<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Search Results

Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Hablot Knight Browne "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
Bradford Rudge "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin
Bradford Rudge, 1805–1885
"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin
undated
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
John Vanderbank "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
Henry Thomas Alken "The Cover Hack"
Henry Thomas Alken, 1785–1851
"The Cover Hack"
1827
James Gillray "The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar.
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
John Vanderbank "The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
Henry Heath "The Impudent Challenge" / The following Anecdote was told with great glee by his late Majesty William IV, at a Dinner given by George IV, at the Cottage, Windsor Park...
Henry Heath, active 1824–1835
"The Impudent Challenge" / The following Anecdote was told with great glee by his late Majesty William IV, at a Dinner given by George IV, at the Cottage, Windsor Park..
undated
Robert Dighton "The King and Noblemen Before the Stag is Turn'd Out"
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
John Vanderbank "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
Henry Thomas Alken "The National Sports of Great Britain" 1821: Badger Catching
Henry Thomas Alken, 1785–1851
"The National Sports of Great Britain" 1821: Badger Catching
1821
Henry Thomas Alken "The National Sports of Great Britain," 1821: Owling
Henry Thomas Alken, 1785–1851
"The National Sports of Great Britain," 1821: Owling
1821
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
C. Blake "The Poacher's Progress:" 'Poachers Snaring Pheasants'
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Snaring Pheasants'
undated
C. Blake "The Poacher's Progress:" 'Poachers Stalking for Partridges'
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Stalking for Partridges'
undated
C. Blake "The Poacher's Progress:" Poachers Before the Magistrates
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers Before the Magistrates
undated
C. Blake "The Poacher's Progress:" Poachers in Prison (The Pardon)
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers in Prison (The Pardon)
undated
C. Blake "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground
undated
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
Sir Alfred J. Munnings "Thorpe Station": Study of a Carriage Horse, Facing Right with a Study of a Hoof at Right
Sir Alfred J. Munnings, 1878–1959
"Thorpe Station": Study of a Carriage Horse, Facing Right with a Study of a Hoof at Right
undated
Henry Thomas Alken "Topping a Park fence and doing the thing easy"
Henry Thomas Alken, 1785–1851
"Topping a Park fence and doing the thing easy"
1827
James Gillray "Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
William Blake "Visions of the Daughters of Albion", London, by William Blake
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
Isaac Cruikshank "Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
Isaac Cruikshank, 1764–1811
"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
1784
John Raphael Smith "William and Margaret"
John Raphael Smith, 1752–1812
"William and Margaret"
1802
Hablot Knight Browne "You're Not Going to Follow, Belle, Are You?"
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
unknown artist 'A Mapp of St. Andrews Holborn Parish...'
unknown artist
'A Mapp of St. Andrews Holborn Parish...'
undated
unknown artist 'A Mapp of the Parish of St. Anns'
unknown artist
'A Mapp of the Parish of St. Anns'
undated
George Moutard Woodward 'A Whistler!'
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
George Townly Stubbs 'Anvil'
George Townly Stubbs, 1748–1815
'Anvil'
1794
George Vertue 'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
George Vertue, 1684–1756
'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
1750
George Townly Stubbs 'Baronet'
George Townly Stubbs, 1748–1815
'Baronet'
1794
George Townly Stubbs 'Baronet'
George Townly Stubbs, 1748–1815
'Baronet'
1794
unknown artist 'Creplegate Ward with its Divisions into Parishes....'
unknown artist
'Creplegate Ward with its Divisions into Parishes....'
Harry Hall 'Crucifix' with John Day Up
Harry Hall, 1838–1886
'Crucifix' with John Day Up
1840 to 1841
Not on view
unknown artist 'Dog and Duck', St. George's Fields
unknown artist
'Dog and Duck', St. George's Fields
1825
George Townly Stubbs 'Dungannon'
George Townly Stubbs, 1748–1815
'Dungannon'
1794
Charles Hunt 'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers...
Charles Hunt, 1803–1877
'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers..
1839
Abraham Cooper 'Elis' at Doncaster, Ridden by John Day, with his Van in the Background
Abraham Cooper, 1787–1868
'Elis' at Doncaster, Ridden by John Day, with his Van in the Background
between 1836 and 1837
Not on view
Henry Thomas Alken 'Getting Across the Country Like a Gentleman'
Henry Thomas Alken, 1785–1851
'Getting Across the Country Like a Gentleman'
undated
William Pether 'Gimcrack'
William Pether, ca. 1738–1821
'Gimcrack'
1766
Thomas Rowlandson 'How to Twist Your Neck'
Thomas Rowlandson, 1756–1827
'How to Twist Your Neck'
undated
Charles Hamilton Smith 'Hunting Scenes' in Africa, North & South America, Ceylon, Australia, The Antarctic, Arctic, etc.
Charles Hamilton Smith, 1776–1859
'Hunting Scenes' in Africa, North & South America, Ceylon, Australia, The Antarctic, Arctic, etc
Edward Calvert 'I have formed thee for my praise'
Edward Calvert, 1799–1883
'I have formed thee for my praise'
undated
Lionel Edwards 'I'm no advocate for leapin (sic), but there are times when it can't be 'elped!'
Lionel Edwards, 1878–1966
'I'm no advocate for leapin (sic), but there are times when it can't be 'elped!'
