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Collection Prints and Drawings

Subject Terms literary theme

William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

1789

William Blake Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)

1789

William Blake The Poems of Thomas Gray, Design 73, "The Fatal Sisters."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 73, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 77, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 79, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 99, "Ode for Music."

between 1797 and 1798

William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

1789

William Blake Songs of Innocence, Plate 2, Title Page (Bentley 3)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 2, Title Page (Bentley 3)

1789

William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

1804 to 1820

William Blake Jerusalem, Plate 67, "By those who drink their blood...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 67, "By those who drink their blood...."

1804 to 1820

William Blake Jerusalem, Plate 78, "The Spectres of..."

William Blake, 1757–1827

Jerusalem, Plate 78, "The Spectres of..."

1804 to 1820

William Blake Jerusalem, Plate 8, "Rose up against me...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 8, "Rose up against me...."

1804 to 1820

William Blake Jerusalem, Plate 80, "Encompassd by the frozen net...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 80, "Encompassd by the frozen net...."

1804 to 1820

William Blake Jerusalem, Plate 81, "I have mockd those...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 81, "I have mockd those...."

1804 to 1820

William Blake Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 84, "Highgates heights & Hampstead...."

1804 to 1820

William Blake Jerusalem, Plate 9, "Condens'd his Emanations...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 9, "Condens'd his Emanations...."

1804 to 1820

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

1804 to 1820

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 35, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 37, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 39, "Ode to Adversity."

between 1797 and 1798

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

1794

William Blake Albion Compelling the Four Zoas to Their Proper Tasks

William Blake, 1757–1827

Albion Compelling the Four Zoas to Their Proper Tasks

1804 to 1810

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Songs of Innocence and of Experience

William Blake, 1757–1827

Songs of Innocence and of Experience

1789-1794

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

William Blake, 1757–1827

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

1805 to 1808

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

Carington Bowles Twelve Illustrations of Robinson Crusoe

Carington Bowles, 1724–1793

Twelve Illustrations of Robinson Crusoe

1783

Thomas Rowlandson The Journalist, with a view of Auchinleck or the Land of Stones

Thomas Rowlandson, 1756–1827

The Journalist, with a view of Auchinleck or the Land of Stones

1786

James Peak Mercury and Battus

James Peak, 1703–1782

Mercury and Battus

Peter Simon Tom Jones

Peter Simon, 1750–1810

Tom Jones

Edward Francis Burney Designs for Illustrations to Mozart's Operas

Edward Francis Burney, 1760–1848

Designs for Illustrations to Mozart's Operas

undated

Lydia Bates Literary Characters Assembled around the Medallion of Shakespeare

Print made by Lydia Bates, active 1784

Literary Characters Assembled around the Medallion of Shakespeare

ca. 1777

Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

Robert Smirke, 1752–1845

Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

undated

Sir David Wilkie A Scene from "The Abbot"

Sir David Wilkie, 1785–1841

A Scene from "The Abbot"

1833

Edward Francis Burney Designs for Illustrations to Beethoven's Works

Edward Francis Burney, 1760–1848

Designs for Illustrations to Beethoven's Works

undated

Edward Francis Burney Study for the Figures of Demitrius and Two Workmen

Edward Francis Burney, 1760–1848

Study for the Figures of Demitrius and Two Workmen

undated

Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt

Edward Burne-Jones, 1833–1898

Study for The Wedding Feast of Sir Degrevaunt

undated

Edward Burne-Jones The Land of Beulah

Edward Burne-Jones, 1833–1898

The Land of Beulah

1881

Richard Parkes Bonington Portia and Bassanio

Richard Parkes Bonington, 1802–1828

Portia and Bassanio

ca. 1826

Dante Gabriel Rossetti Illustration to the Maids of Elfen-Mere

Dante Gabriel Rossetti, 1828–1882

Illustration to the Maids of Elfen-Mere

1854

Thomas Gaugain Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

1797

Thomas Gaugain Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

1797

Thomas Gaugain Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

1797

Thomas Gaugain Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

1797

Thomas Gaugain Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

1797

William Woollett Celadon and Amelia

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

William Sharp The Tempest, Act I Sc. 3

Print made by William Sharp, 1749–1824

The Tempest, Act I Sc. 3

1783

John Chapman Jacques discovered by the Duke

John Chapman, active ca. 1792–1823

Jacques discovered by the Duke

1795

Peter Simon Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation

Peter Simon, 1750–1810

Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation

1789

unknown artist Falstaff reproved by King Henry

unknown artist

Falstaff reproved by King Henry

1792

Edward Goodall St. Julienne's Chapel

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Edward Goodall Columbus and his Son

Print made by Edward Goodall, 1795–1870

Columbus and his Son

1834

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

William Miller Berwick-on-Tweed

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Michael "Angelo" Rooker Illustration to Beaumont and Fletcher

Michael "Angelo" Rooker, 1746–1801

Illustration to Beaumont and Fletcher

undated

Francis Barlow Illustration to Aesop's Fables: The Fox & the Crane

Follower of Francis Barlow, 1622–1704

Illustration to Aesop's Fables: The Fox & the Crane

undated

Alexander Runciman Celadon and Amelia from Thomson's 'The Seasons'

Alexander Runciman, 1736–1785

Celadon and Amelia from Thomson's 'The Seasons'

undated

George Fennell Robson The Murder of Banquo

George Fennell Robson, 1788–1833

The Murder of Banquo

ca. 1830

unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)

unknown artist

Illustration to Tonson's Ovid Metamorphosis (two of four)

ca. 1710

Richard Westall Greatheart's Battle with Grim

Richard Westall, 1765–1836

Greatheart's Battle with Grim

undated