Materials & Techniques: line engraving / On-site Access: Accessible by appointment in the Study Room / Associated Places: Europe

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1819

Print made by Robert Brandard, 1805–1862

Blois

1933

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Robert Brandard, 1805–1862

Rietz, near Saumur

1833

Print made by James T. Willmore, 1800–1863

Le Havre

1833

Print made by Robert Brandard, 1805–1862

Graville

1834

Print made by James T. Willmore, 1800–1863

Lillebonne, Château

1834

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by Robert Brandard, 1805–1862

Beaugency

1833

Print made by James T. Willmore, 1800–1863

Montjen

1833

Print made by Robert Wallis, 1794–1878

Saumur

1833

Print made by Robert Wallis, 1794–1878

Coteaux de Mauves

1833

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by James T. Willmore, 1800–1863

Tancarville

1834

Print made by Thomas Jeavons, ca. 1800–1867

Canal of the Loire and Cher, Near Tours

1833

Print made by Robert Brandard, 1805–1862

Tours

1833

Print made by James T. Willmore, 1800–1863

Saumur

1833

Print made by William Miller, 1796–1882

Between Clairmont and Mauves

1833

Print made by Robert Wallis, 1794–1878

Scene on the Loire

1833

Print made by Robert Brandard, 1805–1862

Château de Tancarville, with Town of Quilleboeuf

1834

Print made by Robert Brandard, 1805–1862

Blois

1833

Print made by W. Floyd, active 1845

Fish Market, Rotterdam

1834-1856

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Print made by Robert Brandard, 1805–1862

Tours

1833

Print made by Robert Wallis, 1794–1878

Tours - looking backwards

1833

Print made by James T. Willmore, 1800–1863

Montjen

1833

Print made by William Miller, 1796–1882

Between Clairmont and Mauves

1833

Print made by Robert Wallis, 1794–1878

Scene on the Loire

1833

Print made by Robert Brandard, 1805–1862

Château de Tancarville with Town of Quilleboeuf

1834

Print made by Robert Brandard, 1805–1862

Graville

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by William Miller, 1796–1882

Rouen, looking down the river

1834

Print made by Robert Wallis, 1794–1878

William Tell's Chapel (vignette)

1830

Print made by Edward Goodall, 1795–1870

The Lake of Geneva

1830

Print made by Edward Francis Finden, 1791–1857

Malta

1832-1834

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by John Cousen, 1804–1880

Honfleur

1834

Print made by James T. Willmore, 1800–1863

Vernon

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by Robert Brandard, 1805–1862

View on the Seine between Mantes and Vernon

1835

Print made by James T. Willmore, 1800–1863

Pont de l'Arche

1835

Print made by S. Fisher, active 1831–1844

Saint Denis

1835

Print made by William Radclyffe, 1780–1855

Bridge of St. Cloud & Sevres

1835

Print made by James T. Willmore, 1800–1863

Paris from the Barriere de Passy

1835

Print made by Robert Brandard, 1805–1862

Quilleboeuf

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by William Radclyffe, 1780–1855

Bridges of St. Cloud and Sevres

1835

Print made by James T. Willmore, 1800–1863

The Lanterne of St. Cloud

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by S. Fisher, active 1831–1844

Saint Denis

1835

Print made by William Radclyffe, 1780–1855

Mantes

1835

Print made by John Cousen, 1804–1880

Bridge of Meulan

1835

Print made by James T. Willmore, 1800–1863

Paris from the Barriere de Passy

1835

Print made by William Radclyffe, 1780–1855

Marche aux Fleurs and the Pont-au-Change

1835

Print made by William Miller, 1796–1882

Melun

1835

Print made by John Boydell, 1720–1804

The Wreck of the Nuestra Senora de los Remedios

1753

Simon Gribelin, 1662–1733

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by William Miller, 1796–1882

Melun

1835

Print made by W. Floyd, active 1845

Fish Market, Rotterdam

1834-1836

Print made by John Fairburn, active 19th century

Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

1796

Print made by James Baylis Allen, 1803–1876

Caudebec

1834

Print made by James Baylis Allen, 1803–1876

Caudebec

1834

Print made by James Baylis Allen, 1803–1876

Havre

1834

Print made by James Baylis Allen, 1803–1876

Caudebec

1834

Print made by James Baylis Allen, 1803–1876

Caudebec

1833

Print made by James T. Willmore, 1800–1863

Tancarville

1834

Print made by Robert Brandard, 1805–1862

Beaugency

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Robert Wallis, 1794–1878

Tours - looking backwards

1833

Print made by Robert Wallis, 1794–1878

Tours - looking backwards

1833

Print made by Robert Brandard, 1805–1862

Rietz near Saumur

1833

Print made by James T. Willmore, 1800–1863

Montjen

1833

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by James T. Willmore, 1800–1863

Tancarville

1834

Print made by James T. Willmore, 1800–1863

Lillebonne, Château

1834

Print made by Robert Brandard, 1805–1862

Château de Tancarville with Town of Quilleboeuf

1834

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by James T. Willmore, 1800–1863

Lillebonne, Château

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by William Miller, 1796–1882

Rouen, looking down the river

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by James Baylis Allen, 1803–1876

Caudebec

1834

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565

Pantheum Romanum nunc Mariae Cognomento

between 1546 and 1590

Print made by James Baylis Allen, 1803–1876

Caudebec

1833

Print made by Robert Brandard, 1805–1862

Blois

1833

Print made by Robert Brandard, 1805–1862

Tours

1833

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Print made by unknown artist

Herstmonceux Castle

1858

Edmund Turrell, active 1835–1860

The Temple of Aphaia at Aegina: Sections

1828

Charles Robert Cockerell, 1788–1863

The Temple of Aphaia at Aegina: Front Elevation

1860

Charles Robert Cockerell, 1788–1863

The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

1860

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Materials & Techniques line engraving

On-site Access Accessible by appointment in the Study Room

Associated Places Europe

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Materials & Techniques line engraving

On-site Access Accessible by appointment in the Study Room

Associated Places Europe

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