1916
Gilbert Joseph Holiday 'Join the Hickers Old Boy - You're Well Rid of the Brute'
Gilbert Joseph Holiday, 1879 –1937
'Join the Hickers Old Boy - You're Well Rid of the Brute'
undated
George Townly Stubbs 'Mambrino'
George Townly Stubbs, 1748–1815
'Mambrino'
1794
George Townly Stubbs 'Mambrino'
George Townly Stubbs, 1748–1815
'Mambrino'
1794
John Frederick Herring 'Margrave' with James Robinson Up
John Frederick Herring, 1795–1865
'Margrave' with James Robinson Up
1833
Not on view
John Hamilton Mortimer 'Poet, from A Midsummer Night's Dream, Act V, Scene i'
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
George Townly Stubbs 'Protector'
George Townly Stubbs, 1748–1815
'Protector'
1794
George Townly Stubbs 'Pumpkin'
George Townly Stubbs, 1748–1815
'Pumpkin'
1794
Henry Thomas Alken 'Rather Too Fast'
Henry Thomas Alken, 1785–1851
'Rather Too Fast'
undated
Henry Thomas Alken 'Rather Too Slow'
Henry Thomas Alken, 1785–1851
'Rather Too Slow'
undated
Henry Thomas Alken 'Riding to Horses with Difficulty'
Henry Thomas Alken, 1785–1851
'Riding to Horses with Difficulty'
undated
unknown artist 'Rose and Crown', Stoke Newington
unknown artist
'Rose and Crown', Stoke Newington
undated
Charles Hunt 'Satirist'. (with 'Coronation') Rode by W. Scott. / The Winner of the Great St. Leger Stakes at Doncaster 1841...
Charles Hunt, 1803–1877
'Satirist'. (with 'Coronation') Rode by W. Scott. / The Winner of the Great St. Leger Stakes at Doncaster 1841..
1841
Thomas Rowlandson 'Slender Billy' Taking Refreshment
Thomas Rowlandson, 1756–1827
'Slender Billy' Taking Refreshment
undated
Lambert Marshall 'Sultan' at the Marquess of Exeter's Stud, Burghley House
Lambert Marshall, 1809–1873
'Sultan' at the Marquess of Exeter's Stud, Burghley House
1826
Not on view
George Townly Stubbs 'Sweetbrier'
George Townly Stubbs, 1748–1815
'Sweetbrier'
1804
George Townly Stubbs 'Sweetbrier'
George Townly Stubbs, 1748–1815
'Sweetbrier'
1794
George Townly Stubbs 'Sweetwilliam'
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
George Townly Stubbs 'Sweetwilliam'
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
unknown artist 'The Bull and Gate', Kentish Town
unknown artist
'The Bull and Gate', Kentish Town
undated
Charles Rosenberg 'The Burial of Tom Moody', the celebrated Whipper in / who was upwards of Thirty Years in the service of George Forrester Esq. of Willey Hall, ...
Charles Rosenberg, active 1828–1848
'The Burial of Tom Moody', the celebrated Whipper in / who was upwards of Thirty Years in the service of George Forrester Esq. of Willey Hall, ..
1831
James Seymour 'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
Thomas Rowlandson 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
Thomas Rowlandson, 1756–1827
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
between 1809 and 1811
James Roberts 'The Happy Consultation' or 'Modern Match'
James Roberts, active 1766–1809
'The Happy Consultation' or 'Modern Match'
Cecil Charles Windsor Aldin 'The Hounds Began Suddenly to Howl in Chorus'
Cecil Charles Windsor Aldin, 1870–1935
'The Hounds Began Suddenly to Howl in Chorus'
undated
unknown artist 'The Old Castle Inn', Kentish Town
unknown artist
'The Old Castle Inn', Kentish Town
Thomas Rowlandson 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
Thomas Rowlandson, 1756–1827
'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
undated
William Artaud 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
William Artaud, 1763–1823
'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
1788 to 1790
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
James Seymour 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
George Townly Stubbs 'Volunteer'
George Townly Stubbs, 1748–1815
'Volunteer'
1794
James Gillray ("Portrait of Gentleman" Walking)
James Gillray, 1756–1815
("Portrait of Gentleman" Walking)
1800
Dean Wolstenholme (1) Death of Tom Moody...Exhibiting a View of Rockwood in Shropshire
Dean Wolstenholme, 1757–1837
(1) Death of Tom Moody...Exhibiting a View of Rockwood in Shropshire
1841
Dean Wolstenholme (2) Burial of Tom Moody...Exhibiting the View of Willey Church in Shropshire
Dean Wolstenholme, 1757–1837
(2) Burial of Tom Moody...Exhibiting the View of Willey Church in Shropshire
1841
William Brockedon (A study of large rocks and trees)
William Brockedon, 1787–1854
(A study of large rocks and trees)
Wenceslaus Hollar (i) A True and Exact Prospect of the Famous Citty of London . . . (ii) Another Prospect of the Sayd Citty taken from the Same Place . . .
Wenceslaus Hollar, 1607–1677
(i) A True and Exact Prospect of the Famous Citty of London . . . (ii) Another Prospect of the Sayd Citty taken from the Same Place . .
1666
Wenceslaus Hollar (i) A True and Exact Prospect of the Famous Citty of London, . . . (ii) Another Prospect of the Sayd Citty taken from the Same Place . . .
Wenceslaus Hollar, 1607–1677
(i) A True and Exact Prospect of the Famous Citty of London, . . . (ii) Another Prospect of the Sayd Citty taken from the Same Place . .
1666
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated