etching begun ca. 1880; impression printed in 1924
2
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
3
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
4
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
5
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
6
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
7
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
8
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
9
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
10
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
11
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
12
Print made by Samuel Palmer, 1805–1881
The Vine
1852
13
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
14
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
15
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
16
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
17
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
18
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
19
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
20
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
21
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
22
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. I
1834
23
Print made by William Miller, 1796–1882
The Rhymer's Glen
1835
24
Print made by James Charles Armytage, 1802–1897
"It's Auld Ailie Hersell"
1836
25
Print made by William Miller, 1796–1882
Field of Waterloo
1835
26
Print made by William Miller, 1796–1882
The Rhymer's Glen
1835
27
Print made by William Miller, 1796–1882
Field of Waterloo with Lightning
1835
28
Print made by John Cousen, 1804–1880
The Bright Stone of Honour - from LXV - 'The Turner Gallery'
between 1859 and 1879
29
Print made by William Miller, 1796–1882
Field of Waterloo (with Lightning)
1835
30
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
31
Print made by Edward Goodall, 1795–1870
Smailholm Tower
1834
32
Print made by Edward Goodall, 1795–1870
Johnnie Armstrong's Tower
1834
33
Print made by James T. Willmore, 1800–1863
Lochmaben Castle
1834
34
Print made by Robert Wallis, 1794–1878
Hermitage Castle
1834
35
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
36
Print made by John Horsburgh, 1791–1869
Mayburgh
1834
37
Print made by William Miller, 1796–1882
Loch Achray
1834
38
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
39
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
40
Print made by Edward Goodall, 1795–1870
Carlisle
1834
41
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1839
42
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
43
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
44
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. II
1834
45
Samuel Bradshaw, 1830–1869
The Parting of Hero and Leander
ca. 1861
46
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
47
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
48
Print made by Thomas Abiel Prior, 1809–1886
The Golden Bough
1875
49
Print made by James Baylis Allen, 1803–1876
Phryne going to the Bath as Venus
between 1859 and 1861
50
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
51
Print made by Edward Goodall, 1795–1870
Carlisle
1834
52
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1833
53
Print made by William Miller, 1796–1882
The Rhymer's Glen (Vignette)
1835
54
Print made by John Cousen, 1804–1880
The Acropolis of Athens
1832
55
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
56
Print made by Edward Francis Finden, 1791–1857
The Plain of Troy
1832
57
Print made by Edward Francis Finden, 1791–1857
Negropont
1834
58
Print made by John Cousen, 1804–1880
Lake of Nemi (Vignette)
ca. 1844
59
Print made by Thomas Abiel Prior, 1809–1886
The Goddess of Discord in the Garden of Hesperides
between 1859 and 1861
60
Print made by James T. Willmore, 1800–1863
Childe Harold's Pilgrimage
between 1859 and 1861
61
Print made by Edward Goodall, 1795–1870
Smailholm Tower (Vignette)
1834
62
Print made by Edward Goodall, 1795–1870
Johnnie Armstrong's Tower (Vignette)
1834
63
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
64
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1851
65
Print made by Edward Francis Finden, 1791–1857
The Field of Waterloo from Hougoumont
1833
66
Print made by Edward Francis Finden, 1791–1857
Parnassus and Castalian Spring
1833
67
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
68
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
69
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
70
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
71
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower