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William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

William Blake, 1757–1827

The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

between 1797 and 1798

William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

William Blake, 1757–1827

"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

between 1797 and 1798

William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

William Blake, 1757–1827

"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

between 1797 and 1798

William Blake A Shepherd Reading the Epitaph (Design 115)

William Blake, 1757–1827

A Shepherd Reading the Epitaph (Design 115)

between 1797 and 1798

William Blake "Up stairs in a whirlwind rattle..." (Design 29)

William Blake, 1757–1827

"Up stairs in a whirlwind rattle..." (Design 29)

between 1797 and 1798

William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

William Blake, 1757–1827

"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

between 1797 and 1798

William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)

William Blake, 1757–1827

The Beginning of Poesy. The Blind Begging Bard (Design 41)

between 1797 and 1798

William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

William Blake, 1757–1827

"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

between 1797 and 1798

William Blake "Cytherea's Day..." (Design 45)

William Blake, 1757–1827

"Cytherea's Day..." (Design 45)

between 1797 and 1798

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

Print made by William Blake, 1757–1827

"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake "To chase the rolling circle's speed..." (Design 17)

William Blake, 1757–1827

"To chase the rolling circle's speed..." (Design 17)

between 1797 and 1798

William Blake "At the chapel-door stand sentry... (Design 31)

William Blake, 1757–1827

"At the chapel-door stand sentry... (Design 31)

between 1797 and 1798

William Blake A Widower and Children (Design 35)

William Blake, 1757–1827

A Widower and Children (Design 35)

between 1797 and 1798

William Blake "They call'd her Pity, and fled..." (Plate 19)

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 19)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

Print made by William Blake, 1757–1827

A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

1793

William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Print made by William Blake, 1757–1827

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

1789

William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"

Print made by William Blake, 1757–1827

The Argument. "Man has no notion of moral fitness..." (Plate 2"

ca. 1788

William Blake II. "Man by his reasoning power can only compare..." (Plate 4)

Print made by William Blake, 1757–1827

II. "Man by his reasoning power can only compare..." (Plate 4)

ca. 1788

William Blake Frontispiece. Albion's Angel (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece. Albion's Angel (Plate 1)

1793

William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Print made by William Blake, 1757–1827

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

1793

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake Spring, from Songs of Innocence

Print made by William Blake, 1757–1827

Spring, from Songs of Innocence

ca. 1795

William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Printed by William Blake, 1757–1827

Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

1789-1794

William Blake Illustrations of Imitation of Eclogue I, Page 16

William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Page 16

1821

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake The Little Black Boy (Plate 30)

Print made by William Blake, 1757–1827

The Little Black Boy (Plate 30)

1789

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake Joseph and Potiphar's Wife

