Genre: literary theme / Image Use: Free to Use / Subject Terms: death

1. Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II

Creator:: James Smetham, 1821–1889
Date:: ca. 1874
Materials & Techniques:: Oil over ink on panel
Dimensions:: 4 3/4 x 12 9/16 inches (12.1 x 31.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. "The Lady of Shalott"

Creator:: John Atkinson Grimshaw, 1836–1893
Date:: ca. 1875
Materials & Techniques:: Oil on canvas
Dimensions:: 24 × 36 inches (61 × 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Pamela Askew
On View:: Not on view

3. The Lady of Shalott

Creator:: Walter Crane, 1845–1915
Date:: 1862
Materials & Techniques:: Oil on canvas
Dimensions:: 9 1/2 x 11 1/2 inches (24.1 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

4. Falstaff with the Body of Hotspur

Creator:: Attributed to Philippe-Jacques de Loutherbourg, 1740–1812
Date:: ca. 1786
Materials & Techniques:: Oil on paper
Dimensions:: 12 x 11 1/4 inches (30.5 x 28.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. The Cave of Despair

Creator:: Benjamin West, 1738–1820
Date:: 1772
Materials & Techniques:: Oil on canvas
Dimensions:: 24 x 30 inches (61 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 37, "And One stood forth...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Romeo and Juliet, Act IV, Scene V

Creator:: Print made by William Blake, 1757–1827
Date:: 1799
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 5/16 × 16 9/16 inches (31.2 × 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

18. The Death of Juliet

Creator:: Print made by William Blake, 1757–1827
Date:: 1799
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 5/8 x 5 5/8 inches (24.4 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

19. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Tiriel Supporting the Dying Myratana and Cursing His Sons

Creator:: William Blake, 1757–1827
Date:: 1786 to 1789
Materials & Techniques:: Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Celadon and Amelia from Thomson's 'The Seasons'

Creator:: Alexander Runciman, 1736–1785
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Illustration to Tonson's Ovid Metamorphosis (three of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 1/2 inches (35.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Illustration to Tonson's Ovid Metamorphis (four of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 8 3/8 inches (35.6 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Greatheart's Battle with Grim

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 4 7/8 × 4 inches (12.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Death of Cordelia

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 x 9 3/4 inches (30.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

26. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Death of Arcite

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

36. Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Study for 'Finding of the Body of Bassanio'

Creator:: Henry Fuseli, 1741–1825
Date:: 1804
Materials & Techniques:: Pen and brown ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 8 inches (30.8 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Sigismonda

Creator:: Print made by John Blackmore, active 1740–1780
Date:: between 1769 and 1771
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 x 12 13/16 inches (42.8 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. The Death of Dido

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 23 9/16 inches (49.8 × 59.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Procris and Cephalus

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1864
Materials & Techniques:: Etching and mezzotint, printed in brown ink Finished state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 18 inches (34 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Procris and Cephalus

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1885
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 12 7/8 inches (26 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

42. Tancred and Clorinda

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 9 3/16 inches (28.3 x 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Death of Cora

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 9/16 x 10 3/16 inches (34.4 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Richard III: Act IV, Scene III, Tower of London

Creator:: Print made by William Skelton, 1763–1848
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 3/8 × 20 1/8 inches (74.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 9/16 x 7 inches (21.8 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

46. The Murder on the Thames

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 1/16 x 7 7/16 inches (23 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

47. The Fatal Bellman

Creator:: Print made by George Richmond, 1809–1896
Date:: 1827
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 13/16 x 5 3/8 inches (17.3 x 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

Creator:: Print made by Peter Simon, 1750–1810
Date:: 1791
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Death of Juliet

Creator:: Print made by unknown artist
Date:: unknown
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 5 1/2 inches (24.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

50. Ophelia's Death

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:: Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 20 1/4 inches (34.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 13 3/4 inches (49.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 7/8 inches (50.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Gil Blas Practicing Medicine Under Dr. Sangrado

Creator:: Thomas Uwins, 1782–1857
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash with brown pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper, laid in contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 17 3/8 x 20 1/2 inches (44.2 x 52 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Subject Terms death

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1. Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II

2. "The Lady of Shalott"

3. The Lady of Shalott

4. Falstaff with the Body of Hotspur

5. The Cave of Despair

6. Procris and Cephalus

7. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

8. Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

9. Jerusalem, Plate 37, "And One stood forth...."

10. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

11. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

12. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

13. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

14. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

15. Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

16. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

17. Romeo and Juliet, Act IV, Scene V

18. The Death of Juliet

19. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

20. Tiriel Supporting the Dying Myratana and Cursing His Sons

21. Celadon and Amelia from Thomson's 'The Seasons'

22. Illustration to Tonson's Ovid Metamorphosis (three of four)

23. Illustration to Tonson's Ovid Metamorphis (four of four)

24. Greatheart's Battle with Grim

25. The Death of Cordelia

26. The Counsellor, King, Warrior, Mother & Child, in the Tomb

27. The Death of the Good Old Man

28. The Soul Exploring the Recesses of the Grave

29. The Soul Hovering over the Body reluctantly Parting with Life

30. Death of the Strong Wicked Man

31. Christ Descending into the Grave

32. Death's Door

33. Robert Blair, The Grave, Title Page

34. The Descent of Man into the Vale of Death

35. The Death of Arcite

36. Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

37. Study for 'Finding of the Body of Bassanio'

38. Sigismonda

39. The Death of Dido

40. Procris and Cephalus

41. Procris and Cephalus

42. Tancred and Clorinda

43. The Death of Cora

44. Richard III: Act IV, Scene III, Tower of London

45. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

46. The Murder on the Thames

47. The Fatal Bellman

48. Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

49. The Death of Juliet

50. Ophelia's Death

51. The Descent of Man into the Vale of Death

52. Death of the Strong Wicked Man

53. The Death of the Good Old Man

54. The Soul Hovering over the Body reluctantly Parting with Life

55. The Soul Exploring the Recesses of the Grave

56. The Counsellor, King, Warrior, Mother & Child, in the Tomb

57. The Reunion of the Soul & the Body

58. The Meeting of a Family in Heaven

59. The Day of Judgment

60. Robert Blair, The Grave, Title Page

61. The Descent of Man into the Vale of Death

62. The Reunion of the Soul & the Body

63. The Death of the Good Old Man

64. The Soul Hovering over the Body reluctantly Parting with Life

65. The Meeting of a Family in Heaven

66. The Counsellor, King, Warrior, Mother & Child, in the Tomb

67. Death of the Strong Wicked Man

68. The Soul Hovering over the Body reluctantly Parting with Life

69. The Death of the Good Old Man

70. Death's Door

71. The Descent of Man into the Vale of Death

72. Death's Door

73. Death of the Strong Wicked Man