The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
302
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
303
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
304
Print made by William Blake, 1757–1827
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
305
Print made by William Blake, 1757–1827
Jerusalem, Plate 19, "His children exil'd from his breast...."
1804 to 1820
306
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
307
Print made by William Blake, 1757–1827
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
308
Print made by William Blake, 1757–1827
Jerusalem, Plate 21, "O Vala! O Jerusalem...."
1804 to 1820
309
Print made by William Blake, 1757–1827
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
310
Print made by William Blake, 1757–1827
Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
1804 to 1820
311
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
312
Print made by William Blake, 1757–1827
Jerusalem, Plate 42, "Thus Albion sat...."
1804 to 1820
313
Print made by William Blake, 1757–1827
Jerusalem, Plate 43, "They saw their Wheels...."
1804 to 1820
314
Print made by William Blake, 1757–1827
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
315
Print made by William Blake, 1757–1827
Jerusalem, Plate 48, "These were his last words...."
1804 to 1820
316
Print made by William Blake, 1757–1827
Jerusalem, Plate 47, "From Camberwell to Highgate...."
1804 to 1820
317
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
318
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
319
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
320
Print made by William Blake, 1757–1827
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
321
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
322
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
323
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
324
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
325
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
326
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
327
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
328
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
329
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
ca. 1797
330
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
331
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
332
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
333
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
334
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
335
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
336
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
337
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
338
Print made by William Blake, 1757–1827
Pity
ca. 1795
339
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
340
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
341
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
342
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
343
Follower of Francis Barlow, 1622–1704
Illustration to Aesop's Fables: The Fox & the Crane
undated
344
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
345
George Cattermole, 1800–1868
Scene of Three Witches from Shakespeare's Macbeth
1840
346
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
347
Henry Pierce Bone, 1779–1855
The Sleepwalking Scene in Macbeth
undated
348
unknown artist
The Death of Cordelia
undated
349
unknown artist
Lear in the Storm
undated
350
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
351
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
352
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
353
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
354
Henry William Bunbury, 1750–1811
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
355
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
356
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
357
unknown artist
Alcibiades and Timon
undated
358
William Hamilton, 1751–1801
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
359
Thomas Grieve, 1799–1882
Design for Love's Labour's Lost
1839
360
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
361
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
362
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
363
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
364
Theodor von Holst, 1810–1844
Faust and Margaret
undated
365
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
366
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
367
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
368
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
369
John James Chalon, 1778–1854
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
undated
370
George Jones, 1786–1869
Portentous Things
undated
371
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
372
Alfred Edward Chalon, 1780–1860
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
ca. 1820
373
Michael "Angelo" Rooker, 1746–1801
Illustration to Beaumont and Fletcher
undated
374
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
375
Thomas Stothard, 1755–1834
The Tenth Day of the Decameron
ca. 1825
376
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
377
Edward Francis Burney, 1760–1848
MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV
undated
378
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
379
Thomas Carwitham, active 1723
The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
1723
380
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
381
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
382
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
383
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
384
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
undated
385
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
386
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
387
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
388
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
389
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
undated
390
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
391
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
392
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
393
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'