Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1827 / Image Use: Free to Use

301. Ticket for a Performance of Sacred Music on 1st March 1827

Creator:: unknown artist
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Campos sur les bords du Rio das Velhas

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.6 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Croix de Moulin les Planches

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Canonbury House, Islington

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 1/4 x 7 5/8in. (15.9 x 19.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Man Leading a Horse in Front of a Stable

Creator:: Possibly John West Giles, active 1827–1865
Date:: 1827
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gum arabic on medium, slightly textured, cream wove paper, mounted on card
Dimensions:: Sheet: 11 5/8 × 15 3/4 inches (29.5 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery

Creator:: James Ward, 1769–1859
Date:: 1827
Materials & Techniques:: Black chalk and white chalk on medium, smooth, brown wove paper
Dimensions:: Sheet: 9 5/8 x 12 1/2 inches (24.4 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. The Shepherd

Creator:: Engraved by Welby Sherman, active 1827
Date:: between 1827 and 1836
Materials & Techniques:: Engraving on thick, slightly textured beige wove paper with beige chine collé
Dimensions:: Sheet: 12 7/8 x 11 9/16 inches (32.7 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. St. Maurice

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 10 inches (38.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. William Tell's Chapel

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 10 3/8 inches (38.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Vue Generale des Ruines du Château d'Arlay

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 18 11/16 x 13 7/16 inches (47.5 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. The Ploughman

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1827
Materials & Techniques:: Wood-engraving on medium, smooth, cream Asian paper
Dimensions:: Sheet: 3 11/16 x 5 1/2 inches (9.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Tooting Church

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 1/2 x 7 1/4in. (16.5 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. A View of the East Side of London Bridge in 1827

Creator:: R. Martin, active 1823–1840
Date:: 1827
Materials & Techniques:: Reproduction lithograph
Dimensions:: Sheet: 14 x 22 3/16in. (35.6 x 56.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. The Works of the New London Bridge

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 13/16 x 8 3/4in. (19.8 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. City of London, Arch of Waterloo Bridge

Creator:: Print made by William Tombleson, ca.1795–1835
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 5/16 x 9 1/4in. (16 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Blackfriar's Bridge

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 3/16 x 8 1/16in. (15.7 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Coaching: The Mail Coach in a Thunder on Newmarket Heath

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/16 x 15 15/16in. (28.4 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Tooting Church

Creator:: Print made by George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 × 5 1/8 inches (11.2 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. York House. The North and East Fronts as seen from the Stableyard

Creator:: John Le Keux, 1783–1846
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 8in. (25.4 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. York House: Plan of the Ground Floor

Creator:: George Gladwin, active 1820s–1830s
Date:: 1827
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 x 11 5/16 inches (23.7 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Statue of Achilles in Hyde Park

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1827
Materials & Techniques:: Stipple engraving and etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 7 7/8 x 5 5/16 inches (20 x 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. York House: Plan of Principle Floor

Creator:: George Gladwin, active 1820s–1830s
Date:: 1827
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 x 11 5/16 inches (23 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. York House: Longitudinal Section from North to South

Creator:: George Gladwin, active 1820s–1830s
Date:: 1827
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 11 9/16 inches (24.2 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. York House. Plan of the Basement Story

Creator:: John Roffe, 1769–1850
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 8in. (25.4 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Going at a Rank of Hurdles with Temper and Resolution

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1827
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. "Topping a Park fence and doing the thing easy"

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1827
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Fox Hunting: Leicestershire - Getting Away

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Windsor Castle from the South

Creator:: William Daniell, 1769–1837
Date:: 1827
Materials & Techniques:: Watercolor, graphite pen and brown ink, black ink, and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 19 3/4 inches (30.5 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. A Cutter and Other Shipping in a Breeze

Creator:: unknown artist
Date:: 1827-1828
Materials & Techniques:: Watercolor, pen and brown ink, blue ink, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 × 7 3/4 inches (14.8 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Florence

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 3/8 inches (27.6 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. The Beach at Mundesley

Creator:: Joseph Stannard, 1797–1830
Date:: 1827
Materials & Techniques:: Etching, engraver's proof
Dimensions:: Sheet: 4 1/2 x 6 5/8in. (11.4 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. The Shepherd

Creator:: Print made by George Richmond, 1809–1896
Date:: 1827
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 8 15/16 x 6 9/16 inches (22.7 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Pierre de Vaivre

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 14 13/16 x 11 13/16 inches (37.7 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Ruines de Château d'Arlay

