Creator Gender: male / Date: 1826 - YCBA Collections Search Search Results

1. Port Ruysdael

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1826 and 1827
Materials & Techniques:: Oil on canvas
Dimensions:: 36 1/4 x 48 1/4 inches (92.1 x 122.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. 'Sultan' at the Marquess of Exeter's Stud, Burghley House

Creator:: Lambert Marshall, 1809–1873
Date:: 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Captain Macheath Upbraided by Polly and Lucy in the 'Beggar's Opera', 1826

Creator:: Gilbert Stuart Newton, 1794–1835
Date:: 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 38 x 47 1/2 inches (96.5 x 120.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Day's Sport

Creator:: James Ward, 1769–1859
Date:: 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 39 1/2 x 51 1/4 inches (100.3 x 130.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Mary Marshall (née Saunders)

Creator:: Lambert Marshall, 1809–1873
Date:: 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 12 inches (35.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Seated Turk

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/4 x 16 1/4 inches (33.7 x 41.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Buckenham Ferry, on the River Yare, Norfolk

Creator:: Joseph Stannard, 1797–1830
Date:: 1826
Materials & Techniques:: Oil on panel
Dimensions:: 15 3/4 x 24 inches (40 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Grand Canal, Venice

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Oil on millboard
Dimensions:: 9 1/4 x 13 3/4 inches (23.5 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Barges on a River

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Oil on millboard
Dimensions:: 9 7/8 x 13 7/8 inches (25.1 x 35.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Miss Jane Puxley

Creator:: John Linnell, 1792–1882
Date:: 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 36 × 28 inches (91.4 × 71.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

11. Miss Puxley

Creator:: John Linnell, 1792–1882
Date:: 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 36 × 28 inches (91.4 × 71.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

12. Venus and Anchises

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 50 x 40 inches (127 x 101.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. The Ruins of Netley Abbey

Creator:: Print made by John Constable, 1776–1837
Date:: 1826
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Tours: Sunset: Looking Backwards

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1826 and 1830
Materials & Techniques:: Watercolor, gouache, graphite and pen and brown ink on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 4 7/8 x 7 3/8 inches (12.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. For the Sexes: The Gates of Paradise, Plate 1, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. For the Sexes: The Gates of Paradise, Plate 4, "Water"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. For the Sexes: The Gates of Paradise, Plate 6, "Air"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. For the Sexes: The Gates of Paradise, Plate 7, "Fire"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. For the Sexes: The Gates of Paradise, London, 1826

Creator:: William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Bound volume of twenty engravings
Dimensions:: Spine: 13 3/4in. (34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. On the River Tivy, near Cardigan, Wales

Creator:: William Payne, active 1850s
Date:: 1826
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 × 8 1/2 inches (14.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. View at Caernarvon, Wales

Creator:: William Payne, active 1850s
Date:: 1826
Materials & Techniques:: Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 8 1/2 inches (17.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

Creator:: Richard Morris, active 1830
Date:: ca. 1831
Materials & Techniques:: Pen in black ink with brown and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Deep-Dene, North West Front

Creator:: Thomas Barber, ca. 1768–1843
Date:: 1826
Materials & Techniques:: Engraving / Plate 3 Proof
Dimensions:: Sheet: 6 1/8 × 7 13/16 inches (15.6 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Little Gleaner

Creator:: unknown artist
Date:: between 1826 and 1866
Materials & Techniques:: Graphite and watercolor on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 7 1/8 x 6 1/4 inches (18.1 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. View of the Lurlei, Rhine

Creator:: unknown artist
Date:: between 1826 and 1866
Materials & Techniques:: Graphite
Dimensions:: Sheet: 9 7/8 x 12 1/8in. (25.1 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A View of Salisbury Cathedral

Creator:: David Charles Read, 1790–1851
Date:: between 1826 and 1866
Materials & Techniques:: Graphite heightened with white gouache
Dimensions:: Sheet: 7 3/16 x 8 15/16in. (18.3 x 22.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Deep-Dene. East or Carriage Front, Surrey

Creator:: William Wallis, 1794– active 1830
Date:: 1826
Materials & Techniques:: Engraving / Plate 1 Proof
Dimensions:: Sheet: 6 1/8 × 7 13/16 inches (15.6 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Preparatory Sketch for 'Seville Cathedral'

Creator:: David Roberts, 1796–1864
Date:: between 1826 and 1866
Materials & Techniques:: Watercolor heightened with gouache over graphite
Dimensions:: Sheet: 11 5/16 x 8 1/8in. (28.7 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Stratford Bow, as seen in September 1826

Creator:: George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Exeter Change

Creator:: George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The East Prospect of the New Bridge now erecting over the River of Thames, from Putney in County Surrey to Fulham in County Middlesex

