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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 19th century
Remove constraint Period: 19th centuryImage Use Free to Use
Remove constraint Image Use: Free to UseClassification Prints
Remove constraint Classification: PrintsSearch Results
401
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
402
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
403
- Jerusalem, Plate 72, "And the Thirty-two Counties...."
- 1804 to 1820
404
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
405
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
406
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
407
- For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
- 1826
408
- For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
- 1826
409
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
410
- For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
- 1826
411
- For the Sexes: The Gates of Paradise, Plate 1, Title Page
- 1826
412
- Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
- 1804 to 1820
413
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
414
- Jerusalem, Plate 76
- 1804 to 1820
415
- Jerusalem, Plate 77, "To the Christians...."
- 1804 to 1820
416
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
417
- Jerusalem, Plate 79, "My tents are fall'n...."
- 1804 to 1820
418
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
419
- Jerusalem, Plate 85, "Became a Space & an Allegory...."
- 1804 to 1820
420
- Jerusalem, Plate 86, "I see thy Form...."
- 1804 to 1820
421
- Jerusalem, Plate 87, "Repelling weeping Enion...."
- 1804 to 1820
422
- Jerusalem, Plate 89, "Tho divided by the Cross...."
- 1804 to 1820
423
- Jerusalem, Plate 9, "Condens'd his Emanations...."
- 1804 to 1820
424
- Jerusalem, Plate 90, "The Feminine separates...."
- 1804 to 1820
425
- Jerusalem, Plate 93, "Enitharmon heard...."
- 1804 to 1820
426
- Jerusalem, Plate 94, "Albion cold lays on his Rock...."
- 1804 to 1820
427
- Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
- 1804 to 1820
428
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
429
- Jerusalem, Plate 98, "Then each an Arrow flaming...."
- 1804 to 1820
430
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
431
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
432
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
433
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
434
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
435
- For the Sexes: The Gates of Paradise, Plate 7, "Fire"
- 1826
436
- For the Sexes: The Gates of Paradise, Plate 5, "Earth"
- 1826
437
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
438
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
439
- Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
- 1804 to 1820
440
- For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
- 1826
441
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
442
- For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
- 1826
443
- For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
- 1826
444
- For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
- 1826
445
- For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
- 1826
446
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
447
- For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
- 1826
448
- For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
- 1826
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
449
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
450
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
451
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
452
- The Life, and Posthumous Writings, of William Cowper (volume 3)
- 1803-1804
453
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
454
- Book of Job, Plate 10, Job Rebuked by His Friends
- 1825
455
- Illustrations of the Book of Job
- 1825
456
- For the Sexes: The Gates of Paradise, London, 1826
- 1826
457
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
458
- Illustrations of Imitation of Eclogue I, Page 14
- 1821
459
- Illustrations of Imitation of Eclogue I, Page 17
- 1821
460
- Illustrations of Imitation of Eclogue I, Page 16
- 1821
461
- Illustrations of Imitation of Eclogue I, Page 18
- 1821
462
- Illustrations of Eclogue I, Introductory, The Giant Polypheme
- 1821
463
- Theocritus
- 1821
464
- Epicurus
- 1821
465
- Caius Julius Cæsar
- 1821
466
- Illustrations of Imitation of Eclogue I, Page 15
- 1821
467
- From Antique Coins
- 1821
468
- Octavius Augustus Cæsar
- 1821
469
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
470
- Publius Virgilius Maro
- 1821
471
- Thomas Hayley (1780-1800)
- 1800
472
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
473
- A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
- 1804
474
- A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
- 1804
475
- View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
- 1802
476
- Fashionable Bores, or Coolers in High Life
- 1824
477
- John Disney D.D., born Sept. 17, 1746, Died Dec. 26, 1816
- ca. 1820
478
- Woburn Sheepshearing
- 1811
479
- Mrs. Litchfield
- 1816
480
- View of the Thuilleries and Bridge, taken from the Quai d'Orsai
- 1802
481
- View of the City with the Louvre & Taken from Pont Marie
- 1802
482
- View of the Pont St. Michael, taken from the Pont Neuf
- 1803
483
- View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
- 1802
484
- A General View of Paris, taken from Chaillot 1803
- 1803
485
- View of the Gate of St. Denis Taken from the Suburbs
- 1803
486
- View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
- 1803
487
- Views of the Pantheon, taken from the Arsenal
- 1803
488
- 'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers..
- 1839
489
- Carstairs (Central View) Lanarkshire; page 57 (Volume One)
490
- The Chedder Cliffs, Somersetshire
- 1810
491
- Coast Scene with Fishermen Hauling a Boat Ashore
- undated
492
- The Bay of Baiæ - Apollo and the Sibyl
- undated
493
- The Golden Bough
- undated
494
- The Pilgrimage of Childe Harold
- undated
495
- Crossing the Brook
- undated
496
- Apollo and Daphne in the Vale of Tempe
- 1879
497
- Venice - the Dogana
- 1869
498
- The Grand Canal, Venice
- 1838
499
- Mercury and Argus
- 1841
500
- Ancient Carthage - The Embarcation of Regulus
- 1840