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1. Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The First Book of Urizen, Plate 21 (Bentley 27)

The First Book of Urizen, Plate 21 (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 87, "Repelling weeping Enion...."

Jerusalem, Plate 87, "Repelling weeping Enion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

The Poems of Thomas Gray, Design 83, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The First Book of Urizen, Plate 28 (Bentley 27)

The First Book of Urizen, Plate 28 (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Poems of Thomas Gray, Design 53, "The Bard."

The Poems of Thomas Gray, Design 53, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 12, "Why wilt thou give to her...."

Jerusalem, Plate 12, "Why wilt thou give to her...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 26, "Such Visions Have...."

Jerusalem, Plate 26, "Such Visions Have...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 43, "They saw their Wheels...."

Jerusalem, Plate 43, "They saw their Wheels...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 92, "What do I see!...."

Jerusalem, Plate 92, "What do I see!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Poems of Thomas Gray, Design 101, "Ode for Music."

The Poems of Thomas Gray, Design 101, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."

The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Poems of Thomas Gray, Design 31, "A Long Story."

The Poems of Thomas Gray, Design 31, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. A Scene from "The Abbot"

A Scene from "The Abbot"
Creator:
Sir David Wilkie, 1785–1841
Date:
1833
Materials & Techniques:
Watercolor with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, Fund

28. Sunshine of Love

Sunshine of Love
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1837
Materials & Techniques:
Mezzotint, stipple engraving, and line engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 3/8 x 13 7/8 inches (44.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. The Exposition of Cyrus

The Exposition of Cyrus
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1781
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

30. Julia, Lady Peel

Julia, Lady Peel
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1832
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 11/16 x 14 3/8 inches (45 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. The Visionary

The Visionary
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1833
Materials & Techniques:
Mezzotint, stipple engraving, and line engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 9/16 x 11 1/8 inches (42 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. Mrs. Lister

Mrs. Lister
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1834
Materials & Techniques:
Mezzotint, stipple engraving, and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 3/8 x 13 3/8 inches (44.2 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33. The Countess of Blessington

The Countess of Blessington
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1837
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 15/16 x 12 15/16 inches (40.5 x 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

34. Miss Croker

Miss Croker
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1828
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. The Orphan

The Orphan
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1834
Materials & Techniques:
Mezzotint, stipple engraving, and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 9/16 x 11 1/8 inches (42.1 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36. Study for a Girl Reading

Study for a Girl Reading
Creator:
William Mulready, 1786–1863
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 3 inches (11.7 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Hero and Leander

Hero and Leander
Creator:
William Hamilton, 1751–1801
Date:
1801
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gouache, and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 11 inches (42.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

38. Brighton Town and Church

Brighton Town and Church
Creator:
unknown artist
Date:
ca. 1780
Materials & Techniques:
Watercolor with black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 18 13/16 inches (30 × 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Creator:
Print made by William Angus, 1752–1821
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Reunion of the Soul & the Body

The Reunion of the Soul & the Body
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Soul Exploring the Recesses of the Grave

The Soul Exploring the Recesses of the Grave
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Pomare, Queen of Tahiti

Pomare, Queen of Tahiti
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:
Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Barbadoes Mulatto Girl

The Barbadoes Mulatto Girl
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 9/16 x 12 5/8 inches (49.7 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Juliette Récamier

Juliette Récamier
Creator:
Print made by Samuel Arlent Edwards, 1861–1938
Date:
undated
Materials & Techniques:
Mezzotint in colored ink on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/16 x 13 5/16 inches (41.1 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Yale Stevens from her Father's (Richard V, Sharpe, B.S. 1873) Collection

45. Sensibility

Sensibility
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1789
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 9 5/8 inches (31.5 × 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Affectionate Daughter

The Affectionate Daughter
Creator:
John Eginton, active 1763–1800
Date:
1792
Materials & Techniques:
Stipple engraving, printed in color on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 15/16 × 11 7/16 inches (37.9 × 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. North West View, Lincoln's Inn

North West View, Lincoln's Inn
Creator:
Print made by Day & Co., 1824–1913
Date:
between 1845 and 1850
Materials & Techniques:
Lithograph on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 x 15 1/2 inches (28 x 39.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Jenny and Roger

Jenny and Roger
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

49. Miss Macdonald

Miss Macdonald
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1831
Materials & Techniques:
Mezzotint, stipple engraving, and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/8 x 11 1/8 inches (35.8 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Frank Altschul, Yale BA 1908, PhD (HON.) 1967, transfer from the Yale University Art Gallery

50. Study of Two Figures

Study of Two Figures
Creator:
Elizabeth Siddal, 1834–1862
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 x 14 11/16in. (23.7 x 37.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Richard L. Purdy

51. The Nightingale

The Nightingale
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 3/16 inches (26.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Elizabeth, Countess Grosvenor

Elizabeth, Countess Grosvenor
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1883
Materials & Techniques:
Mezzotint, stipple engraving, and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 18 3/8 x 15 3/16 inches (46.7 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Frank Altschul, Yale BA 1908, Yale PhD (HON.) 1967

53. A View from Richmond Hill Up the River

A View from Richmond Hill Up the River
Creator:
Charles Grignion, 1717–1810
Date:
1794
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Discovery

The Discovery
Creator:
Print made by E. J. Dumée, active 1790
Date:
1788
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 11 3/16 inches (39 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Angelica Kauffman

Angelica Kauffman
Creator:
Print made by Pierre Audouin, 1768–1822
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 6 5/16 inches (24.4 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Portrait of a Lady, Facing Left

Portrait of a Lady, Facing Left
Creator:
John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black and red chalk with watercolor and stumping on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 7/8 x 6 3/8 inches (20 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Portrait of a Girl Holding a Garland

Portrait of a Girl Holding a Garland
Creator:
attributed to John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black and red chalk with graphite on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, beige wove paper
Dimensions:
Mount: 12 3/8 × 9 1/2 inches (31.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Queen Square, London

Queen Square, London
Creator:
Edward Dayes, 1763–1804
Date:
1786
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 17 1/16 x 23 1/2 inches (43.4 x 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Lady Macartney's Villa at Chiswick

Lady Macartney's Villa at Chiswick
Creator:
William Alexander, 1767–1816
Date:
after 1808
Materials & Techniques:
Graphite and brown wash on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/4 x 11 7/8 inches (21 x 30.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Teresa, Comtess Gamba-Guicioli

Teresa, Comtess Gamba-Guicioli
Creator:
Francois Theodore Rochard, 1798–1858
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 × 8 11/16 inches (26.7 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ormsbee N. Robinson

61. Catherine Lamb

Catherine Lamb
Creator:
Francois Theodore Rochard, 1798–1858
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 8 7/8 inches (27.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ormsbee N. Robinson

62. Portrait of Maria Elizabeth Dadd, the Artist's Sister

Portrait of Maria Elizabeth Dadd, the Artist's Sister
Creator:
Richard Dadd, 1817–1886
Date:
1839
Materials & Techniques:
Watercolor with gouache over graphite on moderately thick, slightly textured, blue-green wove paper
Dimensions:
Sheet: 6 5/8 × 5 5/8 inches (16.8 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Lady Mary Dudley

No cover image available
Creator:
George Perfect Harding, 1780–1853
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately textured, wove paper
Dimensions:
Sheet: 10 3/8 × 6 inches (26.4 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

64. Clapham

No cover image available
Creator:
Print made by William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection