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201. Caesar in Egypt

Caesar in Egypt
Creator:
Print made by William Walcot, 1874–1943
Date:
1926
Materials & Techniques:
Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 13 3/8 inches (27.9 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

202. Caesar in Egypt

Caesar in Egypt
Creator:
Print made by William Walcot, 1874–1943
Date:
1926
Materials & Techniques:
Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

203. William Beckford

William Beckford
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1772
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Commemoration of the Victory of June 1st, 1794

Commemoration of the Victory of June 1st, 1794
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engravng and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Creator:
Print made by Thomas Mann Baynes, 1794–1854
Date:
after 1835
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Monumentum hoc ad austrum in choro Ecclesiae cathedralis Worcestiae positum

Monumentum hoc ad austrum in choro Ecclesiae cathedralis Worcestiae positum
Creator:
Print made by James Basire the younger, 1769–1822
Date:
undated
Materials & Techniques:
Etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/4 × 6 13/16 inches (22.2 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. The Death of Chatham

The Death of Chatham
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Line engraving, and stipple engraving, published state
Dimensions:
Plate: 25 3/8 x 31 3/4in. (64.5 x 80.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. Key To The Figures In "The Death Of Chatham"

Key To The Figures In "The Death Of Chatham"
Creator:
Abraham Raimbach, 1784–1868
Date:
1794
Materials & Techniques:
Etching and engraving, published state
Dimensions:
Plate: 10 5/8 x 30 5/8in. (27 x 77.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. The Reform Bill receiving The King's Assent by Royal Commission

The Reform Bill receiving The King's Assent by Royal Commission
Creator:
Samuel William Reynolds, 1773–1835
Date:
1836
Materials & Techniques:
Mezzotint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 33 1/4 × 23 3/4 inches (84.5 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Glasgow Exhibition: Entrance from the Piazza

Glasgow Exhibition: Entrance from the Piazza
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:
Sheet: 11 1/8 × 7 1/4 inches (28.3 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

211. Glasgow Exhibition: From the Dome

Glasgow Exhibition: From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

212. Glasgow Exhibition: Ireland and Russia

Glasgow Exhibition: Ireland and Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige Asian paper, laid on mount
Dimensions:
Sheet: 6 1/4 x 9 1/16 inches (15.9 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

213. Cover of "The Yellow Book: an Illustrated Quarterly", Volume II, July 1894

Cover of "The Yellow Book: an Illustrated Quarterly", Volume II, July 1894
Creator:
Print made by Aubrey Vincent Beardsley, 1872–1898
Date:
1894
Materials & Techniques:
Photomechanical reproduction on thin, slightly textured, orange wove paper, laid on contemporary mount made of moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 11 x 8 9/16 inches (27.9 x 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

214. Cover of "The Yellow Book: an Illustrated Quarterly", Volume I, April 1894

Cover of "The Yellow Book: an Illustrated Quarterly", Volume I, April 1894
Creator:
Print made by Aubrey Vincent Beardsley, 1872–1898
Date:
1894
Materials & Techniques:
Photomechanical reproduction on medium, smooth, contemporary glossy paper, laid on contemporary mount made of medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 1/16 x 8 1/2 inches (28.1 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

215. The Meeting Of Edward V And His Brother, The Duke Of York

The Meeting Of Edward V And His Brother, The Duke Of York
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Flint Castle, North Wales

Flint Castle, North Wales
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1836
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 14 15/16 inches (27.9 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. Hendrik Karel Nicolaas Van Der Noot

Hendrik Karel Nicolaas Van Der Noot
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1787
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. The Forum Romanum

The Forum Romanum
Creator:
Print made by Josiah Henshall, 1806–1869
Date:
1830
Materials & Techniques:
Line engraving on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 5/8 × 7 3/4 inches (11.7 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. Marengo

Marengo
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 10 1/4 inches (38.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. Captain James Cook, F.R.S.

Captain James Cook, F.R.S.
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 9 3/4 x 7 3/4in. (24.8 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 5 13/16 inches (9 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. Hannibal Passing the Alps

Hannibal Passing the Alps
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 7/8 × 10 inches (37.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. Thais

Thais
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. The Battle of Trafalgar

The Battle of Trafalgar
Creator:
Print made by William Miller, 1796–1882
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Hannibal Crossing the Alps

Hannibal Crossing the Alps
Creator:
Print made by John Cousen, 1804–1880
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. Regulus leaving Carthage

Regulus leaving Carthage
Creator:
Print made by Samuel Bradshaw, 1830–1869
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. The Death of Nelson

The Death of Nelson
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Decline of Carthage

Decline of Carthage
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Dido Building Carthage

Dido Building Carthage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Temple of Jupiter Panhellenius, Aegina

Temple of Jupiter Panhellenius, Aegina
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. Caligula' Palace & Bridge

Caligula' Palace & Bridge
Creator:
Print made by Edward Goodall, 1795–1870
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 12 3/4 inches (21.6 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Heidelberg Castle

Heidelberg Castle
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 12 1/4 inches (21 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. Ancient Italy

Ancient Italy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 11 5/8 inches (23.2 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
Creator:
Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 13/16 x 9 3/16 inches (30 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. House in Which Turner Died

House in Which Turner Died
Creator:
John Burnet, 1784–1868
Date:
1852
Materials & Techniques:
Photomechanical print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. The Slave Ship

The Slave Ship
Creator:
Print made by Pellissier & Allen, active late 19th century
Date:
1900
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Howe's Victory off Ushant

Howe's Victory off Ushant
Creator:
Robert Dodd, 1748–1816
Date:
1795
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 7/8 × 30 inches (53 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Colonel Mordaunt's Cock Match at Lucknow

Colonel Mordaunt's Cock Match at Lucknow
Creator:
Richard Earlom, 1743–1822
Date:
1792
Materials & Techniques:
Mezzotint with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Thais

Thais
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Etching and stipple engraving (second state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 5/8 × 13 inches (52.4 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

243. Masonic Symbol

Masonic Symbol
Creator:
Print made by Prince Rupert, 1619–1682
Date:
1661
Materials & Techniques:
Mezzotint on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 7 5/8 × 6 5/8 inches (19.4 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

244. Hiram King of Tyre, Sends Presents to King Solomon

Hiram King of Tyre, Sends Presents to King Solomon
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1790
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/16 × 25 1/2 inches (49.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

245. Duke of Gloucester Taken into the Water Gate of Calais, 1380

Duke of Gloucester Taken into the Water Gate of Calais, 1380
Creator:
David Scott, 1806–1849
Date:
1841
Materials & Techniques:
Etching and roulette on moderately thick, smooth, beige wove paper mounted on canvas
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of David Bindman

246. The Battle at La Hogue

The Battle at La Hogue
Creator:
William Woollett, 1735–1785
Date:
1781
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 25 1/16 inches (50.2 × 63.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

247. This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1842
Materials & Techniques:
Aquatint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/16 × 22 3/16 inches (30.6 × 56.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Queen Katherine's Dream

Queen Katherine's Dream
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving and hand-coloring
Dimensions:
Sheet: 17 7/8 x 20in. (45.4 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. Presages of the Millenium

Presages of the Millenium
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Queen Judith reciting to Alfred when a child

Queen Judith reciting to Alfred when a child
Creator:
Richard Westall, 1765–1836
Materials & Techniques:
Engraving, mixed method on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 × 20 1/4 inches (67.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. The Great Britain Iron Steam Ship

The Great Britain Iron Steam Ship
Creator:
Thomas Picken, active 1838–died 1870
Date:
1846
Materials & Techniques:
Lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 21 7/8 inches (39.7 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Life School at the Royal Academy

Life School at the Royal Academy
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1773
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 x 30 3/8 inches (55.9 x 77.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. Le Coup de Maitre

Le Coup de Maitre
Creator:
James Gillray, 1756–1815
Date:
1797
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 3/16 inches (26.4 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. The Death of the Great Wolf

The Death of the Great Wolf
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/8 × 17 7/16 inches (34 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. The Arrest of Lord Edward Fitzgerald

The Arrest of Lord Edward Fitzgerald
Creator:
Print made by George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 9/16 × 8 11/16 inches (14.1 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

256. Van Tromp Going About to Please His Masters

Van Tromp Going About to Please His Masters
Creator:
Print made by Pellissier & Allen, active late 19th century
Date:
1900
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. The Battle of Trafalgar

The Battle of Trafalgar
Creator:
Print made by Pellissier & Allen, active late 19th century
Date:
1900
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. A Scene From the Farce of "The Critic," a Little Altered.

A Scene From the Farce of "The Critic," a Little Altered.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. The Harpies Attacking the Daughters of Pandarus

The Harpies Attacking the Daughters of Pandarus
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. The Society of Dilettanti

The Society of Dilettanti
Creator:
William Say, 1768–1834
Date:
between 1800 and 1820
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 × 15 1/4 inches (52.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. Procession of Queen Elizabeth

Procession of Queen Elizabeth
Creator:
George Vertue, 1684–1756
Date:
1742
Materials & Techniques:
Etching on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 15/16 × 27 inches (58.3 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

263. Camp Hill, Hastings

Camp Hill, Hastings
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. Camp Hill, Hastings

Camp Hill, Hastings
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. Damon and Pythias

Damon and Pythias
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/8 inches (30.7 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Another Saint Sebastian, Shot at by Cruel Archers

Another Saint Sebastian, Shot at by Cruel Archers
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 9/16 inches (30.5 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1849
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. The Dead Eagle - Oran

The Dead Eagle - Oran
Creator:
Print made by William Miller, 1796–1882
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. L'Incendie, (The Revolt)

L'Incendie, (The Revolt)
Creator:
Print made by Sir Frank William Brangwyn, 1867–1956
Date:
1919
Materials & Techniques:
Lithograph on medium, smooth, beige wove paper
Dimensions:
Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

273. Cortes and Pizarro

Cortes and Pizarro
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, open etching on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 8 5/16 inches (30.2 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

