<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Height [cm] 40

Remove constraint Height [cm]: 40

Classification Prints

Remove constraint Classification: Prints

Search Results

William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
ca. 1797
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
Johann Jacobus Haid La bonheur du Mariage
Print made by Johann Jacobus Haid, 1704–1767
La bonheur du Mariage
undated
Johann Jacobus Haid Le jeu de domino
Print made by Johann Jacobus Haid, 1704–1767
Le jeu de domino
undated
Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
Thomas Girtin View of the City with the Louvre & Taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
Thomas Girtin A General View of Paris, taken from Chaillot 1803.
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
Thomas Girtin Views of the Pantheon, taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
Frederick Christian Lewis the Elder View of the Village of Chaillot & C. taken from Pont de la Concorde
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
Nicolas Beatrizet Theatrum Sive Coliseum Romanum
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Theatrum Sive Coliseum Romanum
1538
unknown artist Sepulchrum C. Cesti Epulonis Ostiensi via et pyramide et marmore quadrato noblissimum atq. omnium vetustissimum
Print made by unknown artist
Sepulchrum C. Cesti Epulonis Ostiensi via et pyramide et marmore quadrato noblissimum atq. omnium vetustissimum
1547
Hendrick van Schoel Senatus Populus Que Romanus Divo Tito Divi Vespasiani Filio Vespasiano Augusto
Print made by Hendrick van Schoel, died 1622
Senatus Populus Que Romanus Divo Tito Divi Vespasiani Filio Vespasiano Augusto
1548
John Pye A View of Oxford from the Abingdon Road
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
James C. Allen The Ivy Bridge, Devonshire
Print made by James C. Allen, active 1821–1831
The Ivy Bridge, Devonshire
1816
Samuel Rawle Hylton Castle, County of Durham
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
John Copley The Apple Tree
Print made by John Copley, 1875–1950
The Apple Tree
1950
John Copley A Bather About to Dive
Print made by John Copley, 1875–1950
A Bather About to Dive
1932
John Browne The Sportsman
Print made by John Browne, 1741–1801
The Sportsman
1775
Edward Goodall Oxford from North Hinksey
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841
Edward Goodall Caligula's Palace and Bridge
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge
1842
Edward Goodall Caligula's Palace and Bridge
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge
1842
Robert Brandard Crossing the Brook
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1838
Richard Earlom Mrs. Gulston
Print made by Richard Earlom, 1743–1822
Mrs. Gulston
1771
John Jones The Girl Sleeping
Print made by John Jones, ca. 1745–1797
The Girl Sleeping
1790
Paul Adolphe Rajon Charles Robert Darwin
Print made by Paul Adolphe Rajon, 1842–1888
Charles Robert Darwin
1882
Anthony Cardon Do You Want Any Matches?
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
Giovanni Vendramini Knives, Scissors, and Razors to Grind
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissors, and Razors to Grind
1795
Giovanni Vendramini Fresh Gathered Peas, Young Hastings
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
Anthony Cardon Round & Sound, Five Pence a Pound, Duke Cherries
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
B. Winkles Interior of Westminster Hall as Prepared for the Banquet
Print made by B. Winkles, active 1830–1840
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
William Carpenter Charles Fox
Print made by William Carpenter, 1818–1899
Charles Fox
1849
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Sir Muirhead Bone A Manhattan Excavation
Print made by Sir Muirhead Bone, 1876–1953
A Manhattan Excavation
1923
Edward Rooker The Summit of Cader Idris Mountain
Edward Rooker, 1724–1774
The Summit of Cader Idris Mountain
1775
William Byrne Carnarvon Castle
William Byrne, 1743–1805
Carnarvon Castle
1775
William Woollett Snowden Hill
William Woollett, 1735–1785
Snowden Hill
1775
Benjamin Cole Merchant Taylors' School and St. Paul's School
Print made by Benjamin Cole, 1697–1783
Merchant Taylors' School and St. Paul's School
1756
Francis David Soiron The Promenade in St. James's Park
Francis David Soiron, Born 1764
The Promenade in St. James's Park
1793
John Hassell View of Sion House from the Banks of the Thames
John Hassell, 1767–1825
View of Sion House from the Banks of the Thames
1799
Paul Sandby The Victor Conducted in Triumph
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
John Boydell The Wreck of the Nuestra Senora de los Remedios
Print made by John Boydell, 1720–1804
The Wreck of the Nuestra Senora de los Remedios
1753
Sir David Young Cameron Notre Dame, Dinant [Belgian Set: No. 8]
Print made by Sir David Young Cameron, 1865–1945
Notre Dame, Dinant [Belgian Set: No. 8]
1907
Sir David Young Cameron The Five Sisters, York Minister
Print made by Sir David Young Cameron, 1865–1945
The Five Sisters, York Minister
1907
John Hamilton Mortimer Caliban, from The Tempest
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
Frank Auerbach Lucian Freud
Print made by Frank Auerbach, born 1931
Lucian Freud
1981
Sir David Young Cameron The North Porch, Harfleur
Print made by Sir David Young Cameron, 1865–1945
The North Porch, Harfleur
1904
Frederick Landseer Maur Griggs The Barbican
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Barbican
1920
James Clark View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
James Clark, 19th century
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
1812
Robert Blyth An Aga of the Janizaries
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
Pieter de Jode II Ioannes Snellincx
Print made by Pieter de Jode II, ca. 1606–1674
Ioannes Snellincx
ca. 1635
Sir Muirhead Bone Demolition of St. James's Hall, Interior
Print made by Sir Muirhead Bone, 1876–1953
Demolition of St. James's Hall, Interior
1906
Sir David Young Cameron Joannis Darius
Print made by Sir David Young Cameron, 1865–1945
Joannis Darius
1900
Thomas Malton the Younger The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
Thomas Malton the Younger, 1748–1804
The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
1799
John Hamilton Mortimer Lear, from King Lear, Act III, Scene ii
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
Robert Sargent Austin Women at Prayer
Print made by Robert Sargent Austin, 1895–1973
Women at Prayer
1936