Creator:: John Harris, 1811–1865
Date:: undated
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Hornsey

Creator:: George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A. More

Creator:: Print made by Robert Cooper, ca. 1800–1836
Date:: 1826
Materials & Techniques:: Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 4 5/16 inches (14.4 × 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Adams's Visit to Parson Trulliber

Creator:: Print made by George Cruikshank, 1792–1878
Date:: ca. 1831
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/16 x 5 11/16 inches (24 x 14.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

51. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826-1837
Materials & Techniques:: Line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 7 3/8 inches (12.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Nicholas Hilliard

Creator:: William Camden Edwards, 1777–1855
Date:: 1826
Materials & Techniques:: Line engraving, stipple engraving, and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 6 9/16 inches (25.3 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Title Page: Ports of England

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826 to 1828
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Whitby

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 1/4 inches (29.2 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Wrapper to 'The Ports of England'

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Etching and line engraving on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. McLean's Scraps for Albums

Creator:: McLean, active 1820s
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. McLean's Scraps for Albums

Creator:: McLean, active 1820s
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. McLean's Scraps for Albums

Creator:: McLean, active 1820s
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. McLean's Scraps for Albums

Creator:: McLean, active 1820s
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. McLean's Scraps for Albums

Creator:: McLean, active 1820s
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Horses [set of six]: 5. Charger

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1826
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 3/8 x 9 3/4in. (21.3 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. [Fox-Hunting] set of six: 3. A Leicestershire Burst

Creator:: Charles Loraine Smith, 1751–1835
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Horses [set of six]: 2. Stanhope Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1826
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 3/8 x 9 3/4in. (21.3 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Horses [set of six]: 6. Cabriolet Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1826
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 3/8 x 9 3/4in. (21.3 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. [Fox-Hunting] set of six: 2.The Redezvous of the Quor'n Hounds

Creator:: Charles Loraine Smith, 1751–1835
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Two of a set of four: The Royal Hunt. 2. Taking the Stag

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1826
Materials & Techniques:: Hand colored and color printed aquatint
Dimensions:: Sheet: 10 7/8 x 17 3/4in. (27.6 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Horses [set of six]: 3. Hunter

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1826
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 3/8 x 9 3/4in. (21.3 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Horses [set of six]: 4. Park Hack

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1826
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 3/8 x 9 3/4in. (21.3 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. [Fox-Hunting] set of six: 4.Loss of the Chaplain

Creator:: Charles Loraine Smith, 1751–1835
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. [Fox-Hunting] set of six: 5.Bagging the Fox

Creator:: Charles Loraine Smith, 1751–1835
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. [Fox-Hunting] set of six: 6. The Victory of obtaining the Brush

Creator:: Charles Loraine Smith, 1751–1835
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Lambeth Palace

Creator:: Edward Francis Finden, 1791–1857
Date:: 1826
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The North Prospect of the Cathedral Church of St. Mary at Worcester

Creator:: John Harris, 1811–1865
Date:: undated
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 13 7/16 inches (25.3 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Cathedral Church of Worcester

Creator:: John Harris, 1811–1865
Date:: undated
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 x 12 9/16 inches (20.9 x 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Coaching: A Scene at the Devil's Dyke near Brighton in the country of Sussex

Creator:: John Bruce, fl. 1826
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 × 16 7/8 inches (29.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Two of a set of four: The Royal Hunt. 1.The Meeting Place.

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1826
Materials & Techniques:: Hand colored and color printed aquatint
Dimensions:: Sheet: 10 7/8 x 17 3/4in. (27.6 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Horses [set of six]: 1. Cover Hack

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1826
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 3/8 x 9 3/4in. (21.3 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Coaching: The Elephant and Castle on the Brighton Road

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 21 1/4 x 30 1/2in. (54 x 77.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Illustration for- The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1826
Materials & Techniques:: Pen and black ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 x 4 1/2in. (9.8 x 11.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

82. Sketches from Life

Creator:: Edmund Thomas Parris, 1793–1873
Date:: 1826
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/8 × 4 3/4 inches (18.1 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Deep-Dene, South Front - Surrey

Creator:: Thomas Barber, ca. 1768–1843
Date:: 1826
Materials & Techniques:: Engraving / Plate 2 Proof
Dimensions:: Sheet: 6 1/4 × 7 7/8 inches (15.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. A Castle Above an Estuary

Creator:: William James Muller, 1812–1845
Date:: ca. 1831
Materials & Techniques:: Watercolor, goauche, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 5/16 x 16 3/8 inches (28.7 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 1/2 inches (28.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Loch Coruisk, Isle of Skye, Dawn