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:: Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Merry Wives of Windsor

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 × 7 3/4 inches (28.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Taming of the Shrew

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 × 7 3/4 inches (28.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Wilsdon Church, Middlesex

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. The Tower of London from the Excavations for St. Katherine's Dock

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Rievaulx Abbey, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 11/16 inches (27.3 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Bolton Abbey, Yorkshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 14 11/16 inches (27.6 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 1/8 inches (26.4 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Fall of the Trees, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 3/8 × 12 1/2 inches (23.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 5/8 × 12 3/4 inches (24.4 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 14 3/8 inches (27.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 13 1/8 inches (27.3 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827
Materials & Techniques:: Line engraving and etching, First state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 15/16 × 12 1/2 inches (25.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 14 15/16 inches (26.8 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Devil's at Home: Connoiseur's Sitting in Judgement

Creator:: Attributed to Robert Newton
Date:: 1827
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 4 x 6 7/8in. (10.2 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Devil's at Home: Monstrous Good Dinner

Creator:: Attributed to Robert Newton
Date:: 1827
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 4 x 6 7/8in. (10.2 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Devil's at Home: Popping the Question to a Devilish fine Creature

Creator:: Attributed to Robert Newton
Date:: 1827
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 4 x 6 7/8in. (10.2 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Devil's at Home: Tragic Recitation or Working Infernally on the Feeling

Creator:: Attributed to Robert Newton
Date:: 1827
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 4 x 6 7/8in. (10.2 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Devil's at Home: A Scene in May's Buildings

Creator:: Attributed to Robert Newton
Date:: 1827
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 4 x 6 7/8in. (10.2 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Devil's at Home: Sky Darking among the Devils

Creator:: Attributed to Robert Newton
Date:: 1827
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 4 x 6 7/8in. (10.2 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Eight Groups of Designs for Gothic holy Objects

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 1/8 inches (25.1 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.

Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thick, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 x 7 5/8 inches (25.1 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thin, smooth, white wove paper
Dimensions:: Sheet: 7 7/8 × 11 1/2 inches (20 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Three Sketches of: a House, A Gothic Spires and Ornamentation

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 11 3/8 inches (20 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. The Annunciation

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 5 3/8 inches (17.1 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Designs for Architectural Ornamentation: Columns, Capitals and Pilasters

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Design for a Town Hall

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Etching and line engraving with graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 12 inches (16.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Plan of the Regent's Park

Creator:: Print made by John Cleghorn, active 1840–1881
Date:: 1827
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 11/16 × 11 1/4 inches (22.1 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. York House. The South and West Fronts as seen from the Garden

Creator:: John Le Keux, 1783–1846
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 8in. (25.4 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Stangate Creek, on the River Medway

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Ramsgate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, with graphite and scratching out; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/4 inches (26 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint and graphite; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Ramsgate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, engraver's proof (d) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 × 19 3/4 inches (33 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Ramsgate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, engraver's proof (a) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 × 15 3/4 inches (28.6 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Ramsgate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, engraver's proof (between a&b) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 × 15 1/2 inches (27.9 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, engraver's Proof (c) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 × 19 1/2 inches (33 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. The London Institution, Funsbury Circus

Creator:: William Deeble, active 1814–1849
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Hanover Terrace Regent's Park

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Calais Pier - the English Packet Arriving

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream wove paper, mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 23 1/4 × 39 1/8 inches (59.1 × 99.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. A View of Ramsgate with the 'Emma', Sir William Curtis's Yacht

Creator:: Edward Duncan, 1803–1882
Date:: 1827
Materials & Techniques:: Aquatint with watercolor
Dimensions:: Sheet: 18 1/2 x 25 1/2in. (47 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Robert Banks Jenkinson, 2nd Earl of Liverpool

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1827
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/2 × 17 inches (57.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: 1827
Materials & Techniques:: Mezzotint, published state on moderately thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 23 1/4 × 30 13/16 inches (59.1 × 78.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Enfield, Outer Suburb North

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell...

