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Materials & Techniques pen
Remove constraint Materials & Techniques: penCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 19th century
Remove constraint Period: 19th centurySearch Results
1
- The Horse
- ca. 1805
- Not on view
2
- The Judgement of Korah, Dathan and Abiram
- ca. 1801
- Not on view
3
- The Crescent Moon
- undated
4
- The Valley of Dolwyddelan
- undated
5
- Landscape Sketch
- undated
6
- A Cow Lodge with a Mossy Roof
- ca. 1829
7
- Mount Siabod from Tyn-y-Coed near Capel Curig
- undated
8
- A Barn with a Mossy Roof, Shoreham
- undated
9
- Conway Castle
- 1836
10
- An Ancient Barn at Shoreham
- undated
11
- Opening the Fold: Early Morning
- ca. 1880
12
- Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
- ca. 1840
13
- A Cottage among Trees, Shoreham
- undated
14
- Tintern Abbey
- 1835
15
- Cornfields with Barn, Shoreham
- ca. 1829
16
- View from Rook's Hill, Kent
- 1843
17
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
18
- The Primitive Cottage, Shoreham
- undated
19
- Brighton Beach Looking West
- undated
20
- A Recollection of the New R.A
- 1837
21
- A View on the Orwell
- undated
22
- Stoke Poges Church
- 1834
23
- Dawn
- between 1831 and 1832
24
- Trees and Deer
- 1825
25
- Rome from Monte Mario
- ca. 1818
26
- Tours: Sunset: Looking Backwards
- between 1826 and 1830
27
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
28
- New Harbour, Malta
- 1866
29
- Oasis Village
- 1854
30
- Bavella, Corsica
- ca. 1868
31
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
32
- The Capo Sant' Angelo, Amalfi
- ca. 1885
33
- Albania
- between 1848 and 1849
34
- Gozo, near Malta
- 1866
35
- View near Palermo
- 1847
36
- Wied Zurrik (Malta)
- 1848
37
- The Pontine Marshes above Terracina
- ca. 1880
38
- A Weasel
- 1832
39
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
40
- Catania
- 1847
41
- Amada, 9:30 am, 12 February 1867
- 1867
42
- Jericho, 7 May 1858
- 1858
43
- Turin, Italy
- after 1872
44
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
45
- Siracusa, 12. June 1847
- 1847
46
- Wady Feiran, Peninsula of Mt. Sinai
- ca. 1880
47
- The Entrance Front of Hayley's House at Eartham
- 1801
48
- The Parable of the Wise and Foolish Virgins
- ca. 1825
49
- Joseph and Potiphar's Wife
- 1803 to 1805
50
- View at Swiss Cottage, London
- 1836
51
- Cedros Bay
- 1857
52
- St. James' Barracks from the Playground of the Model School
- 1857
53
- Avenue and Entrance to St. James Barracks
- 1857
54
- Corbeaux Town, Port of Spain
- 1857
55
- Los Gallos, Icacos Bay
- 1857
56
- Residence at Orange Grove Estate, Tacarigua
- 1857
57
- Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
- ca. 1831
58
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
59
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
60
- Hogarth Declaring His Love to Miss Thornhill
- 1817
61
- Queen Anne Boleyn's Room, Windsor Castle
- undated
62
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
63
- Street Scene at Stratford by Bow
- undated
64
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
65
- Hogarth Drawing Sarah Malcolm
- 1817
66
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
67
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
68
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
69
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
70
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
71
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
72
- Hogarth Sitting to Roubiliac for His Bust
- 1817
73
- The Eleventh Hour
- 1817
74
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
75
- Margate
- 1849
76
- The Porch, Reims Cathedral
- ca. 1840
77
- The Duke of Newcastle's Expedition in Circassia
- undated
78
- Margate Hoy
- 1807
79
- Study of Caryatides for Statue of Sir Thomas of Monro
- 1806
80
- Netley Abbey
- undated
81
- The Manse, Cults, Fife: The Artist's Old Home
- undated
82
- The Triumph of Music
- ca. 1815
83
- Shipping off St. Michael's Mount, Cornwall
- 1866
84
- Cobham Hall, Kent: Section and Ceiling Plan of the Dairy
- 1795
85
- Italian Mountain Landscape
- undated
86
- Album of Landscape and Figure Studies: Trees Alongside a River with Buildings in the Distance
87
- Album of Landscape and Figure Studies: Two Stone Cottages
88
- Album of Landscape and Figure Studies: Sketch of Castle Ruins with Cows Grazing in the foreground
89
- Album of Landscape and Figure Studies: Villa in the Mountains
90
- Album of Landscape and Figure Studies: Facade of a House and Sketch of a Man With a Cane
91
- Album of Landscape and Figure Studies: Sketches of Waves, Buildings, Trees/Two Profiles
92
- River Landscape with Men Fishing and Cattle
- undated
93
- Court Yard of Caerlaverock Castle
- 1848
94
- Preparatory drawing for The Waltz
- 1820s
95
- Study of a Cottage by a lane
- undated
96
- Karnak
- between 1838 and 1839
97
- York House, the corner of Villiers Street and the Strand, with Richardson's Ancient and Modern Print Warehouse in the Foreground
- ca. 1809
98
- Interior of Fort Nicholas, Sebastopol, Crimea
- undated
99
- The Manse, Cults, Fife: The Artist's Old Home
- undated
100
- The Manse, Cults, Fife: The Artist's Old Home
- undated