Creator:: George Fennell Robson, 1788–1833
Date:: between 1826 and 1832
Materials & Techniques:: Watercolor, gouache, scraping out and gum on thick, moderately textured, cream wove paper mounted on card
Dimensions:: Sheet: 17 3/4 x 25 3/4 inches (45.1 x 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Bass Rock

Creator:: Print made by William Miller, 1796–1882
Date:: 1826
Materials & Techniques:: Line engraving and etching, 2nd state on thick, moderately textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 11 3/16 × 15 1/8 inches (28.4 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Bass Rock

Creator:: Print made by William Miller, 1796–1882
Date:: 1826
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/2 × 19 3/4 inches (36.8 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Edinburgh Castle, Vignette Title to Vol. I

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Edinburgh from Leith Harbour, Vignette Title to Vol. II

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Line engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Edinburgh Castle, Vignette Title to Vol. I

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Beach at Culbone, Somerset

Creator:: unknown artist
Date:: 1826
Materials & Techniques:: Watercolor with graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 x 6 1/8 inches (8.5 x 15.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826
Materials & Techniques:: Line engraving, First published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 16 7/16 inches (26.8 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826-1832
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 5/16 inches (30.5 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Bolton Abbey, Wharfdale

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1826
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)

Creator:: Henry Courtney Selous, 1811–1890
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 12 5/16 inches (21.3 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Andrew Wilton

98. A Head Keeper, Windsor Castle, 1826

Creator:: John Frederick Lewis, 1804–1876
Date:: 1826
Materials & Techniques:: Black chalk, red chalk, conté crayon, graphite and white chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 8 1/4 inches (28.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. View of a Street in a French Town

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1831
Materials & Techniques:: Pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/8 x 13 3/8 inches (46 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Beauvais

Creator:: attributed to William Henry Hunt, 1790–1864
Date:: ca. 1831
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 3/4 x 13 3/4 inches (42.5 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Date 1826

Search Results

1. Port Ruysdael

2. 'Sultan' at the Marquess of Exeter's Stud, Burghley House

3. Captain Macheath Upbraided by Polly and Lucy in the 'Beggar's Opera', 1826

4. The Day's Sport

5. Mary Marshall (née Saunders)

6. Seated Turk

7. Buckenham Ferry, on the River Yare, Norfolk

8. Grand Canal, Venice

9. Barges on a River

10. Miss Jane Puxley

11. Miss Puxley

12. Venus and Anchises

13. The Ruins of Netley Abbey

14. Tours: Sunset: Looking Backwards

15. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

16. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

17. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

18. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

19. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

20. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

21. For the Sexes: The Gates of Paradise, Plate 1, Title Page

22. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

23. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

24. For the Sexes: The Gates of Paradise, Plate 4, "Water"

25. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

26. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

27. For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

28. For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

29. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

30. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

31. For the Sexes: The Gates of Paradise, Plate 6, "Air"

32. For the Sexes: The Gates of Paradise, Plate 7, "Fire"

33. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

34. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

35. For the Sexes: The Gates of Paradise, London, 1826

36. On the River Tivy, near Cardigan, Wales

37. View at Caernarvon, Wales

38. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

39. Deep-Dene, North West Front

40. The Little Gleaner

41. View of the Lurlei, Rhine

42. A View of Salisbury Cathedral

43. Deep-Dene. East or Carriage Front, Surrey

44. Preparatory Sketch for 'Seville Cathedral'

45. Stratford Bow, as seen in September 1826

46. Exeter Change

47. The East Prospect of the New Bridge now erecting over the River of Thames, from Putney in County Surrey to Fulham in County Middlesex

48. Hornsey

49. A. More

50. Adams's Visit to Parson Trulliber

51. St. Germain-en-Laye

52. Nicholas Hilliard

53. Title Page: Ports of England

54. Whitby

55. Scarborough

56. Wrapper to 'The Ports of England'

57. Scarborough

58. McLean's Scraps for Albums

59. McLean's Scraps for Albums

60. McLean's Scraps for Albums

61. McLean's Scraps for Albums

62. McLean's Scraps for Albums

63. Horses [set of six]: 5. Charger

64. [Fox-Hunting] set of six: 3. A Leicestershire Burst

65. Horses [set of six]: 2. Stanhope Horse

66. Horses [set of six]: 6. Cabriolet Horse

67. [Fox-Hunting] set of six: 2.The Redezvous of the Quor'n Hounds

68. Two of a set of four: The Royal Hunt. 2. Taking the Stag

69. Horses [set of six]: 3. Hunter

70. Horses [set of six]: 4. Park Hack

71. [Fox-Hunting] set of six: 4.Loss of the Chaplain

72. [Fox-Hunting] set of six: 5.Bagging the Fox

73. [Fox-Hunting] set of six: 6. The Victory of obtaining the Brush

74. Lambeth Palace