274. Sir Francis Bacon, 1st Viscount St. Alban

Sir Francis Bacon, 1st Viscount St. Alban
Creator:
unknown artist
Date:
1627
Materials & Techniques:
Engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/16 × 4 1/4 inches (17.9 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

275. Sir David Baird, 1st Baronet

Sir David Baird, 1st Baronet
Creator:
Anthony Cardon, 1772–1813
Date:
1806
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 7 5/8 inches (24.1 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. Admiral Charles Middleton, 1st Baron Barham

Admiral Charles Middleton, 1st Baron Barham
Creator:
Maria Anne Bourlier, active 1807
Date:
1809
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 11 inches (35.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

277. Sir Joseph Banks, 1st Baronet

Sir Joseph Banks, 1st Baronet
Creator:
Niccoló Schiavonetti, 1771–1813
Date:
1812
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper, with cream chine colle
Dimensions:
Sheet: 20 1/8 × 15 1/8 inches (51.1 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

278. Sir Francis Bacon, 1st Viscount St. Alban

Sir Francis Bacon, 1st Viscount St. Alban
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

279. The Merry Tales of the Wise Man of Gotham

The Merry Tales of the Wise Man of Gotham
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 5 3/16 inches (13.7 x 13.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

280. View of Tonbridge During the Late Election, December 18, 1832

View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

281. The Revolt of the Fleet, 1642

The Revolt of the Fleet, 1642
Creator:
John Harris, active 1686–1740
Date:
ca. 1710
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

282. Horatio, Lord Viscount Nelson, Duke of Bronte, K.B., Vice-Admiral of the White

Horatio, Lord Viscount Nelson, Duke of Bronte, K.B., Vice-Admiral of the White
Creator:
Edward Bell, active 1794–1847
Date:
1806
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 26 3/4 x 17in. (67.9 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

283. The Right Honorable Lord Rodney, K.B., Vice Admiral of Great Britain

The Right Honorable Lord Rodney, K.B., Vice Admiral of Great Britain
Creator:
Gainsborough Dupont, 1754–1797
Date:
c.1782
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 24 x 15in. (61 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. J. Richardson Dilworth

284. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. The Monument of King Edward III in Westminster Abbey

The Monument of King Edward III in Westminster Abbey
Creator:
Claude Du Bosc, c.1711–1740
Date:
undated, ca. 1726-1740
Materials & Techniques:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 3/4 × 8 3/4 inches (37.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

286. The Monument in Westminster Abbey of King Henry V

The Monument in Westminster Abbey of King Henry V
Creator:
George Vertue, 1684–1756
Date:
between 1699-1756
Materials & Techniques:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

287. Pomare, Queen of Tahiti

Pomare, Queen of Tahiti
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:
Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

288. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Creator:
Print made by George Baxter, 1804–1867
Date:
1841
Materials & Techniques:
Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

289. The Coronation of Queen Victoria

The Coronation of Queen Victoria
Creator:
Print made by Charles E. Wagstaff, 1808–
Date:
1842
Materials & Techniques:
Etching, line engraving, stipple engraving, and mezzotint on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 29 1/4 × 37 3/8 inches (74.3 × 94.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. Howe's Victory off Ushant

Howe's Victory off Ushant
Creator:
Robert Dodd, 1748–1816
Date:
1795
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 7/8 × 30 1/8 inches (53.1 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

291. Celebration of the 4th June at Eton

Celebration of the 4th June at Eton
Creator:
Charles G. Lewis, 1808–1880
Date:
1837
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 13/16 × 20 5/16 inches (42.7 × 51.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. A View of the Fire in Covent Garden

A View of the Fire in Covent Garden
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1769
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

293. The Gothic Bridge at Eudes, Tours

The Gothic Bridge at Eudes, Tours
Creator:
Print made by John Connell Ogle, active 1844–1864
Date:
1855
Materials & Techniques:
Chromolithograph, as published
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. Norham Castle on the River Tweed

Norham Castle on the River Tweed
Creator:
Print made by unknown artist
Date:
1855
Materials & Techniques:
Chromolithograph, as published
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

295. The Interview Between Edgar and Elfreda After Her Marriage with Athelwood

The Interview Between Edgar and Elfreda After Her Marriage with Athelwood
Creator:
William Wynne Ryland, 1732–1783
Date:
1786
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/8 × 24 3/16 inches (48.6 × 61.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..
Creator:
Charles Rosenberg, active 1828–1848
Date:
1831
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 13/16 × 20 inches (45.2 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. And This Was Caesar

And This Was Caesar
Creator:
Print made by John Bell, 1811–1895
Date:
between 1838 and 1850
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 6 5/16 x 8 1/16 inches (16 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

298. The Prince of Orange Landing at Torbay

The Prince of Orange Landing at Torbay
Creator:
Print made by William Miller, 1796–1882
Date:
1852
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. The Murder of James First, King of Scotland

The Murder of James First, King of Scotland
Creator:
Thomas Ryder, 1746–1810
Date:
1792
Materials & Techniques:
Etching and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch

James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch
Creator:
Print made by William Baillie, 1723–1810
Date:
1774
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 16 1/2 × 17 1/2 inches (41.9 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection