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1. Rome from Monte Mario

Rome from Monte Mario
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1818
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. America. A Prophecy, Plate 14, "So Cried He...."

America. A Prophecy, Plate 14, "So Cried He...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. America. A Prophecy, Plate 16, "In the Flames Stood...."

America. A Prophecy, Plate 16, "In the Flames Stood...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. America. A Prophecy, Plate 4, "Silent as despairing love...."

America. A Prophecy, Plate 4, "Silent as despairing love...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 37, "And One stood forth...."

Jerusalem, Plate 37, "And One stood forth...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Poems of Thomas Gray, Design 97, "Ode for Music."

The Poems of Thomas Gray, Design 97, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Jerusalem, Plate 49, "The secret coverts of Albion...."

Jerusalem, Plate 49, "The secret coverts of Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Plate 76

Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)

Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)

Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

The Poems of Thomas Gray, Design 3, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Poems of Thomas Gray, Design 53, "The Bard."

The Poems of Thomas Gray, Design 53, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Poems of Thomas Gray, Design 65, "The Bard."

The Poems of Thomas Gray, Design 65, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

The Poems of Thomas Gray, Design 35, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

The Poems of Thomas Gray, Design 5, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Poems of Thomas Gray, Design 55, "The Bard."

The Poems of Thomas Gray, Design 55, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Poems of Thomas Gray, Design 57, "The Bard."

The Poems of Thomas Gray, Design 57, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Shepherd, from Songs of Innocence

The Shepherd, from Songs of Innocence
Creator:
William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

56. Christ with Three Figures

Christ with Three Figures
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. River with Fishermen

River with Fishermen
Creator:
John Glover, 1767–1849
Date:
1792
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Goodrich Castle on the Wye

Goodrich Castle on the Wye
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. The Ruins of Leiston Abbey

The Ruins of Leiston Abbey
Creator:
Thomas Hearne, 1744–1817
Date:
1781
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. The Bayswater Turnpike

The Bayswater Turnpike
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 14 1/8 inches (28.3 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Avon near Bristol

The Avon near Bristol
Creator:
Samuel Jackson, 1794–1869
Date:
undated
Materials & Techniques:
Watercolor and gouache, with scraping and gum on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 17 1/4 inches (28.5 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. A Regency House

A Regency House
Creator:
George Shepheard, ca. 1770–1842
Date:
ca. 1820
Materials & Techniques:
Watercolor over graphite with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 21 inches (37.2 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Greytown

Greytown
Creator:
Godfrey Thomas Vigne, 1801–1863
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 14 3/4 inches (13.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. A Street in a Country Village

A Street in a Country Village
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1815
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 5/8 x 14 1/2 inches (27 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. A Farmhouse

A Farmhouse
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Design for the Parterre at Hampton Court

Design for the Parterre at Hampton Court
Creator:
unknown artist
Date:
early 18th century
Materials & Techniques:
Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Creator:
Robert Adam, 1728–1792
Date:
between 1770 and 1780
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. View of Lucan House

View of Lucan House
Creator:
John James Barralet, 1747–1815
Date:
1782
Materials & Techniques:
Watercolor, pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 7 1/4 inches (12.4 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Buckingham Palace from St. James's Park

Buckingham Palace from St. James's Park
Creator:
James Wilcox, active 1830
Date:
1830
Materials & Techniques:
Pen and brown ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. The Road to East Grinstead

The Road to East Grinstead
Creator:
John James Barralet, 1747–1815
Date:
Undated
Materials & Techniques:
Pen and ink and watercolor on medium, moderately textured, cream laid paper laid down on rough, cream laid paper
Dimensions:
Sheet: 13 11/16 x 22 5/8 inches (34.8 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground

Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
Creator:
Thomas Bradshaw, Born 1767
Date:
undated
Materials & Techniques:
Watercolor and graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 1/4 inches (16.8 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall

Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Pen and black ink, pen and brown ink, watercolor and gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 19 1/2 inches (30.5 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. The Village of Kirkstall, Yorkshire

The Village of Kirkstall, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1801
Materials & Techniques:
Watercolor with pen and black and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 12 7/16 x 19 1/4 inches (31.6 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Harvesting - The Noontide Rest

