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Materials & Techniques wove paper

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Date 1827

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Francis Danby Study for "The Golden Age"
Francis Danby, 1793–1861
Study for "The Golden Age"
1827
John Constable Sky Study with Rainbow
John Constable, 1776–1837
Sky Study with Rainbow
1827
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
Edward Lear Entrance to the Port of Marseille
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear English Country Town
Edward Lear, 1812–1888
English Country Town
undated
Edward Lear Venice, the Doge's Palace
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
Augustus Welby Northmore Pugin Design for a Gothic Church Altar and Organ
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
Augustus Welby Northmore Pugin Design for Branch for the Speaker's Chair
Augustus Welby Northmore Pugin, 1812–1852
Design for Branch for the Speaker's Chair
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Giles' Catholic Church: Elevation of the Steeple
undated
Augustus Welby Northmore Pugin Unidentified Townhouse in a Gothic Style
Augustus Welby Northmore Pugin, 1812–1852
Unidentified Townhouse in a Gothic Style
undated
Augustus Welby Northmore Pugin Design for a Coat of Arms
Augustus Welby Northmore Pugin, 1812–1852
Design for a Coat of Arms
undated
Augustus Welby Northmore Pugin Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
Augustus Welby Northmore Pugin, 1812–1852
Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
undated
Augustus Welby Northmore Pugin Sketch of the Interior of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Sketch of the Interior of a Gothic Church
undated
Augustus Welby Northmore Pugin Sketch of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church
undated
Welby Sherman The Shepherd
Engraved by Welby Sherman, active 1827
The Shepherd
between 1827 and 1836
George Richmond The Shepherd
Print made by George Richmond, 1809–1896
The Shepherd
1827
Robert Wallis St. Maurice
Print made by Robert Wallis, 1794–1878
St. Maurice
1827
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
W. R. Smith Dartmouth Cove
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827
Robert Wallis Colchester, Essex
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827
Robert Wallis Lancaster, from the Aqueduct Bridge
Print made by Robert Wallis, 1794–1878
Lancaster, from the Aqueduct Bridge
1827
Edward Goodall Fall of the Tees, Yorkshire
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
Robert Wallis Bolton Abbey, Yorkshire
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Edward Goodall Fall of the Trees, Yorkshire
Print made by Edward Goodall, 1795–1870
Fall of the Trees, Yorkshire
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
William James Muller Young Fisherman
William James Muller, 1812–1845
Young Fisherman
undated
Carl Trautmann Ansicht vom Schact und Tunnel unter Themse zu London
Carl Trautmann, active 1835
Ansicht vom Schact und Tunnel unter Themse zu London
1827
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
1827
Richard Parkes Bonington Campos sur les bords du Rio das Velhas
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
Newton Limbird Smith Fielding Hare in a Landscape
Newton Limbird Smith Fielding, 1799–1856
Hare in a Landscape
1827
Richard Parkes Bonington Croix de Moulin les Planches
Print made by Richard Parkes Bonington, 1802–1828
Croix de Moulin les Planches
1827
Richard Parkes Bonington Pierre de Vaivre
Print made by Richard Parkes Bonington, 1802–1828
Pierre de Vaivre
1827
Richard Parkes Bonington Vue Generale des Ruines du Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale des Ruines du Château d'Arlay
1827
Richard Parkes Bonington Ruines de Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Ruines de Château d'Arlay
1827
Thomas Goff Lupton Calais Pier - the English Packet Arriving
Print made by Thomas Goff Lupton, 1791–1873
Calais Pier - the English Packet Arriving
1827
Capt. Thomas Hastings West Cowes, 24 June 1827
Capt. Thomas Hastings, 1778–1854
West Cowes, 24 June 1827
1827
