Collection: Prints and Drawings / Period: 18th century / Subject Terms: man and trees

Joseph Mallord William Turner, 1775–1851

Man with Horse and Cart Entering a Quarry

ca. 1797

William Blake, 1757–1827

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 53, "The Bard."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 55, "The Bard."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 5, "Ode on the Spring."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 27, "A Long Story."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 3, "Ode on the Spring."

between 1797 and 1798

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

William Blake, 1757–1827

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

William Blake, 1757–1827

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 35, "Ode to Adversity."

between 1797 and 1798

William Blake, 1757–1827

Songs of Innocence and of Experience

1789-1794

Paul Sandby, 1731–1809

Trees, with a Man Crossing a Footbridge

undated

Sir James Thornhill, 1675–1734

Design for a portrait of an architect or a painter

undated

Benjamin West, 1738–1820

A Farm near Windsor

1789

Print made by Johann Jacobus Haid, 1704–1767

L'Enfant Prodigue dans la plus grande Misere

undated

Print made by John Smith, 1652–1743

Diana and Acteon

1705

attributed to Paul Sandby, 1731–1809

View in Wales

undated

unknown artist

Hawkstone Hall, Shropshire

ca. 1790

William Pars, 1742–1782

The Secundini Monument at Ighel in the Duchy of Luxembourg

undated

Paul Sandby, 1731–1809

Conway Castle

1789

Michael "Angelo" Rooker, 1746–1801

Almshouses in St. Cuthbert's Churchyard, Wells

undated

James Moore, 1762–1799

The Artist Sketching Mlle. de St. Legier as a Shepherdess

1787

Paul Sandby, 1731–1809

Italianate Landscape with Travelers, No. 1

ca. 1765

Print made by William Byrne, 1743–1805

The Ruins of the College of Lincluden

1782

Jacob More, 1740–1793

View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

1783

Paul Sandby, 1731–1809

Couple in a Farmyard

1782

Thomas Carwitham, active 1723

Jupiter and Callisto: Ovid, Metamorphoses, Book 2

ca. 1723

Thomas Hearne, 1744–1817

The Cheesecake House, Hyde Park

ca. 1795

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

between 1779 and 1780

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by James Bretherton, ca. 1730–1806

Inimitable Mr. James Moss

1773

Print made by James Bretherton, ca. 1730–1806

Man with a Walking Stick in a Landscape

1773

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Germanico

1772

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Inglese

1772

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

Francis Towne, 1740–1816

Craig yr Aderyn, near Llanfihangel-y-Pennant

1777

Thomas Rowlandson, 1756–1827

Entrance to Festiniog, Wales

1797

Thomas Girtin, 1775–1802

A Village in a Wood

ca. 1796

Thomas Girtin, 1775–1802

Cottage near Newcastle, Northumberland

ca. 1797

unknown artist

Fishing near a Waterfall

1790

Valentine Green, 1739–1813

Rinaldo and Armida

1775

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by Francesco Bartolozzi, 1728–1815

Celadon and Amelia

1782

Print made by Francesco Bartolozzi, 1728–1815

Virtuous Love

1793

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

Print made by George Bickham the Elder, 1683/4–1758

Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745