Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
302
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
303
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
304
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
305
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
306
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
307
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
308
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
309
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
310
James Moore, 1762–1799
Leiston Abbey, Suffolk England
1790
311
James Moore, 1762–1799
Bungay Castle
1790
312
James Moore, 1762–1799
Mettingham Castle, Suffolk, England
1790
313
James Moore, 1762–1799
Wingfield Castle
1790
314
James Moore, 1762–1799
Rumburgh Priory Church, Suffolk, England
1790
315
James Moore, 1762–1799
Walsingham Priory, Norfolk, England
1790
316
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
317
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
318
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
319
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
320
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
321
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
322
attributed to Thomas Girtin, 1775–1802
In the Farnese Gardens, Rome
ca. 1795
323
Sir Thomas Lawrence, 1769–1830
Mrs. Thomas Linley, née Mary Johnson
1790 to 1800
324
Gangaram Chintaman Tambat, active 1790s
A Rhinoceros in the Peshwa's Menagerie at Poona
1790
325
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
326
James Moore, 1762–1799
Leiston Abbey, Suffolk, England
1790
327
James Moore, 1762–1799
Thetford Priory, Norfolk, England
1790
328
James Moore, 1762–1799
Wingfield Castle
1790
329
James Moore, 1762–1799
Ely Cathedral
1790
330
James Moore, 1762–1799
Castle Acre Priory, Norfolk, England
1790
331
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
332
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
333
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
334
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
335
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
336
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
337
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
338
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
339
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
340
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
341
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
342
Thomas Rowlandson, 1756–1827
Interior of a Dressing Room with Jack Bannister
between 1790 and 1795
343
Thomas Rowlandson, 1756–1827
The Duchess of Devonshire and the Countess of Bessborough
1790
344
James Moore, 1762–1799
Walsingham Priory, Norfolk, England
1790
345
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
346
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
347
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
348
Thomas Girtin, 1775–1802
Rye, Sussex
ca. 1795
349
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
350
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
351
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
352
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
353
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
354
Thomas Girtin, 1775–1802
Near Ramsgate, Kent
ca. 1795
355
Print made by R. Stanier, 18th century
Collection of Prints by Notable Dilettanti
1790
356
Thomas Rowlandson, 1756–1827
Ladies at Tea
between 1790 and 1795
357
James Moore, 1762–1799
Refectory of Walsingham
1790
358
Thomas Rowlandson, 1756–1827
The Opera Singers
between 1790 and 1795
359
James Moore, 1762–1799
Binham Priory, Norfolk, England
1790
360
Thomas Rowlandson, 1756–1827
Customs House at Boulogne
1790s
361
Thomas Rowlandson, 1756–1827
A Worn Out Debauchée
between 1790 and 1795
362
William Alfred Delamotte, 1775–1863
Christ Church, Canon's Garden, Oxford
undated
363
William Alfred Delamotte, 1775–1863
Merton College, Oxford
undated
364
Edward Dayes, 1763–1804
Haweswater, Westmoreland
ca. 1795
365
William Alfred Delamotte, 1775–1863
A Bridge over the Arno (?)
undated
366
John Warwick Smith, 1749–1831
Ruins of Criccieth Castle and Part of the Town on the Bay on Cardigan. East View, Caernarfonshire
1790
367
Dr. William Crotch, 1775–1847
Tom Tower, Christ Church, Oxford
undated
368
John Warwick Smith, 1749–1831
The Ruins of Cymer Abbey on the Mawddach River
1790
369
John Robert Cozens, 1752–1797
The Bay of Naples from Capodimonte
1790
370
John Augustus Atkinson, 1775–1831
A Fireman
undated
371
John Augustus Atkinson, 1775–1831
A Milkmaid
undated
372
John Augustus Atkinson, 1775–1831
Young Woman with Dog Outside a Cottage Doorway
undated
373
John Augustus Atkinson, 1775–1831
An Old Woman Carrying a Basket
undated
374
John Augustus Atkinson, 1775–1831
A Battle Scene
undated
375
Thomas Daniell, 1749–1840
Ruins on Pir Pahar, near Monghy, Bihar
1790
376
John Augustus Atkinson, 1775–1831
A Rifleman at Musketry Practice
undated
377
Attributed to John Augustus Atkinson, 1775–1831
The School at Wells, Somerset
undated
378
Heneage Finch fourth Earl of Aylesford, 1751–1812
Landscape with a Bridge
1790 to 1795
379
Samuel Daniell, 1775–1811
Near Eucheconing Point, Java
undated
380
Samuel Daniell, 1775–1811
Three Horses
undated
381
John Emes, 1762–1810
The Lake, Hawkstone Park, Shropshire
1790
382
John Adey Repton, 1775–1860
London: Houses of Parliament
undated
383
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
undated
384
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
385
Henry Phillip Hope, active 1799–1818
Paysage
undated
386
Henry Phillip Hope, active 1799–1818
Vue d'une Colonne dans L'Interieur du Serail a Constantinople
undated
387
Henry Phillip Hope, active 1799–1818
Vue de la Porte aux Lions a Constantinople
undated
388
Henry Phillip Hope, active 1799–1818
Mariage Grec
undated
389
Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
undated
390
Henry Phillip Hope, active 1799–1818
Arabes
undated
391
Henry Phillip Hope, active 1799–1818
Mariage Grec
undated
392
Henry Phillip Hope, active 1799–1818
Soldats Asiatique
undated
393
Monro School
Wingfield Castle, Suffolk
ca. 1795
394
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
395
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
undated
396
Henry Phillip Hope, active 1799–1818
Fille Greque
undated
397
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
398
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
399
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
400
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes