Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
7
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
8
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
9
Cornelius Varley, 1781–1873
Ship Study
1823
10
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
11
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
12
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
13
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
14
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
15
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
16
Robert Dixon, 1780–1815
The Late Entrance to Ber Street, Norwich
1810
17
Thomas Rowlandson, 1756–1827
Dr. Syntax with Kitty Cowslip
1821
18
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808
19
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
20
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
21
James McNeill Whistler, 1834–1903
Battersea Reach
1863
22
Thomas Rowlandson, 1756–1827
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
between 1809 and 1811
23
Thomas Rowlandson, 1756–1827
An Artist's Studio
1814
24
Thomas Rowlandson, 1756–1827
Dr. Syntax Copying the Wit of the Window
between 1809 and 1812
25
Richard Dadd, 1817–1886
Eastern Letter Writer
1863
26
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
27
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
28
Michael Angelo Hayes, 1811–1880
The Band of the 23rd Fusiliers
1838
29
Thomas Rowlandson, 1756–1827
Outside the Greengrocer's Shop
between 1805 and 1810
30
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
31
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
32
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
33
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
34
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
35
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
36
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
37
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
38
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
39
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
40
John Sell Cotman, 1782–1842
Cader Idris from the Mawddach Estuary above Barmouth
ca. 1802
41
John Augustus Atkinson, 1775–1831
Bologna, View in the Strada Maggiore
1819
42
Richard Dadd, 1817–1886
Family Portraits
1838
43
Alfred Diston, active 1818–1829
View of part of Realesco de abasco from the road to la Cruz Santa