Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan
ca. 1733
45
Charles Parsons Knight, 1829–1897
A Castle at the Waterside by Moonlight
undated
46
Mary Harcourt, 1750–1833
On the Rhone
ca. 1780
47
Wenceslaus Hollar, 1607–1677
A View from Peterborough Tower at Tangier
1669
48
Theodor von Holst, 1810–1844
A Sheet of Sketches - Theatrical Studies
undated
49
Matthew Haughton, 1768–1821
A Fashionable Audience
undated
50
Attributed to unknown artist
A Soldier on Horseback
undated
51
Henry Greaves, 1850–1900
Queen Anne's Court, Cheyne Walk, Chelsea
1874
52
Henry Greaves, 1850–1900
Cheyne Walk, Old Chelsea
1861
53
Attributed to Sir Nicholas Hawksmoor, ca. 1662–1736
Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
ca. 1690
54
Francis Hayman, 1707/8–1776
Flying the Kite
ca. 1740
55
Francis Hayman, 1707/8–1776
Battledore and Shuttlecock
ca. 1740
56
Walter Greaves, 1846–1930
The Old Black Lion, Chelsea
undated
57
Henry Richard Greville third Earl of Warwick, 1779–1853
River Landscape
undated
58
George Jones, 1786–1869
Interior of a Blacksmith's Forge
undated
59
unknown artist
Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
ca. 1740
60
Print made by Thomas Girtin, 1775–1802
Paris, A View of Pont au Changes
1800 to 1802
61
Jean B. C. Chatelain, 1710–1771
Landscape Composition
undated
62
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
63
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
64
Sir David Wilkie, 1785–1841
Johnny and His Pony
1836
65
unknown artist
Venus and Cupid
undated
66
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Temple
1802-1804
67
Sir Robert Smirke the younger, 1781–1867
Arch of Trajan, Ancona, Italy
1804
68
Sir Robert Smirke the younger, 1781–1867
Front of La Maddalena Church, Venice
1802-1804
69
Sir Robert Smirke the younger, 1781–1867
Powder Tower, One of the Original City Gates into the City of Prague
1802-1804
70
Sir Robert Smirke the younger, 1781–1867
Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon
1802-1804
71
Sir Robert Smirke the younger, 1781–1867
Arch of Hadrian
ca. 1804
72
Sir Robert Smirke the younger, 1781–1867
Ancient Aqueduct Ruins
1802-1804
73
John Piper, 1903–1992
Cottage at Deane, Hants
1938
74
Giovanni Stern, 1734–1794
Plans of Ancient Roman Church: 4. Terme di Tito
undated
75
James Bruce, 1730–1794
Plan and Section of the Mikeas or Kiosc with the Pillar Where on Is Measured the Daily Increase of the Nile During Inundation
undated
76
James Bruce, 1730–1794
A Servant Bringing Water to Three Hunters
undated
77
George Morland, 1763–1804
Peasants in a Grotto
undated
78
James Sowerby, 1756–1822
Grebes
undated
79
James Ward, 1769–1859
A Human Skeleton
undated
80
James Ward, 1769–1859
A Human Skeleton
undated
81
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
82
Edward Francis Burney, 1760–1848
Ilustration for The New Doll: Untitled
1825
83
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Sewing Clothes for the Doll
1825
84
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
85
John Wootton, 1682–1764
A Stag Hunt
undated
86
unknown artist
Two Frigates
undated
87
James Paine, 1717–1789
Design for a Temple on a Square Plan and with a Dome: Elevation
undated
88
James Paine, 1717–1789
Design for a Circular Domed Temple: Elevation
undated
89
Attributed to John Sanderson, active 1730; died 1774
Unidentified Country House: Ground Floor Plan
undated
90
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
91
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
92
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
93
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him