Exhibition HistoryThe Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786
1786
104
Thomas Sandby, 1721–1798
A View of Boxhill from Norbury Park, Surrey
ca. 1775
105
John Donaldson, 1737–1801
Richard Cooper the Elder
undated
106
John Thomas Serres, 1759–1825
A Hoy and a Lugger with other Shipping on a Calm Sea
undated
107
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
108
Samuel Buck, 1696–1779
The South View of Berwick Upon Tweed
ca. 1743-1745
109
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
110
Thomas Patch, 1725–1782
Sketchbook of Portrait Studies
1760s
111
John Russell, 1745–1806
A Drawing of a Part for the Map of the Moon
1794
112
Bernard Lens III, 1682–1740
Victorious Hero Takes Occasion to Conclude Peace
1720
113
John Michael Rysbrack, 1694–1770
Admiral Vernon's Monument in Westminster Abbey
ca. 1763
114
Richard Wilson, 1713/4–1782
Italian sketchbook
1754
115
Thomas Rowlandson, 1756–1827
The Connoisseurs
ca. 1790
116
Edward Dayes, 1763–1804
Queen Square, London
1786
117
Edward Dayes, 1763–1804
Haweswater, Westmoreland
ca. 1795
118
Sir William Chambers, 1723–1796
Facade for a Temple of Peace, Kew Gardens, Surrey
ca. 1763
119
John Brown, 1749–1787
The Geographers
undated
120
Robert Cleveley, 1747–1809
An English Man-of-War Taking Possession of a Ship
1783
121
Rev. William Gilpin, 1724–1804
Forest Scene
1771
122
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
123
Sir William Chambers, 1723–1796
The Hoo, Kimpton, Hertfordshire: Elevations and Details of a Gateway
ca. 1760-1764
124
Jean B. C. Chatelain, 1710–1771
A View of the Rotunda in the Garden at Stowe, Buckinghamshire
1753
125
Thomas Chippendale, 1718–1779
Design for a Writing Table
1754
126
William Day, 1764–1807
Matlock Baths, Derbyshire
ca. 1789
127
Hubert-François Gravelot, 1699–1773
Drawing for a Frontispiece: "The Toast"
1735
128
Alexander Cozens, 1717–1786
Mountainous Landscape
ca. 1780
129
Richard Cosway, 1742–1821
James Hope, third Earl of Hopetoun
1789
130
John Robert Cozens, 1752–1797
The Lake of Albano and Castel Gandolfo
between 1783 and 1785
131
William Daniell, 1769–1837
Sankrydroog, Madras
1792
132
Thomas Gainsborough, 1727–1788
A Woodland Pool with Rocks and Plants
between 1765 and 1770
133
Richard Cosway, 1742–1821
Venus and Mars
ca. 1790
134
John Warwick Smith, 1749–1831
Bay Scene in Moonlight
1787
135
Prince Hoare, 1755–1834
Head of a Young Girl
1780
136
Samuel Hieronymus Grimm, 1733–1794
Kennington Common
1776
137
Thomas Daniell, 1749–1840
Main Entrance of the Jami Mosque, Jaunpur
1797 to 1807
138
John Robert Cozens, 1752–1797
London from Greenwich Hill
ca. 1791
139
John Robert Cozens, 1752–1797
Near Chiavenna in the Grisons
ca. 1779
140
William Anderson, 1757–1837
A Frigate Awaiting a Pilot
1797
141
John Robert Cozens, 1752–1797
The Lake of Albano and Castle Gandolfo
ca. 1779
142
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
143
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
144
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures
ca. 1788
145
Samuel Hieronymus Grimm, 1733–1794
The French Lady in London
ca. 1771
146
Samuel Hieronymus Grimm, 1733–1794
The English Lady at Paris
1771
147
James Gandon, 1742–1823
Elevation for the West Front of Parliament House, Dublin
ca. 1787
148
Daniel Gardner, 1750–1805
Mrs. Justinian Casamajor and Eight of her Children
1779
149
Richard Cosway, 1742–1821
Elizabeth, Countess of Hopetown
1789
150
George Romney, 1734–1802
Italian Sketchbook
1773
151
Luigi Balugani, 1737–1770
Sphyrna zygaena (Hammer-headed Shark)
1765-1773
152
Johann Heinrich Ramberg, 1763–1840
The St. Aubyn Family
1787
153
Luigi Balugani, 1737–1770
Carthamus tinctorius L. (Safflower): finished drawing of flowering plant
1765-1773
154
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
155
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
156
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
157
Luigi Balugani, 1737–1770
Aspis cornutus (Horned Viper or Cerastes)
1765-1773
158
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
159
Joseph Goupy, 1689–1769
Death of Ananias
1740
160
Bernard Lens III, 1682–1740
The Memorial of Lord Darnley
1728
161
Bernard Lens III, 1682–1740
Classical Landscape
1717
162
Stubbs, George, 1724–1806
The anatomy of the horse
1766
163
Rice, Edmund Nagle, -1801
A plan of mathematical learning taught in the Royal Academy, Portsmouth
approximately 1798-1799
164
Peacham, Henry, approximately 1576–approximately 1643
The art of dravving vvith the pen,
1607
165
Kirby, John Joshua, 1716–1774
Dr. Brook Taylor's method of perspective made easy,
1754
166
Camper, Petrus, 1722–1789
The works of the late Professor Camper
1794
167
Malton, James, d. 1803
The young painter's maulstick
1800
168
Ripa, Cesare, 1560–1645
Iconologia, or, Moral emblems
MDCCIX [1709]
169
Chinese landskips
[ca. 1752?]
170
Bowles, Carington, 1724–1793
The draughtsman's assistant, or, Drawing made easy
[ca. 1801]
171
Langley, Batty, 1696–1751
The city and country builder's, and workman's treasury of designs, or, The art of drawing, and working the ornamental parts of architecture
1740
172
The compleat drawing-master;
1766
173
Hogarth, William, 1697–1764
The analysis of beauty
1753
174
Hipwell, John
The elements of navigation
1759
175
Goeree, Willem, 1635–1711
An introduction to the general art of drawing,
1674
176
Grose, Francis, 1731?-1791
Rules for drawing caricaturas
1788
177
Dubreuil, Jean, 1602–1670
The practice of perspective
1743
178
Parkinson, Thomas, active 1769–1789
Flower painting made easy
[1760?]
179
Gilpin, William, 1724–1804
Observations on the river Wye,
1792
180
Le Brun, Charles, Sir, 1619–1690
Bowles's Passions of the soul
[1800?]
181
Dubreuil, Jean, 1602–1670
Perspective practical
1698
182
Smith, John Thomas, 1766–1833
Remarks on rural scenery
1797
183
Introduction to drawing ships
[1788]
184
Sandby, Paul, 1731–1809
A collection of landskips, and figures, &c.
January 12, 1773
185
Lavater, Johann Caspar, 1741–1801
Essays on physiognomy
MDCCLXXXIX-MDCCXCVIII [1789-1798, i.e. 1799]
186
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
[1698]
187
Bowles, Carington, 1724–1793
Bowles's polite recreation in drawing
[1779]
188
Bowles, Carington, 1724–1793
All draughtsmen's assistant, or, Drawing made easy
[177-?]
189
Le Brun, Charles, Sir, 1619–1690
A method to learn to design the passions
1734
190
The excellency of the pen and pencil,
1688
191
Gwynn, John, 1713–1786
An essay on design
1749
192
Austin, William, 1721–1820
A specimen of sketching landscapes, in a free and masterly manner, with a pen or pencil
1781
193
Ackermann, Rudolph, 1764–1834
Lessons for beginners in the fine art
[1796]
194
Richardson, Jonathan, 1665–1745
An essay on the theory of painting
1715
195
Orme's Pocket sketch book
[1799]
196
Russell, John, 1745–1806
Elements of painting with crayons
MDCCLXXII [1772]
197
A new drawing-book of out-lines &c. : very proper for the first-practice of all who are willing to excell in that noble-art =
1722
198
Ditton, Humphry, 1675–1715
A treatise of perspective, demonstrative and practical