Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
202
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
203
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
204
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
205
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
206
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
207
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
208
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
209
unknown artist
Studies of a Sleeping Lion
undated
210
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
211
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
212
Thomas Ross, active from 1753
Figures, Horses and Cows
undated
213
John Michael Rysbrack, 1694–1770
Two Horses' Heads
undated
214
Edward Francis Burney, 1760–1848
An Allegory of America Carrying the Cap of Liberty
undated
215
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
216
unknown artist
Head of a Male Lion
undated
217
unknown artist
Head of a Leopard
undated
218
Archibald Thorburn, 1860–1935
Hounds: "Fleur" and "Frogmore"
1878
219
James Ward, 1769–1859
Head of a Tiger
undated
220
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
221
James Seymour, 1702–1752
Coursing - After the Kill
undated
222
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
223
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
224
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
225
Archibald Thorburn, 1860–1935
Hounds: "Seagull"
1878
226
John Opie, 1761–1807
Standing Classical Male Figure with Spear
undated
227
Jonathan Richardson the Elder, 1667–1745
Self-Portrait
ca. 1730
228
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
229
Richard Cosway, 1742–1821
Flight into Egypt
undated
230
Richard Cosway, 1742–1821
Christ Blessing Little Children
undated
231
Philippe Mercier, 1689 or 1691–1760
Seated Woman with a Book
1725
232
David Cox, 1783–1859
Hay Wagon and Horses
undated
233
Bernard Lens III, 1682–1740
Bust of a Woman Looking upwards to left
1703
234
John Raphael Smith, 1752–1812
An Evening Walk
ca. 1783
235
John Opie, 1761–1807
Standing Classical Female Figure
undated
236
Sir Thomas Lawrence, 1769–1830
A Life Drawing
ca. 1789
237
Richard Cosway, 1742–1821
Mrs. Cosway as the Milkmaid
undated
238
Richard Cosway, 1742–1821
Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood
undated
239
John Downman, 1750–1824
Portrait of a Lady
undated
240
John Downman, 1750–1824
Portrait of a Divine Called Reverend John Wesley
ca. 1781
241
John Downman, 1750–1824
Miss Nott
1789
242
John Downman, 1750–1824
Miss Campbell
1803
243
attributed to John Downman, 1750–1824
Portrait of a Girl Holding a Garland
undated
244
John Downman, 1750–1824
Portrait of a Lady, Facing Front
undated
245
Gainsborough Dupont, 1754–1797
Lord John Pelham-Clinton, M.P
undated
246
unknown artist
Portrait of a Young Woman
between 1680 and 1685
247
Peter DeWint, 1784–1849
Head of a Girl: Probably a Study of Mrs. De Wint
undated
248
Henry Edridge, 1769–1821
Portrait of Thomas Estcourt Esq. of Estcourt
1806
249
Hercules Brabazon Brabazon, 1821–1906
Study after Joshua Reynolds's Portrait of Cornet Nehemiah Winter, 11th Dragoons
undated
250
Hercules Brabazon Brabazon, 1821–1906
Study of a Woman
undated
251
Simeon Solomon, 1840–1905
Fancy, Cupid and Pleasure
undated
252
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
253
Attributed to Sir Peter Lely, 1618–1680
Study for the Portrait of a Lady
undated
254
Thomas Patch, 1725–1782
Sketchbook of Portrait Studies
1760s
255
John Michael Rysbrack, 1694–1770
Penitent Magdalene
undated
256
Henri Edmond Cross, 1856–1910
Male Nude
1894
257
Archibald Rutherford, 1743–1779
Portrait of a Man
1774
258
William Daniell, 1769–1837
John Singleton Copley
between 1804 and 1814
259
Sir Thomas Lawrence, 1769–1830
Sir Francis Burdett
After 1808
260
William Mulready, 1786–1863
Drawing for The First Voyage
ca. 1833
261
unknown artist
Portrait of Two Men
18th century
262
Giles Hussey, 1710–1788
Album of 36 Drawings Selected by Benjamin West, P.R.A
between 1730 and 1768
263
Sir Edwin Henry Landseer, 1802–1873
Lions at Play
undated
264
Marcellus Laroon the Younger, 1679–1772
A Youth Carrying a Basket
undated
265
Hablot Knight Browne, 1815–1882
The Shyer suddenly Departs but not in Peace
undated
266
George Lambert, 1700–1765
A Young Man Asleep
undated
267
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
268
John Robert Cozens, 1752–1797
Isola Borromea, Lago Maggiore
ca. 1783
269
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
270
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
271
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
272
Sir Peter Lely, 1618–1680
Drawing of Hands
1650s-1660s
273
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
274
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
275
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
276
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
277
Sawrey Gilpin, 1733–1807
Study of a tiger
undated
278
Sir Peter Lely, 1618–1680
Drawings of Hands
1650s-1660s
279
Sir Peter Lely, 1618–1680
Drawing of a Hand
1650s-1660s
280
Charles West Cope, 1811–1890
Study of a Boy
undated
281
David Cox, 1783–1859
Panorama Old London Bridge
1820s
282
Francis Cleyn, 1582–1658
Dido and Aeneas Sheltering in a Cave
undated
283
Attributed to Augustin Heckel, 1690–1770
A Grotesque
undated
284
Attributed to Augustin Heckel, 1690–1770
A Grotesque
undated
285
Attributed to Augustin Heckel, 1690–1770
A Grotesque
undated
286
Attributed to Augustin Heckel, 1690–1770
Sketches of Figures
undated
287
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
288
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
289
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
290
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche of Cupid and Diana
undated
291
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Mythological Figures
undated
292
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Figures Holding Hands
undated
293
John Robert Cozens, 1752–1797
Naples from Sir William Hamilton's Villa, Portici
ca. 1783
294
Johan Joseph Zoffany, 1733–1810
Elephants Fighting
between 1784 and 1788
295
Sir Thomas Lawrence, 1769–1830
The Wellesley-Pole Sisters
1814
296
John Downman, 1750–1824
Portrait of a Lady, Facing Left
undated
297
unknown artist
Study of a Female Bust
ca. 1769
298
David Cox, 1783–1859
Fishing off Hastings
early 1810s
299
David Cox, 1783–1859
Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours