Puck and Fairies, from "A Midsummer Night's Dream"
ca. 1850
Not on view
3
Gilbert Stuart Newton, 1794–1835
Shylock and Jessica from the 'Merchant of Venice,' II, ii
1830
Not on view
4
James Northcote, 1746–1831
Master Betty as Hamlet, before a Bust of Shakespeare
between 1804 and 1806
Not on view
5
Walter Crane, 1845–1915
The Lady of Shalott
1862
Not on view
6
Charles Hunt, 1803–1877
Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
1863
Not on view
7
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
8
George Cruikshank, 1792–1878
Herne's Oak from 'The Merry Wives of Windsor,' V, v
ca. 1857
Not on view
9
George Cruikshank, 1792–1878
The First Appearance of William Shakespeare on the Stage of the Globe Theatre
1864 to 1865
Not on view
10
John S. Clifton, active 1852–1869
Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
1849
Not on view
11
Thomas Stothard, 1755–1834
Oberon and Titania from "A Midsummer Night's Dream," Act IV, Scene i
1806
Not on view
12
James Smetham, 1821–1889
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
13
John Atkinson Grimshaw, 1836–1893
"The Lady of Shalott"
ca. 1875
Not on view
14
Gilbert Stuart Newton, 1794–1835
Captain Macheath Upbraided by Polly and Lucy in the 'Beggar's Opera', 1826
1826
Not on view
15
Charles Robert Leslie, 1794–1859
Slender, with the Assistance of Shallow, Courting Anne Page, from "The Merry Wives of Windsor," Act III, Scene iv
1825
Not on view
16
Richard Parkes Bonington, 1802–1828
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
17
John Cawse, 1779–1862
Falstaff and the recruits, from "Henry IV, Part II"
ca. 1818
Not on view
18
unknown artist
Procession of Characters from Shakespeare's Plays
ca. 1840
Not on view
19
Richard Dadd, 1817–1886
Hamlet and his Mother; The Closet Scene
1846
Not on view
20
William Mulready, 1786–1863
Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
1831
Not on view
21
unknown artist
Dr. Syntax: Walking with a Stick
ca. 1810
Not on view
22
Derby porcelain factory, founded 1756
Dr. Syntax: On a Horse, Jumping a Gate
ca. 1810
Not on view
23
Derby porcelain factory, founded 1756
Dr. Syntax: Losing His Temper
ca. 1810
Not on view
24
Joseph Gott, 1786–1860
Sylvia and the Wounded Stag
1824
Not on view
25
Francis Danby, 1793–1861
Oberon and Titania
1837
26
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
27
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
28
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
29
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
30
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
31
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
32
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
33
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
34
Print made by Samuel Palmer, 1805–1881
The Vine
1852
35
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
36
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
37
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
38
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
39
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
40
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
41
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
42
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
43
after Joseph Mallord William Turner, 1775–1851
Aeneas Relating His Adventures to Dido
44
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
45
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
46
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
47
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
48
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
49
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
50
Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
51
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
52
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
53
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
54
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
55
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
56
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
57
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
58
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
59
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
60
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
61
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
62
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
63
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
64
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
65
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]