Credit Line: Yale Center for British Art, Paul Mellon Collection / Image Available: Available / Subject Terms: trees and women

1. Landscape near Clifton

Creator:: Francis Danby, 1793–1861
Date:: 1822 to 1823
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 28 inches (91.4 x 71.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. A View of Cheddar Gorge

Creator:: George Vincent, 1796–1832
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 48 inches (91.4 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Classical Landscape: Morning

Creator:: John Wootton, 1682–1764
Date:: between 1740 and 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 43 x 43 inches (109.2 x 109.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. An Unfinished View of the West Gate, Canterbury

Creator:: Paul Sandby, 1731–1809
Date:: between 1780 and 1785
Materials & Techniques:: Pen and brown ink and oil on paper laid down on panel
Dimensions:: 17 7/8 x 25 inches (45.4 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Winter Landscape with Figures

Creator:: George Morland, 1763–1804
Date:: ca. 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/2 x 36 1/2 inches (72.4 x 92.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Figures with a Donkey and Dog Crossing a Weir

Creator:: James Lambert of Lewes, 1725–1788
Date:: 1767
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 x 24 inches (46.4 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Wilton House from the Southeast

Creator:: Richard Wilson, 1713/4–1782
Date:: between 1758 and 1760
Materials & Techniques:: Oil on canvas
Dimensions:: 39 x 56 3/4 inches (99.1 x 144.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. A View along the Thames towards Chelsea Old Church

Creator:: John Varley, 1778–1842
Date:: between 1810 and 1815
Materials & Techniques:: Oil on canvas
Dimensions:: 8 x 11 1/2 inches (20.3 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Lago d'Agnano with Vesuvius in the distance

Creator:: Richard Wilson, 1713/4–1782
Date:: between 1770 and 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/2 x 20 3/4 inches (44.5 x 52.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia

Creator:: Charles Reuben Ryley, 1752–1798
Date:: 1786
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 13 3/4 inches (27.9 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. The Supper by the Fountain

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1820
Materials & Techniques:: Oil on panel
Dimensions:: 7 x 5 inches (17.8 x 12.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. The Garden

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1820
Materials & Techniques:: Oil on panel
Dimensions:: 7 x 5 inches (17.8 x 12.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. The Anglers' Repast

Creator:: George Morland, 1763–1804
Date:: 1789
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. An Italianate Landscape

Creator:: John White Abbott, 1763–1851
Date:: ca. 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 16 5/8 x 24 inches (42.2 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. A Landscape with Figures

Creator:: Nicholas Pocock, 1740–1821
Date:: 1798
Materials & Techniques:: Oil on canvas
Dimensions:: 20 1/2 x 26 1/2 inches (52.1 x 67.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. The Serpentine, Hyde Park

Creator:: Attributed to George Sidney Shepherd, 1784–1862
Date:: mid-19th century
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. The Gravenor Family

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1754
Materials & Techniques:: Oil on canvas
Dimensions:: 35 1/2 x 35 1/2 inches (90.2 x 90.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Old Walton Bridge

Creator:: Canaletto, 1697–1768
Date:: 1755
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/8 x 48 1/8 inches (46 x 122.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Free West Indian Creoles in Elegant Dress

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 9 3/4 inches (30.8 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. West Indian Women of Color, with a Child and Black Servant

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/4 x 9 7/8 inches (31.1 x 25.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. The Benevolent Heir or the Tenant Restored to his Family

Creator:: William Redmore Bigg, 1755–1828
Date:: ca. 1797
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/4 x 50 1/4 inches (102.2 x 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. West Indian Man of Color, Directing Two Carib Women with a Child

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 9 7/8 inches (30.5 x 25.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. View near Rome

Creator:: Nathaniel Dance, 1735–1811
Date:: between 1754 and 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 22 1/4 x 30 3/4 inches (56.5 x 78.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Wooded Landscape with a Man Talking to Two Seated Women

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1745
Materials & Techniques:: Oil on panel
Dimensions:: 11 x 14 1/2 inches (27.9 x 36.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. London from Greenwich Hill

Creator:: Henry Dawson, 1811–1878
Date:: 1869 to 1870
Materials & Techniques:: Oil on canvas
Dimensions:: 72 x 107 1/2 inches (182.9 x 273.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Mountain Valley with Figures and Distant Village

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1773 and 1777
Materials & Techniques:: Oil on canvas
Dimensions:: 48 x 58 3/4 inches (121.9 x 149.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Deluge

Creator:: Engraved by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 3/8 inches (20.3 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink; Modern impression, canceled plate on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. I Found Him Beneath a Tree; Plate 3

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Book of Thel, Plate 4, "Why should the mistress . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Jerusalem, Plate 11, "To labours mighty...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

Creator:: William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)

Creator:: William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. America. A Prophecy, Plate 16, "In the Flames Stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Jerusalem, Plate 37, "And One stood forth...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Jerusalem, Plate 38, "His face and bosom...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Poems of Thomas Gray, Design 27, "A Long Story."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Poems of Thomas Gray, Design 55, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Illustrations of Imitation of Eclogue I, Page 16

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Songs of Innocence and of Experience

Creator:: William Blake, 1757–1827
Date:: 1789-1794
Materials & Techniques:: Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:: Spine: 7 3/8 inches (18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Book of Thel, Plate 4, "Why should the mistress . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. An Encampment in St. James Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1780
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Landscape with Cottages, Broadmoor

Creator:: Richard Dadd, 1817–1886
Date:: 1873
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 14 7/8 inches (24.8 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Horse Guard's Parade, Whitehall

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 13 1/2 inches (22.9 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Kensington Gardens

Creator:: John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink over graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 7 inches (24.5 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. View on Exmoor

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Reclining Female Figure in an Italian Landscape

Creator:: John Hamilton Mortimer, 1740–1779
Date:: undated
Materials & Techniques:: Pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Planting the sugar cane (Trinidad)

Creator:: Richard Bridgens, active 1838
Date:: 1838
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper mounted to medium, smooth cream wove paper
Dimensions:: Sheet: 7 7/8 × 9 3/4 inches (20 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Bishop's Palace, Bromley (A Country House)

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Watercolor, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 13 inches (20 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Leeds Castle, Kent

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 x 9 7/8 inches (17.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. In Richmond Park

Creator:: John William Inchbold, 1830–1888
Date:: 1869
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 7/8 inches (17.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Daughters of Jerusalem Weeping by the Waters of Babylon

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

Creator:: Robert Adam, 1728–1792
Date:: between 1770 and 1780
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Hartwell, Buckinghamshire

Creator:: Cornelius Varley, 1781–1873
Date:: 1833
Materials & Techniques:: Brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 21 1/16 inches (36.4 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. A Prospect of Vapourland

Creator:: Richard Bentley, 1708–1782
Date:: 1759
Materials & Techniques:: Brown and black ink and wash over graphite on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 18 1/2 x 24 7/8 inches (47 x 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Buckingham Palace from St. James's Park

Creator:: James Wilcox, active 1830
Date:: 1830
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Gate Toward Bursit, Aix-la-Chappelle

Creator:: Charles Gore, 1729–1807
Date:: 1785
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 18 1/2 inches (28.9 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Two Heads in a Roundel

Creator:: attributed to John Hamilton Mortimer, 1740–1779
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 x 4 3/4 inches (12.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. High Street at Bushey, Hertfordshire

Creator:: Henry Monro, 1791–1814
Date:: 1812
Materials & Techniques:: Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:: Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Dilkoosha, Lucknow in the Distance

Creator:: William Simpson, 1823–1899
Date:: 1866
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 x 21 1/4 inches (35.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1. Landscape near Clifton

2. A View of Cheddar Gorge

3. Classical Landscape: Morning

4. An Unfinished View of the West Gate, Canterbury

5. Winter Landscape with Figures

6. Figures with a Donkey and Dog Crossing a Weir

7. Wilton House from the Southeast

8. A View along the Thames towards Chelsea Old Church

9. Lago d'Agnano with Vesuvius in the distance

10. 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia

11. The Supper by the Fountain

12. The Garden

13. The Anglers' Repast

14. An Italianate Landscape

15. A Landscape with Figures

16. The Serpentine, Hyde Park

17. The Gravenor Family

18. Old Walton Bridge

19. Free West Indian Creoles in Elegant Dress

20. West Indian Women of Color, with a Child and Black Servant

21. The Benevolent Heir or the Tenant Restored to his Family

22. West Indian Man of Color, Directing Two Carib Women with a Child

23. View near Rome

24. Wooded Landscape with a Man Talking to Two Seated Women

25. London from Greenwich Hill

26. Mountain Valley with Figures and Distant Village

27. The Woman and Tambourine

28. The Deluge

29. The Woman and Tambourine

30. Apuleia in Search of Apuleius

31. Apuleia in Search of Apuleius

32. Rome from Monte Mario

33. Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

34. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

35. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

36. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

37. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

38. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

39. Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

40. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

41. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

42. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

43. I Found Him Beneath a Tree; Plate 3

44. Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

45. Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

46. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

47. The Book of Thel, Plate 4, "Why should the mistress . . . ."

48. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

49. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

50. Jerusalem, Plate 11, "To labours mighty...."

51. Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

52. Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)

53. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

54. The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

55. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

56. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

57. America. A Prophecy, Plate 16, "In the Flames Stood...."

58. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

59. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

60. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

61. Jerusalem, Plate 37, "And One stood forth...."

62. Jerusalem, Plate 38, "His face and bosom...."

63. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

64. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

65. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

66. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

67. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

68. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

69. Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

70. The Poems of Thomas Gray, Design 27, "A Long Story."

71. The Poems of Thomas Gray, Design 55, "The Bard."

72. Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)