Creator:: John Goddard, active 1811–1842
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 7/8in. (41.9 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/4 × 15 3/4 inches (31.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Landscape with Men Carrying Stick Across Shoulder (formerly Group of Trees with a Figure in the Roadway)

Creator:: George Vincent, 1796–1832
Date:: 1827
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 1/2 x 7in. (21.6 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 3/8 inches (26.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Hussars

Creator:: James Pattison Cockburn, 1779–1847
Date:: ca. 1832
Materials & Techniques:: Brown ink, brown wash, and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Cuirassiers

Creator:: James Pattison Cockburn, 1779–1847
Date:: ca. 1832
Materials & Techniques:: Pen and brown ink and brown wash with gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 4 × 6 inches (10.2 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 13/16 × 11 5/8 inches (32.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Windsor Castle from near Brocas Meadows

Creator:: William Daniell, 1769–1837
Date:: 1827
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Mount: 18 3/16 × 25 15/16 inches (46.2 × 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Design for Grosvenor House, London: Chamber Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 5/8 × 24 inches (47.3 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 21 1/8 × 16 7/8 inches (53.7 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Design for Grosvenor House, London

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, grey wove paper
Dimensions:: Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Hall in a Gothic Mansion

Creator:: James Pattison Cockburn, 1779–1847
Date:: ca. 1832
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 8 3/8 inches (15.6 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Group of Figures Round a Distant Bonfire in a Wood

Creator:: James Pattison Cockburn, 1779–1847
Date:: ca. 1832
Materials & Techniques:: Pen and brown ink with brown wash, gouache and graphite on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 5 7/8 × 8 inches (14.9 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Italianate Landscape

Creator:: James Pattison Cockburn, 1779–1847
Date:: ca. 1832
Materials & Techniques:: Pen and black ink with brown ink, brown wash and gouache on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 5 5/8 × 7 3/4 inches (14.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1827

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Search Results

301. Ticket for a Performance of Sacred Music on 1st March 1827

302. Campos sur les bords du Rio das Velhas

303. Croix de Moulin les Planches

304. Canonbury House, Islington

305. Man Leading a Horse in Front of a Stable

306. A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery

307. The Shepherd

308. St. Maurice

309. William Tell's Chapel

310. Vue Generale des Ruines du Château d'Arlay

311. The Ploughman

312. Tooting Church

313. A View of the East Side of London Bridge in 1827

314. The Works of the New London Bridge

315. City of London, Arch of Waterloo Bridge

316. Blackfriar's Bridge

317. Coaching: The Mail Coach in a Thunder on Newmarket Heath

318. Devonport and Dockyard, Devonshire

319. Tooting Church

320. York House. The North and East Fronts as seen from the Stableyard

321. York House: Plan of the Ground Floor

322. Statue of Achilles in Hyde Park

323. York House: Plan of Principle Floor

324. York House: Longitudinal Section from North to South

325. York House. Plan of the Basement Story

326. Going at a Rank of Hurdles with Temper and Resolution

327. "Topping a Park fence and doing the thing easy"

328. Fox Hunting: Leicestershire - Getting Away

329. Windsor Castle from the South

330. A Cutter and Other Shipping in a Breeze

331. Florence

332. The Beach at Mundesley

333. The Shepherd

334. Pierre de Vaivre

335. Ruines de Château d'Arlay

336. Merry Wives of Windsor

337. Taming of the Shrew

338. Wilsdon Church, Middlesex

339. The Tower of London from the Excavations for St. Katherine's Dock

340. Rievaulx Abbey, Yorkshire

341. Colchester, Essex

342. Bolton Abbey, Yorkshire

343. Launceston, Cornwall

344. Fall of the Trees, Yorkshire

345. Launceston, Cornwall

346. Launceston, Cornwall

347. Barnard Castle, Durham

348. Barnard Castle, Durham

349. Saltash, Cornwall

350. Aldborough, Suffolk

351. Aldborough, Suffolk

352. Orford, Suffolk

353. Orford, Suffolk

354. Orford, Suffolk

355. Devil's at Home: Connoiseur's Sitting in Judgement

356. Devil's at Home: Monstrous Good Dinner

357. Devil's at Home: Popping the Question to a Devilish fine Creature

358. Devil's at Home: Tragic Recitation or Working Infernally on the Feeling

359. Devil's at Home: A Scene in May's Buildings

360. Devil's at Home: Sky Darking among the Devils

361. Eight Groups of Designs for Gothic holy Objects

362. Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.

363. Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects

364. Three Sketches of: a House, A Gothic Spires and Ornamentation

365. The Annunciation

366. Designs for Architectural Ornamentation: Columns, Capitals and Pilasters

367. Design for a Town Hall

368. Plan of the Regent's Park

369. York House. The South and West Fronts as seen from the Garden

370. Stangate Creek, on the River Medway

371. Ramsgate

372. Dover