William Blake, 1757–1827

Joseph and Potiphar's Wife

1803 to 1805

William Blake The Widow Embracing Her Husband's Grave

William Blake, 1757–1827

The Widow Embracing Her Husband's Grave

1805 to 1808

William Blake Five Visionary Heads of Women

William Blake, 1757–1827

Five Visionary Heads of Women

1819 to 1820

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

George Romney Study of Three Women

George Romney, 1734–1802

Study of Three Women

undated

George Romney Sketches of a Prostrate Woman

George Romney, 1734–1802

Sketches of a Prostrate Woman

undated

George Romney Figures Mourning at the Bier of a Woman

George Romney, 1734–1802

Figures Mourning at the Bier of a Woman

undated

George Romney Three Lamenting Women

George Romney, 1734–1802

Three Lamenting Women

undated

George Romney David Playing the Harp

George Romney, 1734–1802

David Playing the Harp

undated

George Romney Seated Woman Feeding an Animal

George Romney, 1734–1802

Seated Woman Feeding an Animal

undated

George Romney Mythological Group of Women and Children

George Romney, 1734–1802

Mythological Group of Women and Children

undated

George Romney The Accusation of Susanna by the Elders

George Romney, 1734–1802

The Accusation of Susanna by the Elders

undated

George Romney Lear Awakened by Cordelia

George Romney, 1734–1802

Lear Awakened by Cordelia

between 1774 and 1775

George Romney Three Young Witches

George Romney, 1734–1802

Three Young Witches

undated

George Romney Three Studies of a Standing Woman, Possibly Lady MacBeth

George Romney, 1734–1802

Three Studies of a Standing Woman, Possibly Lady MacBeth

undated

George Romney Howard Visiting a Prison

George Romney, 1734–1802

Howard Visiting a Prison

undated

George Romney Witches' Cavern: MacBeth's Second Visit

George Romney, 1734–1802

Witches' Cavern: MacBeth's Second Visit

undated

George Romney Howard Visiting a Prison

George Romney, 1734–1802

Howard Visiting a Prison

undated

George Romney Prison Scene

George Romney, 1734–1802

Prison Scene

undated

George Romney Howard Visiting a Prison

George Romney, 1734–1802

Howard Visiting a Prison

undated

George Romney Howard Visiting a Prison

George Romney, 1734–1802

Howard Visiting a Prison

undated

George Romney Prison Scene

George Romney, 1734–1802

Prison Scene

undated

George Romney The Witches' Cavern

George Romney, 1734–1802

The Witches' Cavern

between 1792 and 1793

George Romney Sketches for "The Accusation of Susanna"

George Romney, 1734–1802

Sketches for "The Accusation of Susanna"

undated

George Romney The Accusation of Susanna

George Romney, 1734–1802

The Accusation of Susanna

ca. 1773

George Romney Two Sisters

George Romney, 1734–1802

Two Sisters

undated

George Romney Group of Four Women Embracing

George Romney, 1734–1802

Group of Four Women Embracing

between 1789 and 1790

George Romney Ladies in Waiting

George Romney, 1734–1802

Ladies in Waiting

undated

George Romney David before Saul

George Romney, 1734–1802

David before Saul

undated

George Romney Prison Scene

George Romney, 1734–1802

Prison Scene

undated

George Romney Women and Children

George Romney, 1734–1802

Women and Children

undated

George Romney Men Going out to Fight, with a Crowd of Cowering Women Behind

George Romney, 1734–1802

Men Going out to Fight, with a Crowd of Cowering Women Behind

undated

George Romney Prison Scene

George Romney, 1734–1802

Prison Scene

undated

George Romney The Banquet Scene

George Romney, 1734–1802

The Banquet Scene

ca. 1792

George Romney Bacchanalian Scene (Possibly Antediluvian)

George Romney, 1734–1802

Bacchanalian Scene (Possibly Antediluvian)

undated

George Romney Lear Awakened by Cordelia

George Romney, 1734–1802

Lear Awakened by Cordelia

ca. 1774

George Romney Seated Woman: Three Studies

George Romney, 1734–1802

Seated Woman: Three Studies

undated

George Romney Group of Figures, Possibly Women and Children Playing

George Romney, 1734–1802

Group of Figures, Possibly Women and Children Playing

undated

George Romney Women Dancing

George Romney, 1734–1802

Women Dancing

undated

Hubert-François Gravelot Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background

attributed to Hubert-François Gravelot, 1699–1773

Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background

undated

Sir John Gilbert Apotheosis of Shakespeare's Characters

Sir John Gilbert, 1817–1897

Apotheosis of Shakespeare's Characters

1871

Gavin Hamilton Andromache Mourning the Death of Hector

Gavin Hamilton, 1723–1798

Andromache Mourning the Death of Hector

between 1760 and 1763

William Hamilton Figures Harvesting

William Hamilton, 1751–1801

Figures Harvesting

undated

William Hamilton A Dramatic Scene with Three Women in an Interior

William Hamilton, 1751–1801

A Dramatic Scene with Three Women in an Interior

1794

Matthew Haughton A Fashionable Audience

Matthew Haughton, 1768–1821

A Fashionable Audience

undated

Thomas Hearne View of Bath from Spring Gardens

Thomas Hearne, 1744–1817

View of Bath from Spring Gardens

1790