Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
203
Print made by David Allan, 1744–1796
Peggy Advocates a Sweetheart
1808
204
Print made by David Allan, 1744–1796
Glaud and Symon
1808
205
Print made by David Allan, 1744–1796
Sir William Worthy's Blessing
1808
206
Print made by David Allan, 1744–1796
Madge and Bauldy
1808
207
Robert Havell, 1769–1832
Crofton
1813
208
Print made by Ken Kiff, 1935–2001
The Hill
undated
209
Print made by Donald Wilkinson, born 1937
"Grasmere" from Gray's Journal
1982
210
Print made by Donald Wilkinson, born 1937
The Valley Behind Me
1976
211
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
212
James Gillray, 1756–1815
Presages of the Millenium
1795
213
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
214
Frederick Christian Lewis the Elder, 1779–1856
View of Old Aberdeen, Including King's College and the Cathedral
1808
215
Etched by Thomas Rowlandson, 1756–1827
French Barracks
1791
216
Richard Gilson Reeve, 1803–1889
View of the Port of Liverpool
1836
217
William Johnstone White, active 1804–died c.1870
Representation of the Festival for the Return of Peace
1815
218
Print made by James Barry, 1741–1806
Sacra Christi Familia
undated
219
Adrian Wisniewski, Born 1958
Plate 8
1991
220
Adrian Wisniewski, Born 1958
Plate 10
1991
221
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841
1842
222
Print made by William Daniell, 1769–1837
A View of the East India Docks
1808
223
Print made by Augustus Charles Pugin, 1762–1832
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
224
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
225
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
226
Print made by George Cruikshank, 1792–1878
Finding things not exactly what he expected - Plate 2
1820
227
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberrys
1795
228
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
229
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
230
Patrick Procktor, 1936–2003
Mount Abu
1970
231
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
232
Print made by Giovanni Vendramini, 1769–1839
Hot Spice Gingerbread, Smoking Hot!
1796
233
unknown artist
View of the Coronation Procession of George IV
ca. 1821
234
Robert Pollard, 1755–1838
View of Grosvenor Square
1789
235
Print made by Robert Pollard, 1755–1838
View of Hanover Square
1787
236
unknown artist
East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham
1796
237
unknown artist
West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham
1798
238
Print made by George Cruikshank, 1792–1878
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
1820
239
Print made by George Cruikshank, 1792–1878
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
1820
240
Print made by George Cruikshank, 1792–1878
Mr. B seeking the Bubble reputation - Plate 5
1820
241
Print made by George Cruikshank, 1792–1878
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
1820
242
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
243
Print made by John Raphael Smith, 1752–1812
Lady Hamilton as 'Nature'
1784
244
Samuel Ireland, active 1760–died 1800
Stone Buildings, Lincoln's Inn
1800
245
Samuel Ireland, active 1760–died 1800
Inner Temple
1800
246
Samuel Ireland, active 1760–died 1800
Southwest View of Middle Temple
1800
247
Samuel Ireland, active 1760–died 1800
Lion's Inn
1800
248
Samuel Ireland, active 1760–died 1800
Temple Church
1800
249
Samuel Ireland, active 1760–died 1800
New Inn
1800
250
Samuel Ireland, active 1760–died 1800
Clifford's Inn
1800
251
Samuel Ireland, active 1760–died 1800
Furnival's Inn
1800
252
Samuel Ireland, active 1760–died 1800
Lincoln's Inn Hall and Chapel
1800
253
Samuel Ireland, active 1760–died 1800
Garden Front of Furnival's Inn
1800
254
Samuel Ireland, active 1760–died 1800
Westminster Hall
1800
255
Samuel Ireland, active 1760–died 1800
Rolls Chapel
1800
256
Samuel Ireland, active 1760–died 1800
Middle Temple Gate
1800
257
Samuel Ireland, active 1760–died 1800
Guildhall
1800
258
Samuel Ireland, active 1760–died 1800
Gray's Inn
1800
259
Samuel Ireland, active 1760–died 1800
Sergeant's Inn
1800
260
Samuel Ireland, active 1760–died 1800
Barnard's Inn
1800
261
Samuel Ireland, active 1760–died 1800
Leather Fullers Hall
1800
262
Samuel Ireland, active 1760–died 1800
Staple Inn
1800
263
Samuel Ireland, active 1760–died 1800
Lincoln's Inn Gate
1800
264
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
265
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
266
Samuel Ireland, active 1760–died 1800
North Front of Temple Hall
1800
267
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
268
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
269
Samuel Ireland, active 1760–died 1800
Clement's Inn
1800
270
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
271
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
272
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
273
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
274
Jake Chapman, born 1966
Untitled
1999
275
Jake Chapman, born 1966
Untitled
1999
276
Jake Chapman, born 1966
Untitled
1999
277
Jake Chapman, born 1966
Untitled
1999
278
Jake Chapman, born 1966
Untitled
1999
279
Jake Chapman, born 1966
Untitled
1999
280
Print made by Richard Earlom, 1743–1822
A Study
1810
281
William Daniell, 1769–1837
A View of the East India Docks
1808
282
Valentine Green, 1739–1813
St. Augustine's Gate, Canterbury
1779
283
Print made by Henry Moore, 1898–1986
Mother and Child I
1983
284
Print made by Henry Moore, 1898–1986
Mother and Child X
1983
285
Print made by Henry Moore, 1898–1986
Mother and Child XI
1983
286
Print made by Henry Moore, 1898–1986
Mother and Child XIV
1983
287
Print made by Henry Moore, 1898–1986
Mother and Child XV
1983
288
Print made by Henry Moore, 1898–1986
Mother and Child XVI
1983
289
Print made by Henry Moore, 1898–1986
Mother and Child II
1983
290
Print made by Henry Moore, 1898–1986
Mother and Child XX
1983
291
Print made by Henry Moore, 1898–1986
Mother and Child XXIII
1983
292
Print made by Henry Moore, 1898–1986
Mother and Child XXV
1983
293
Print made by Henry Moore, 1898–1986
Mother and Child V
1983
294
Print made by Henry Moore, 1898–1986
Mother and Child VI
1983
295
Print made by Henry Moore, 1898–1986
Mother and Child VII
1983
296
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
297
Richard Gilson Reeve, 1803–1889
View of the Port of Liverpool
1836
298
Print made by William Strang, 1859–1921
The Sieve Mender
1884
299
Print made by Frederick Christian Lewis the Elder, 1779–1856
Tours, looking backwards
undated
300
Henry Hoppner Meyer, ca. 1782–1847
View of the New Country Prison at Abingdon, Berkshire