Harvesting - The Noontide Rest
Creator:
Charles Vincent Barber, 1784–1854
Date:
1811
Materials & Techniques:
Graphite and watercolor on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 22 5/8 x 31 3/4 inches (57.5 x 80.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Horse Guard's Parade, Whitehall

The Horse Guard's Parade, Whitehall
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 13 1/2 inches (22.9 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. The Bishop's Palace, Bromley (A Country House)

The Bishop's Palace, Bromley (A Country House)
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Watercolor, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 x 13 inches (20 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Bridgenorth, Shropshire

Bridgenorth, Shropshire
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1801
Materials & Techniques:
Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

78. Haymaking

Haymaking
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Black and gray ink with watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 8 3/4 x 10 inches (22.2 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Brick Bridge

Brick Bridge
Creator:
William Beilby, 1740–1819
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Bodiam Castle

Bodiam Castle
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Bayswater - London

Bayswater - London
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Pen and gray ink and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 x 8 3/8 inches (13.7 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Ruins at Sabachtsche

Ruins at Sabachtsche
Creator:
Frederick Catherwood, 1799–1854
Date:
undated
Materials & Techniques:
Watercolor and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 15 1/4 x 12 1/8 inches (38.7 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Collection, Gift of Henry Schnakenberg to Yale University Art Gallery

83. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
Creator:
William Alexander, 1767–1816
Date:
ca. 1799
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Harvesters Resting in a Corn Field

Harvesters Resting in a Corn Field
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and black ink, pen and red ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 11 3/4 inches (20.6 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. The Dilkoosha, Lucknow in the Distance

The Dilkoosha, Lucknow in the Distance
Creator:
William Simpson, 1823–1899
Date:
1866
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 x 21 1/4 inches (35.6 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Italianate Landscape with Travellers no. 2

Italianate Landscape with Travellers no. 2
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1760
Materials & Techniques:
Watercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 21 inches (36.8 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Country Scene: Cottage and Figures on a Winding Road

Country Scene: Cottage and Figures on a Winding Road
Creator:
Master of the Wire Line, 18th century
Date:
undated
Materials & Techniques:
Black ink with watercolor on thick, moderately textured, green-beige laid paper
Dimensions:
Sheet: 10 7/8 × 15 11/16 inches (27.7 × 39.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Notre Dame, Paris

Notre Dame, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
between 1831 and 1845
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 8 7/16 inches (15.9 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Figures in a Landscape by a River

Figures in a Landscape by a River
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/16 × 9 5/8 inches (15.7 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. The Monnow Bridge, Monmouthshire

The Monnow Bridge, Monmouthshire
Creator:
Samuel Prout, 1783–1852
Date:
before 1814
Materials & Techniques:
Watercolor and graphite with brown ink and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 20 3/8 inches (39.7 × 51.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. View on the Thames at Battersea

View on the Thames at Battersea
Creator:
pupil of John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 20 7/8 inches (33.3 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Creator:
Paul Sandby, 1731–1809
Date:
1767
Materials & Techniques:
Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. East Side of Mr. Hare's New House

East Side of Mr. Hare's New House
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1783
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. North East View of Mr. Hare's New House

North East View of Mr. Hare's New House
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1783
Materials & Techniques:
Watercolor with gray ink over graphite on medium, smooth, cream laid paper
Dimensions:
Contemporary drawn border: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Soldiers and Country Women

Soldiers and Country Women
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 x 7 3/8 inches (12.7 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Conversation on a Country Road

Conversation on a Country Road
Creator:
Richard Westall, 1765–1836
Date:
1799
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper mounted moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 x 9 1/8 inches (18.1 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Battersea Bridge

Battersea Bridge
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 15/16 × 19 1/2 inches (30.4 × 49.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. View of Chepstow Castle, Monmouthshire, from Under the Bridge

View of Chepstow Castle, Monmouthshire, from Under the Bridge
Creator:
John Varley, 1778–1842
Date:
1802
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 11 9/16 x 20 1/16 inches (29.4 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Country Scene: Figures by a Cottage Door and Cattle in a Stream

Country Scene: Figures by a Cottage Door and Cattle in a Stream
Creator:
Francis Wheatley, 1747–1801
Date:
1795
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 7/8 x 10 3/4 inches (25.1 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Pile Driving on the Banks of the Thames

Pile Driving on the Banks of the Thames
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, brown ink, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/8 x 26 1/8 inches (49.2 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection