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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centuryImage Available Available
Remove constraint Image Available: AvailableWork Type watercolor
Remove constraint Work Type: watercolorSubject Terms clouds
Remove constraint Subject Terms: cloudsSearch Results
1
- Study for the Foundlings
- ca. 1739
2
- View of Ely Cathedral
- ca. 1796
3
- A Great Tree
- ca. 1796
4
- Evening Landscape with Castle and Bridge in Yorkshire
- between 1798 and 1799
5
- North East View of Grantham Church, Lincolnshire
- ca. 1797
6
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
7
- Near Grindelwald
- ca. 1796
8
- In the Valley Near Vietri
- ca. 1794
9
- Christ Church Gate, Canterbury
- 1793 to 1794
10
- Landscape with Trees and Figures
- ca. 1796
11
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
12
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
13
- Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
- 1794
14
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
15
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
16
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
17
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
18
- Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
- ca. 1797
19
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
20
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
21
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- 1797
22
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
24
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
25
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
26
- America. A Prophecy, Plate 2, Title Page
- 1793
27
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
28
- Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
- 1794
29
- Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
- 1794
30
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
31
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
32
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
33
- The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
- 1794
34
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
35
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
36
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
37
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
38
- Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
- ca. 1797
39
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
40
- The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
- 1794
41
- Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
- ca. 1797
42
- Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
- ca. 1797
43
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- ca. 1797
44
- Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
- ca. 1797
45
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
46
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
47
- Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
- 1797
48
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
49
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
50
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
51
- America. A Prophecy, Plate 1, Frontispiece
- 1793
52
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
53
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- 1797
54
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
55
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
56
- Satan Approaching the Court of Chaos
- 1784 to 1785
57
- Moses Receiving the Law
- ca. 1780
58
- Firing a Salute
- 1770
59
- Shipping in Southampton Water, off Calshott Castle
- undated
60
- A Prospect of Vapourland
- 1759
61
- The Birth of Venus
- undated
62
- Roslin Castle, Midlothian
- ca. 1780
63
- A View at Terracina
- 1778
64
- Nîmes from the Tour Magne
- ca. 1765
65
- Eastbourne from Lord G.: Cavendish's Seat in the Park
- 1787
66
- Country Scene: Figures by a Cottage Door and Cattle in a Stream
- 1795
67
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
68
- Traveling Potter Outside a Cottage
- 1798
69
- Design for a Ceiling
- undated
70
- The River Avon: with Passing Vessels
- 1785
71
- The Ranger, Private Ship of War, with her Prizes
- 1780
72
- Illustration to Homer's Iliad
- 1723
73
- Design for a Ceiling Decoration
- 1723
74
- Design for a Ceiling at Addiscombe: Bacchus and Ariadne
- undated
75
- Design for a portrait of an architect or a painter
- undated
76
- A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
- ca. 1715
77
- The North Terrace, Windsor Castle, Looking West
- ca. 1765
78
- The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
- July 14, 1792
79
- Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen
- undated
80
- View of Maglova Aqueduct
- ca. 1750
81
- Scoglio di Silla nel Faro di Mesina
- ca. 1750
82
- Views in the Levant: Temple Ruins at Paestum
- ca. 1785
83
- Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
- ca. 1785
84
- Stable Boy Holding a Horse in a Landscape
- undated
85
- Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
- between 1713 and 1718
86
- An Encampment in St. James Park
- ca. 1780
87
- Monte delle Beatitudini
- ca. 1750
88
- View of the Valley of Laodicea
- ca. 1750
89
- Stromboli
- 1750
90
- Design for Little Frogmore: Elevation
- 1791
91
- Scutari
- ca. 1750
92
- A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
- ca. 1775
93
- Modern Bridge at Narni
- 1795
94
- The Ascent of Vesuvius
- 1785 to 1790
95
- A Scene on Mount Olympus
- undated
96
- Isola Madre, Lago Maggiore
- ca. 1781
97
- Eton College from Datchet Road
- 1790
98
- Lichfield Cathedral, Staffordshire
- 1794
99
- Valle Crucis Abbey, Denbighshire
- ca. 1799
100
- The Tithe Barn at Abbotsbury with the Abbey on the hill..
- ca. 1795