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1
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
2
- Mr. Hobson of Markfield and Family
- ca. 1806
3
- Study for the Foundlings
- ca. 1739
4
- Man with Horse and Cart Entering a Quarry
- ca. 1797
5
- Prison Scene
- undated
6
- Possibly a Deposition
- undated
7
- Horseman of Montecavallo
- between 1773 and 1774
8
- Two Sisters
- undated
9
- Two Nude Children
- undated
10
- Boy Seated beneath a Rock
- undated
11
- Sketch for Howard Scene
- undated
12
- Howard Visiting a Prison
- between 1790 and 1794
13
- The Indian Woman
- undated
14
- Woman at a Column
- undated
15
- Cloaked Figure Leaping
- undated
16
- Shepherdess Cutting an Inscription on a Tree
- undated
17
- Ladies in Waiting
- undated
18
- Prison Scene
- undated
19
- Prison Scene
- undated
20
- Study for The Woodman's Daughter
- 1849
21
- Classical Study of Three Figures
- undated
22
- A Study for the Pilkington Crest, a mower with a scythe
- undated
23
- Horsemen in a Landscape
- undated
24
- An Eclipse in Harvest Time
- undated
25
- Venetian Fantasy
- undated
26
- Pale Melancholy
- ca. 1804
27
- The Search after Truth
- undated
28
- The Good Samaritan
- undated
29
- The Murder of Kenith Hossack by Captain Lowry
- undated
30
- The Spoiled Child, Scene II
- ca. 1802
31
- The Spoiled Child, Scene V
- ca. 1802
32
- Feeding Ducks
- undated
33
- A View at Lucerne
- 1775
34
- Solicitude: A Man Supporting a Fainting Woman
- undated
35
- Frieze of a Medieval Wedding
- undated
36
- Playing at Dice, Trepani
- between 1780 and 1790
37
- Study for The Mother's Bribe, or The Temptation to be Washed
- undated
38
- Head of a Man with a Beard Looking to the Left
- undated
39
- Study of a Seated Woman
- 1787
40
- The Spoiled Child, Scene III
- ca. 1802
41
- The Spoiled Child, Scene IV
- ca. 1802
42
- The Spoiled Child, Scene VI
- ca. 1802
43
- The Spoiled Child, Scene I
- ca. 1802
44
- Conversation Piece
- undated
45
- Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
- undated
46
- The Picnic
- undated
47
- The Pursuit (Probably a Design for The Tyburn Chronicle)
- undated
48
- Humorous Family Scene
- undated
49
- Wayfarers
- undated
50
- Sheet of Studies of Hounds, Hare, Falcon and Ducks
- undated
51
- Sailors Carousing and Frying Watches
- undated
52
- Title page for "The Guardian"
- undated
53
- The Ruins of the College of Lincluden, near Dumfries
- ca. 1806
54
- Unloading Pit Props at Coalbrookdale
- after 1790
55
- The Welsh Curate
- undated
56
- Cart Bearing a Large Tree Trunk
- undated
57
- Two Little Girls
- ca. 1810
58
- Battledore and Shuttlecock
- ca. 1740
59
- The Lady at the Dressing Table
- ca. 1897
60
- London Cries: A Lace Seller
- ca. 1759
61
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
62
- London Cries: Boy with a Donkey
- ca. 1759
63
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
64
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
65
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
66
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
67
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
68
- The Fisherman
- undated
69
- London Cries: A Tinker and His Wife
- ca. 1759
70
- Landscape at Ambleside
- ca. 1800
71
- Capriccio of a Venetian Courtyard
- undated
72
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
73
- The Smock Exposed
- 1817
74
- Hogarth Drawing Sarah Malcolm
- 1817
75
- The Reconcilation
- 1817
76
- Hogarth Sitting to Roubiliac for His Bust
- 1817
77
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
78
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
79
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
80
- Interior of a Coppersmith's, Shoe Lane
- undated
81
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
82
- The Eleventh Hour
- 1817
83
- A Family in Hyde Park
- undated
84
- London Cries: Shoe Cleaner
- ca. 1759
85
- London Cries: A Man with a Basket (Man Selling Pots and Pans)
- undated
86
- London Cries: All Fire and No Smoke
- ca. 1759
87
- London Cries: Small Coal or Brushes
- ca. 1759
88
- London Cries: Flowers
- undated
89
- London Cries: A Man Swaggering
- undated
90
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
91
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
92
- Interior Scene with Family at Tea
- undated
93
- The Offer
- undated
94
- Illustration for The New Doll: How Pretty it Is
- undated
95
- Illustration for The New Doll: The Doll brought Home
- 1825
96
- Illustration for The New Doll: It's Mine, You may Look at It
- undated
97
- Illustration for The New Doll: Let me Have It in my Own Hands
- undated
98
- Illustration for The New Doll: Untitled
- 1825
99
- Conway, North Wales: The Castle and the Old College House
- 1802
100
- The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
- undated