Capt. Thomas Hastings East Cowes Castle, Isle of Wight
Capt. Thomas Hastings, 1778–1854
East Cowes Castle, Isle of Wight
1827
Henry Heath Extravaganza's of 1827
Print made by Henry Heath, active 1824–1835
Extravaganza's of 1827
1827
Augustus Welby Northmore Pugin Bishop's Palace, Wells, Somerset: Elevation of the Great Hall
Augustus Welby Northmore Pugin, 1812–1852
Bishop's Palace, Wells, Somerset: Elevation of the Great Hall
undated
unknown artist Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall
unknown artist
Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall
undated
Augustus Welby Northmore Pugin Tribunal House, Glastonbury, Somerset: Molding Details
Augustus Welby Northmore Pugin, 1812–1852
Tribunal House, Glastonbury, Somerset: Molding Details
undated
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
James Redway Althorp Castle, Northamptonshire
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
William James Muller Miniyeh, (El Minya)
William James Muller, 1812–1845
Miniyeh, (El Minya)
undated
Capt. Thomas Hastings The Road between East Cowes and Newport, 1 September 1827
Capt. Thomas Hastings, 1778–1854
The Road between East Cowes and Newport, 1 September 1827
1827
Capt. Thomas Hastings Shanklin, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Shanklin, Isle of Wight
1827
Capt. Thomas Hastings Lord Henry Seymour's Estate
Capt. Thomas Hastings, 1778–1854
Lord Henry Seymour's Estate
1827
Capt. Thomas Hastings East Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
East Cowes, Isle of Wight
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Fort at Portsmouth, Hampshire, 7 August 1827
Capt. Thomas Hastings, 1778–1854
Fort at Portsmouth, Hampshire, 7 August 1827
1827
Capt. Thomas Hastings East Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
East Cowes, Isle of Wight
1827
Capt. Thomas Hastings From Lord Henry Seymour's Pier, Isle of Wight
Capt. Thomas Hastings, 1778–1854
From Lord Henry Seymour's Pier, Isle of Wight
1827
Capt. Thomas Hastings Atherton
Capt. Thomas Hastings, 1778–1854
Atherton
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Stag Rocks, Freshwater, August 1827
Capt. Thomas Hastings, 1778–1854
Stag Rocks, Freshwater, August 1827
1827
Capt. Thomas Hastings St. Lawrence, Isle of Wight, 19 September 1827
Capt. Thomas Hastings, 1778–1854
St. Lawrence, Isle of Wight, 19 September 1827
1827
Capt. Thomas Hastings West Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
West Cowes, Isle of Wight
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Distant View of Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854
Distant View of Beaulieu, Hampshire
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Buckler's Hard on Beaulieu River, Hampshire
Capt. Thomas Hastings, 1778–1854
Buckler's Hard on Beaulieu River, Hampshire
1827
Capt. Thomas Hastings Beaulieu River, Hampshire
Capt. Thomas Hastings, 1778–1854
Beaulieu River, Hampshire
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Bonchurch, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Bonchurch, Isle of Wight
1827
Capt. Thomas Hastings Portsmouth, Hampshire
Capt. Thomas Hastings, 1778–1854
Portsmouth, Hampshire
1827
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
Augustus Welby Northmore Pugin Designs for Gothic Hinges, Keyplates and Doorstraps
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Hinges, Keyplates and Doorstraps
undated
Augustus Welby Northmore Pugin Bishop's Chapel Bishop Eton (built c. 1845-1850)
Print made by Augustus Welby Northmore Pugin, 1812–1852
Bishop's Chapel Bishop Eton (built c. 1845-1850)
undated
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
John Frederick Lewis St. Goarhausen on the Rhine between Koblenz and Mainz
John Frederick Lewis, 1804–1876
St. Goarhausen on the Rhine between Koblenz and Mainz
1827
John Frederick Lewis The Valley of Lutscheuen
John Frederick Lewis, 1804–1876
The Valley of Lutscheuen
1827
Robert Wallis St. Maurice (vignette)
Print made by Robert Wallis, 1794–1878
St. Maurice (vignette)
1827
George Fennell Robson St. Paul's from Southwark by Sunset
George Fennell Robson, 1788–1833
St. Paul's from Southwark by Sunset
ca. 1832