow gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 12 7/8 × 5 3/4 inches (32.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: yellow gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 11 1/2 × 5 5/8 inches (29.2 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thick, smooth, green wove paper
Dimensions:
Sheet: 10 3/8 × 4 7/8 inches (26.4 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thick, smooth, brown wove paper
Dimensions:
Sheet: 12 1/4 × 7 inches (31.1 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 6 7/8 inches (17.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 6 1/8 × 5 9/16 inches (15.6 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, red ink, graphite, watercolor and gouache on medium, slightly textured, green wove paper
Dimensions:
Sheet: 7 7/8 × 7 inches (20 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on moderately thick, slightly textured, green wove paper
Dimensions:
Sheet: 11 5/8 × 4 7/8 inches (29.5 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, watercolor and gouache on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 11 7/8 × 6 3/8 inches (30.2 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 7 1/8 × 5 inches (18.1 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thick, slightly textured, green wove paper
Dimensions:
Sheet: 11 5/8 × 7 inches (29.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on medium, smooth, brown wove paper
Dimensions:
Sheet: 8 7/8 × 3 5/8 inches (22.5 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on moderately thick, slightly textured, green wove paper
Dimensions:
Sheet: 11 3/8 × 5 1/4 inches (28.9 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Cluny Castle, Aberdeenshire, Scotland: Perspective

Cluny Castle, Aberdeenshire, Scotland: Perspective
Creator:
William Wilkins, 1778–1839
Date:
ca. 1816
Materials & Techniques:
Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 3/4 × 18 1/2 inches (34.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand

Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand
Creator:
Decimus Burton, 1800–1881
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 9/16 x 32 1/2 inches (47.1 x 82.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Graphite, pen and black ink, watercolor on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 19 × 11 1/2 inches (48.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Classical Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Classical Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Pen and black ink, graphite, watercolor on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 19 × 12 inches (48.3 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Design for stables, plan with 2 elevations

Design for stables, plan with 2 elevations
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, gray wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/8 × 18 inches (49.2 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Design for Clifton Castle, Yorkshire: Plan and Elevation in the Romanesque Style

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Romanesque Style
Creator:
unknown artist
Date:
ca. 1780-1790
Materials & Techniques:
Pen and black ink, watercolor, graphite on rough, moderately thick, beige wove paper
Dimensions:
Sheet: 19 1/4 × 23 3/4 inches (48.9 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. West Hill, the seat of D.H. Rucker

West Hill, the seat of D.H. Rucker
Creator:
Humphry Repton, 1752–1818
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thick, smooth, brown wove paper
Dimensions:
Sheet: 6 5/8 × 3 3/4 inches (16.8 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 9 7/8 × 5 3/8 inches (25.1 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Femme Greque

Femme Greque
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 5 3/8 × 3 1/4 inches (13.7 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Adrian Hope's House I: Plan of the Basement

Adrian Hope's House I: Plan of the Basement
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 11/16 × 7 7/8 inches (22.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Adrian Hope's House I: View from the Road

Adrian Hope's House I: View from the Road
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink on slightly texture, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 20 inches (40.6 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Kings Weston, Bristol: Ground Floor Plan

Kings Weston, Bristol: Ground Floor Plan
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 x 18 9/16 inches (37 x 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Design for Kelham Hall, Nottinghamshire: Garden Elevation

Design for Kelham Hall, Nottinghamshire: Garden Elevation
Creator:
Anthony Salvin, 1799–1881
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on slightly textured, thick, cream wove paper
Dimensions:
Sheet: 20 7/8 × 29 3/4 inches (53 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache, verso: yellow gouache on medium, smooth, wove paper
Dimensions:
Sheet: 8 3/8 × 9 3/4 inches (21.3 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Graphite and gouache on moderately thick, smooth, green wove paper
Dimensions:
Sheet: 8 1/4 × 12 3/8 inches (21 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Graphite, black ink, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, watercolor, and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 15 5/8 × 12 1/8 inches (39.7 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor, gouache, verso: white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 13 1/4 × 14 7/8 inches (33.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor, verso: white gouache on medium, slighy textured, brown wove paper
Dimensions:
Sheet: 13 1/4 × 6 inches (33.7 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor, verso: yellow and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 1/4 × 5 3/4 inches (33.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor, verso: white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 1/8 × 6 1/2 inches (33.3 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/4 × 5 3/8 inches (28.6 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Brown ink, black ink, watercolor and gouache on moderately thick, slightly textured, green wove paper
Dimensions:
Sheet: 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor and gouache, verso: white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 10 7/8 × 8 5/8 inches (27.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
1877
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 7 1/4 × 4 1/2 inches (18.4 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on moderately thick, smooth, green wove paper
Dimensions:
Sheet: 10 1/8 × 3 7/8 inches (25.7 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 12 3/8 × 6 1/8 inches (31.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, red ink, graphite and pen with watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 6 1/4 × 6 1/8 inches (15.9 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink and pen, watercolor and gouache, verso: white gouache on medium, slightly textured, brown wove
Dimensions:
Sheet: 13 1/2 × 7 3/4 inches (34.3 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Graphite, black ink, pen, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 14 1/8 × 6 3/4 inches (35.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Adrian Hope's House I: Plan of the Attic Floor

Adrian Hope's House I: Plan of the Attic Floor
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 × 6 inches (20.3 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Image:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Image:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Image:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

(One of) Twenty-one pen drawings of Decorative Details in Antique Style
Creator:
Thomas Hope, 1769–1831
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Adrian Hope's House I: Plan of the Ground Floor

Adrian Hope's House I: Plan of the Ground Floor
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 3/8 × 7 11/16 inches (21.3 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Design for Stables: Plan and Elevation

Design for Stables: Plan and Elevation
Creator:
Henry Holland, 1745–1806
Date:
undated
Materials & Techniques:
Pen and black ink with brown wash on thin, smooth, beige wove paper
Dimensions:
Sheet: 20 15/16 x 12 3/4 inches (53.2 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. A Georgian House

A Georgian House
Creator:
John Gendall, 1790–1865
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 13/16 × 7 5/16 inches (12.2 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Fulham Palace, Porter's Lodge

Fulham Palace, Porter's Lodge
Creator:
John Gendall, 1790–1865
Date:
undated
Materials & Techniques:
Brown wash, pen and brown ink with white gouache over graphite on thick, textured, card
Dimensions:
Sheet: 5 × 5 15/16 inches (12.7 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Half Timbered and Thatched Shack

Half Timbered and Thatched Shack
Creator:
Thomas Hearne, 1744–1817
Date:
1798
Materials & Techniques:
Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Design for an Egyptian Column

Design for an Egyptian Column
Creator:
Thomas Grieve, 1799–1882
Date:
undated
Materials & Techniques:
Watercolor and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 3 1/4in. (21.6 x 8.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Design for an Egyptian Column

Design for an Egyptian Column
Creator:
Thomas Grieve, 1799–1882
Date:
undated
Materials & Techniques:
Watercolor and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 2 1/2in. (16.5 x 6.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Design for an Egyptian Column

Design for an Egyptian Column
Creator:
Thomas Grieve, 1799–1882
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 2 7/16in. (16.5 x 6.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Design for an Egyptian Column

Design for an Egyptian Column
Creator:
Thomas Grieve, 1799–1882
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 3 9/16in. (20 x 9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Design for an Athenian Villa, Front Elevation

Design for an Athenian Villa, Front Elevation
Creator:
Edward Jones, active 1819–1835
Date:
1834
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 9/16 inches (29.2 × 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Design for an Athenian Villa

Design for an Athenian Villa
Creator:
Edward Jones, active 1819–1835
Date:
1834
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Design for an Athenian Villa, Transverse Section

Design for an Athenian Villa, Transverse Section
Creator:
Edward Jones, active 1819–1835
Date:
1834
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection